lovecraft68
Bad Doggie
- Joined
- Jul 13, 2009
- Posts
- 42,038
We all know every genre has its go to clichés/tropes, erotic is not only no different, but I feel it has more of them. The same devices can be used repeatedly and people will eat them up.
Classics, like the hot teacher, the sexy babysitter, the blackmailing boss, etc...they've been done countless times and people always enjoy them and never say "This again"
But if you use the same basic focal point in a story, can you make them different? Do you feel you do, or feel they're a little redundant, but figure who cares and write them anyway?
It dawned on me in a recent E-book I've used a specific kink of mine three times, all in taboo stories. The kink is what I call "who goes there" sex between two people in a dark room with either one, or both, having no idea who they're with.
I did a brother/sister first (Shh, placed in the April Fools a couple years ago and the sister knew, brother did not)
A father daughter (daughter set it up, father had no idea at the time) called Mommy won't, but I will (not here)
And the last was a Mother/Son where neither knew who the other was (Mom, That was you? Not here)
IMO I've done all three different enough to keep the premise fresh, but I do still wonder if you can go to the well too many times, and if I feel that was the case, does the reader? As again, one thing lit has seemed to prove to me is if anything readers get more put off for giving them something different instead of the familiar material
Thoughts, examples?
Classics, like the hot teacher, the sexy babysitter, the blackmailing boss, etc...they've been done countless times and people always enjoy them and never say "This again"
But if you use the same basic focal point in a story, can you make them different? Do you feel you do, or feel they're a little redundant, but figure who cares and write them anyway?
It dawned on me in a recent E-book I've used a specific kink of mine three times, all in taboo stories. The kink is what I call "who goes there" sex between two people in a dark room with either one, or both, having no idea who they're with.
I did a brother/sister first (Shh, placed in the April Fools a couple years ago and the sister knew, brother did not)
A father daughter (daughter set it up, father had no idea at the time) called Mommy won't, but I will (not here)
And the last was a Mother/Son where neither knew who the other was (Mom, That was you? Not here)
IMO I've done all three different enough to keep the premise fresh, but I do still wonder if you can go to the well too many times, and if I feel that was the case, does the reader? As again, one thing lit has seemed to prove to me is if anything readers get more put off for giving them something different instead of the familiar material
Thoughts, examples?