Abby's World

GoddessSarah

Virgin
Joined
Dec 24, 2014
Posts
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I have a rp world that I've been working on with my partner for the last 3 and a half years. As my partner has been very busy lately, I'm seeking out new (female only) partners to play scenes in this world with me (in live chat).
This creation is deeply personal for me and I would ask that it not be used without my consent.

The backstory is vast and what I present here is an outline, each paragraph of which easily represents several scenes that my partner and I have played together.
I've gathered this text in pieces, having explained the backstory to people conversationally. Ordinarily my tone for things like this is more formalized, but with the size of it, I think this works as an introduction.

Please understand that this is just the bones of the world. There are vast portions of it which are not mentioned here and I may add to this initial post with more details/stories/etc. as I go on.

This story involves heavy BDSM elements, as well as intense emotional storylines.

The world centers around my character, Abby Jacobs.

Abby is, a lot of things. When we first meet her, she's moving from North Carolina to Chicago.

In Chicago, Abby is a yoga instructor and masseuse. At night, she moonlights as a domme to high-powered Chicago businesswomen. Abby is a gold-star lesbian, has never been with a man in her life, has no interest in them.

After she graduates from UNC, she moves to Chicago. Shortly after that she meets Amy (my partner's character) at a bdsm club in the north-side of the city. Amy and Abby become fwb and try dating a bit, but they have different styles and decide they are better as friends.

For a year or so Amy and Abby fuck, spend a lot of time together and have separate adventures. Amy is in a band, drives an Uber, and her dayjob is running errands for Hollywood studio productions that come to Chicago. Abby writes stories and screenplays, Amy writes stories and music. Abby is a domme, but can submit. Amy is a sub, but can dominate.

After a while like this, Amy hears through the grapevine that Angelina Jolie is shopping for a new submissive. Angelina is a goddess-domme. Very serious about it, very powerful, very sexy. Angelina is looking for someone young and serious who knows enough to be trainable.

Amy immediately thinks of Abby. Amy recommends Abby to Angelina and Angelina arranges to meet Abby by intercepting one of Abby's clients and giving Abby a tryout at a fancy Chicago hotel. Abby manages to impress her and, after a few more sessions, Angelina makes Abby an offer.

Abby will move to Los Angeles and become Angelina's slave. Angelina will keep her confined to a nice penthouse apartment in a downtown LA high rise. For a year, Abby will not leave the apartment without Angelina. Angelina will train her as a domme and sub and bring Abby to a much higher level, in exchange, Angelina pays for all of Abby's expenses and promises to help set her up as a proper Hollywood screenwriter after the year is complete. Abby will also remain in Angelina's service after her confinement is over, but will be allowed to live and move as she pleases.

Abby agrees and moves to LA. For a year, she lives in the penthouse. Sees Angelina almost everyday, submits and occasionally tops Angelina. She gets her skills up as a writer and a sub and dome. Angelina introduces Abby to a couple of people while she's in the penthouse.

Angelina has Jodie Foster over one night to sample Abby. Abby prepares their dinner and then puts on a show for Ms. Foster. Near the end of the year, Angelina introduces Abby to her first Hollywood client.

Scarlet Johansson is Abby's first big-time client. She's a painslut and craves and needs pain in order to orgasm. She had submitted to Angelina and a couple of other people previously, but Angelina suggests that she try Abby and she is finally able to come with Abby's help.

Abby is all about giving clients what they need. Her first priority is always the person she's with. Shortly after meeting Scarlett, Abby is released from her captivity. Angelina arranges for her to take a week's vacation in Hawaii while a townhouse is set up for Abby to live in in Hollywood.

In Hawaii, Abby meets Hayden Panettiere. Hayden is a switch and pretty casual about bdsm and her own bisexuality. At the time, she's dating a boxer (Vladimir) who she'll eventually marry. Hayden likes sexual games and is playful in bedroom scenes. She takes a liking to Abby and becomes Abby's second client when they get back to LA (this is after a fun meet-seduce-fuck scene in Hawaii). Hayden's big fetish is motherhood. That'll come back later.

Abby settles into her new life as Angelina's employee. Angelina is a UN Goodwill Embassador. Abby's new job title is "Special Counselor to the Office of the UN Embassador" (because you can't put "sex slave" on a passenger manifest). Abby sees clients and writes during the day and is sort of constantly on-call for Angelina, whenever she wants to see her. Abby travels with Angelina on trips to Cambodia, Paris, New York, etc. She also maintains Angelina's office at the UN and keeps up with anything that comes up there (it's relatively quiet, but Abby takes it seriously)

About 6 months after Hawaii, Abby is heading to a Starbucks in Los Feliz when she gets into a fender bender. The driver of the other car is Emma Stone. Emma and Abby have a bit of a meet-cute and Emma, by way of apology for the accident, buys Abby a cup of coffee and they chat a bit. The next day, Emma calls to exchange insurance info and mentions that her neck is stiff from the accident. Abby, being a masseuse and all about helping people, offers her a massage.

The next day, Abby comes by to massage her. Emma inquires about the other things Abby does. Abby talks about sensual massages... and hints at her domme-services. Emma is a novice, but is intrigued.

Emma likes to explore and her policy is very much "if it feels good, do it." She's all about getting orgasms, getting bigger orgasms and getting bigger, stronger, body shaking orgasms as much as possible. Emma starts to see Abby on a professional basis once a month or so, when she really needs a good hard orgasm.

Not long after this, Abby is in session with Scarlett one day when Scarlett's phone rings. Abby lets Scarlett take the call. It's Keira Knightley. Keira and Scarlett did a nude photo shoot together a few years ago and became friends. Keira and Scarlett had a brief fling, (really more of a fun weekend) but weren't really compatible. Scarlett gets off on torture and Keira enjoys submitting.

(if you haven't, watch A Dangerous Method and it explains a lot about where Keira's interest in bdsm comes from)

Keira is calling because she has a burgeoning interest in petplay and she's wondering if Scarlett would be willing to explore that with her. Owning puppy-Keira isn't Scarlett's thing, but she knows someone who might be willing to help.

And so Abby flies to Heathrow to meet her newest client. Keira is unsure of herself with this new fetish, but Abby provides a safe space for her to explore her fantasies and Keira loves being a puppygirl. Before long, once every month or 2, Keira spends a weekend (or a week) as Abby's live-in pet. She wears a collar and tail and never uses human words as long as the collar is on.

Next, Angelina and Abby go to NYC for a few days at the UN. Emma Watson gives her HeForShe speech at the UN. Abby is there to check Angelina's messages and they run into each other when Abby is trying to find Angelina while she's off talking to other dignitaries. Abby and Emma strike up a conversation. Abby, being a student of anatomy, psychology and human nature, picks up on an undercurrent of discomfort in Emma.

She gets Emma to open up and it turns out that, while Emma is serious about her message of empowerment, she has a secret craving to be fucked like a 1950's housewife. She really longs to just lie back and let a man have his way with her, after she prepares him a big dinner and sucks his cock. It's a craving that she won't admit to anyone, can barely admit to herself, but Abby, seeing an opportunity to help someone, offers her services to Emma. Emma thinks that exploring this fantasy with a woman is better than letting a man treat her that way, and would be less of a betrayal of the sisterhood

A couple of weeks later, Abby comes to England and gives Emma a weekend of her fantasy. Emma becomes a regular of Abby's.

Around this time, the photo leak happens. A lot of celebs get burned with leaked nudes online.

One of the hardest hit was Jennifer Lawrence.

Jennifer is friends with Emma Stone. Emma Stone keeps an eye on Jennifer as she deals with the leak. Jennifer puts on a brave face for the public, but privately, she's devastated with the invasion of her privacy. So, Jennifer, in an attempt to get herself out of her funk, decides to host a week at a beach house in the Hamptons (really a mansion that she rents out for a week). She invites a few friends to join her.

Emma comes and makes Abby her plus one. On the 3rd morning in the Hamptons, Abby wakes up early to do some yoga. She swings by the kitchen first and bumps in to Jennifer and this is their first time getting to talk alone. Abby tries not to get into "therapist-mode" but she can't not try to help here.

After a bit of chatting she tells Jen that she's got a great idea for breakfast. They go out to the water and hop on a jetski. Abby drives them down the coast for a few miles and heads to this cool little place on a dock that sells bagels and breakfast sandwiches. They have a little "sail-thru" window and then Abby and Jen head for open water. Abby drives them out to where you can just barely still see the shore and then spins around in her seat so they can eat. The 2 of them chat and Jen, away from photographers and the rest of the world, finally opens up about all the things that have been bothering her.

Abby gives her a safe space to say whatever she needs to say. Jennifer feels really at ease with Abby, she's able to get so much off her chest while they're out on the water. By the time they come back to shore, Jen has made a friend. They find little moments to talk just the 2 of them over the rest of the week. Abby tells Jen to call her when they both get back to LA.

When they get back to LA, this is the start of what I call the "year of friendship"

Abby knows Jen is straight. And Abby's smitten, but knows better than to try anything. And she doesn't want to fuck Jen, she wants to love her. A week or so after they get back, Jen calls Abby and they hang out, spend an evening together.

Abby's a good cook, Jen likes that Abby takes care of her. Jen asks about how Abby knows Emma, but Abby doesn't discuss clients. It's the start of Jen learning Abby. At their next visit, the weekend after, Abby puts on a movie and they watch on the couch together. Jen falls asleep on top of Abby, it's her first good nap in a while. A week after that, Jen asks for a massage, Abby comes to her place, does a good massage, using all her skills. Jen, again, manages to sleep, and wakes up to find Abby reading a book in the corner.

In the meantime, Abby is still writing, and working for Angelina, and seeing clients.

Jen presses Emma about Abby and Emma offers a few enticing details. As all this is going on, Angelina sees what it's doing to her submissive. She knows Abby is falling for Jen before Abby knows herself. Partly out of jealousy and partly out of a desire to protect Abby's heart, Angelina institutes some new rules. One of which is that Abby is to be punished for every hour she spends with Jen. She has to take a whip lash for each hour.

Not long after that, Jen presses Abby about her so-called sensual massages that Emma mentioned. Abby is reluctant, but still horny, so she tells Jen that it's something they can try.

A few days later, Jen sees Abby nude for the first time as Abby gives her a sensual massage, using her body to rub Jen down. Abby, on her best behavior, has a rule. Jen can see anything she wants, but Abby won't allow herself to see Jen naked. Jen is confused by the rule, but accepts it. During the massage, at one point, Abby's knee slips and her labia lands on Jen's back. Jen realizes that Abby is soaking wet and they have a giggly moment as Abby recovers. The massage, being sensual, not sexual, doesn't end with an orgasm, but with the 2 of them falling asleep next to each other. When they wake up, Abby hops in the shower to rinse off. Jen puts on a robe, Abby stays professional. Jen doesn't quite realize what she does to Abby, and Abby makes a point not to reveal her crush.

A month or so after this, Angelina goes on a trip to Cambodia and takes Abby with her. During the month before this, Jen starts sleeping at Abby's house once or twice a week. It's the only place she can get a reliable good night's sleep. Before Abby leaves for Cambodia, she gives Jen a key to the place so that Jen can get her mail and keep an eye on things.

Abby keeps the shampoo and soap that Jen likes in her shower. Jen's side of the bed has a cell charger for her phone. Abby always keeps the place ready in case Jen wants to come over, and diligently reports the hours to Angelina so she can be whipped the proper amount. Always careful to hide the marks from Jennifer, so that she doesn't have to answer any awkward questions.

On the flight to Cambodia, Angelina fucks her submissive, but then falls asleep (it's a private UN charter). Abby, still awake, sits down and starts writing again, inspired by her favorite muse.

With a playful sort of whimsy, she puts together a treatment about being trapped on a spaceship with Jennifer, and how the two of them would fall in love together being stuck with no others to bother them. Abby slaps the title "Space Date" on it and shows it to an amused Angelina in the last hours of the flight. Angelina, being Abby's patron, takes the script a bit more seriously than Abby does. She tells Abby to finish it on the flight home. Abby polishes it a bit more, gives it the more refined title of "Star Crossed." Angelina takes the script. Abby thinks nothing of it.

After they get back to LA, Abby tells Jen to keep the key and to come and go as she pleases. For the rest of the year, Jen spends 3 or 4 nights a week there at least.

Abby finally sells her first script to a studio that begins production. The script, Earthshaker, is about the 1907 San Francisco earthquake, and tells the story of a woman, played by Scarlett Johannson, who helps to save a neighborhood near the bay, from the fires started by the quake. Scarlett had helped Abby get the script sold to Robert Redford's American Film Company, which focuses on real American stories.

Scarlett knows Redford, gives him the script. He likes it, decides to buy it and direct it and picks Scarlett as the lead. Abby goes to SF for a bit to be of assistance on the shoot. Jen, knowing Abby is out of town, still goes to her place to sleep, wearing one of Abby's shirts, mostly for the familiar scent.

Abby starts getting better and better work out of her writing.

On New Year's Eve, Jen comes to Abby's place to watch the ball drop. At midnight, they have a very chaste kiss, just a slip of tongue, nothing tawdry, but Jen is surprised that she still is thinking about it a week later.

Things mostly stay normal during all this. Earthshaker premieres in March to a moderate box office, but great reviews.

In April, Angelina announces that she (and Abby) will be going to sub-Saharan Africa for 6 weeks to start a clean water initiative.

There's a pretty powerful scene not long before this, Abby, frustrated with this pent up desire, goes a little too far in a scene with Hayden. Scarlett, being there to observe, talks her down (if you saw Black Widow and the Hulk in Avengers 2, you get the idea of that dialog).

Abby begins prepping for the UN trip. She runs Angelina's security and so now has to coordinate with the UN and 3 central African governments.

A few months prior to this, Abby had had a conversation with Jen, encouraging her not to let Abby be her excuse for not dating, or interacting with the world. With Abby being busy doing prep, Jen decides to try going on a date again. It's a disaster. She finds the guy to be utterly uninteresting and unrefined, wishing she was with Abby the whole time. Still, Jen being Jen, the press finds them and a few photos end up on TV.

Abby is privately devastated. She doesn't call Jen after the date, still busy with prep. The morning Abby is supposed to fly, Jen comes to Abby's place, slightly miffed that Abby hasn't returned her calls. They have a bit of a spat, but Abby makes the reasonable excuse that she's been coordinating. Jen, turning the tables, says to Abby, "You told me not to let you be the reason I'm not dating... Why are you still single?"

Abby replies, "Because you never asked me out" and walks away.

By the time Jen recovers from hearing that, Abby is out the door and headed to LAX. Jen goes back to her apartment and finds a bouquet that Abby had sent the night before, congratulating her on the date and telling her that she'd call her as soon as she got back to civilization.

For the next 6 weeks, Abby buries herself in her work, writing, laying pipe for the water effort, serving Angelina. She's out of contact with everyone, and is able to let go a bit of the tight grip that she'd had since Jen became an everyday part of her life; not having to wear a mask anymore. Near the end of the trip, they return to a hotel, their first time in a city since they arrived.

While Abby was gone, Jen has been having a bad time of it. not able to sleep, frustrated in life, just out of her rhythm. She tries dating another guy, but it goes just as badly as the first. Photos of that one date wind up on TMZ and make it onto a couple of gossip shows.

In Africa, at the hotel, Abby sees the pics and assumes Jen has moved on (not speaking whatever language the TV show is using). Jen, meanwhile has flown to NYC to see Emma and try to clear her head. Emma, knowing Jen and Abby's feelings better than they themselves, helps Jen come to the realization that what she's missing is Abby and that how she feels about Abby is more than friendship and more than casual. Emma fills her in on what the whip marks really mean. (Jen knows Abby gets whipped a lot, but doesn't know it's for her).

Jen had already had hints of a physical attraction to Abby, but she's finally able to acknowledge it.

Jen, still trying to sort things out, goes for a walk in Manhattan before sunrise. She's sitting on a rock in Central Park, eating a bagel when her phone rings. It's Abby, who's finally made it to Cairo and gotten her cell phone back with decent reception. Jen can't keep the happiness out of her voice and the two of them admit how they feel about each other, completely and honestly.

Abby's about to fly back to the states, so they decide to meet up in Chicago before heading back to LA together. After landing at O'Hare, Abby meets Jen at a little coffee shop in Wrigleyville and they have a magical first kiss as a couple. Back at the hotel, they finally make love. It's a little awkward for Jen at first, but Abby puts all the focus on Jen's pleasure and pretty much blows her mind.

The next night Jen takes Abby to a Billy Joel concert at Wrigley Field. Jen has been invited to come on stage and sing Hanging Tree and kind of whatever.

Before they leave for the concert, Abby tells Jen that it's okay if she'd rather keep their relationship private. She knows that it could really hurt Jen's career if she goes from America's sweetheart to gay overnight.

At the concert, Jen and Abby get up there together with a few of Joel's entourage. They dance a couple of songs, Jen sings and at the end of her number she throws an arm around Abby and says, "What up Chicago? I'm Jennifer Lawrence... and this is my girlfriend." and kisses Abby in front of everyone.

The internet explodes.

After the concert, they go back to the hotel. As you can imagine, their phones are going crazy. People calling to congratulate and such. Around midnight, Jen is in the shower and Abby gets a call. It's Scarlett. Scarlett congratulates her on getting with Jennifer, but asks if she's still going to see clients.

Abby is in the middle of saying that she's not sure when Jen taps her shoulder. Jen has overheard the call and tells Abby to take the appointment with Scarlett. Jen doesn't want to change Abby's life, or her work, because she knows both mean a lot to Abby. When they get back to LA, Scarlett agrees to let Jen sit in on a bdsm session.

Abby wants Jen to understand who she is, and part of that is knowing what Abby is capable of. "You deserve to know who you're sleeping next to." Abby says.

Jen sits in on a session and sees Abby take Scarlett to some amazing places. It's shocking, but also really sexy, and Jen starts to understand that she likes seeing Abby in that mode. She likes watching Abby send Scarlett through the roof. She likes to watch.

Over the next few weeks, Jen gets Abby to start showing her some things from BDSM first hand, sits in on more sessions and gets acquainted with Abby's other clients.

Jen also gets Abby to introduce her to anal sex. For Abby, it’s a careful process. A few months go by and the 2 of them "date" but it's really basically just what they did before, but with sex at the end of the day they're friends who've become lovers, and the lines are blurry.

About 6 months after Wrigley, Jen comes to Abby's place after a day at the studio. Just a regular day. She finds Abby in the office working on a new script called "The Last Ocean."

Abby and Jen walk down to the beach and Abby tells Jen about it. It's the story of Carl Sagan and Ann Druyan. They worked on the golden record for the Voyager space probes back in the 70's. With a small team, they made a record called "The Sounds of Earth" with over 150 languages, animal sounds, songs, nature sounds.

Jen and Abby walk on the beach and Abby tells Jen about the music of Blind Willie Johnson.

Dark was the night, cold was the ground.

Willie Johnson died penniless in the ruins of his house that had burned to the ground, but his music is one of humanity's ambassadors to the universe. They watch the sunset and see the first stars come out.

Abby holds Jennifer's hands and says, "It's always amazing to me that every atom inside of us was made inside a star. Every atom was born in a star and exploded out into the universe on a cosmic voyage that would have made Odysseus pale in comparison. And each one somehow made its way to Earth, and eventually formed a perfect miracle, that I call Jennifer."

Abby lets go of Jen's shoulders as they've been watching the stars. Jen turns around to find Abby on one knee with a ring in her hand.

And that's the proposal

Then we get into wedding planning

Angelina, being Angelina, and wanting to maintain a certain dominance over Abby, declares that she's going to do a Prima Nocte for Jen and Abby on their wedding night. Angelina is going to fuck Jennifer on their wedding night, and make Abby watch.

My partner and I still haven't played this scene yet (though it's a big one) but the gist is that, after the wedding, Jen and Abby sneak off to consummate, then hit the reception. After the reception, Angelina goes with the 2 of them. Abby gets strapped down to a bondage rig, facing her new wife. Jennifer, still in the dress, is fucked by Angelina and moans so pretty for her. Angelina even gets Jen to moan her name right in front of Abby, which Jen feels bad about but Abby's like, "I know what she can do, it's okay"

For those that are curious, ask and I can provide a link for Abby's wedding dress.

Jen's wedding gift to Abby is a big house outside LA where they will live. It's got an office downstairs, a library, beach access, pool and hottub, and upstairs, behind the master bedroom, is a red room, fully stocked. Jen kind of gives Abby a blank, sound-proofed room behind the bedroom and Abby stocks it after they move in together.

Abby's wedding gift to Jen is a new script called Prairie Heart. It's a love story set in the Old West.



Prairie Heart synopsis: See comments below.



Jen plays Maggie, Scarlett plays Sarah.

Abby goes on to win an Oscar for Best Original Screenplay for Prairie Heart

Angelina directs.

The Trivia Page for Prairie Heart: See comments below





Abby's acceptance speech at the Oscars...

Transcript

Halle Berry:

And the Oscar goes to... Abby Jacobs - Prairie Heart

(applause)

Announcer:

This is Abby Jacobs first nomination and first Oscar.

Wow… this is unbelievable. Honestly, I’m amazed… I’d have voted for Sorkin’s Chicago Five movie. (laughter) Gosh, so many people to thank. My wife, Jen, you are the light of my world and you brought Maggie Gregg to life in a way that no one else could. And I promise that I’ll never stop trying to impress you. Scarlet, I think I gave you 20 words to say and you blew the doors off the place. Angelina, you are a goddess in high heels and you brought my vision to a camera lens and I’ll never be able to thank you enough. Before I go, I just want to say, I wrote this for Jen, but I also wrote it for anyone who has ever lived in fear. For anyone who stayed silent when their heart wanted to speak. Stand and we will stand with you. Make every voice heard and remember that what makes us different is also what makes us beautiful! Thank you all from the bottom of my heart.


After that, Abby goes on to write the Black Widow movie for Scarlett and Marvel.

Abby's next script is a biopic of Sally Ride called Challenger. Jennifer plays Sally Ride. It gets them both another Oscar. Abby's 2nd, Jen's 3rd. Not long after Challenger, Jen has to go to Europe for a 2 month shoot.

While she's away, she arranges for Abby to meet Anne Hathaway. Anne is a princess domme/switch. Very into pleasure. Becomes kind of a girlfriend to Abby, more than the typical client. Abby sees her as sort of a mirror. They have similar styles and tastes. Though Anne is way more formal and proper. Abby does eventually take Anne's ass with Jen watching.

Anne becomes a regular. It's not unusual for Jen to come home and find Anne there. she likes to walk around abby's office naked, eating an apple, just a muse for Abby.

Abby’s next film is Flyer, about the Wright Brothers at Kitty Hawk and later their time in France. It’s strange for Abby as it’s a male-driven story. Bradley Cooper plays Orville. Anne Hathaway plays a prominent French woman who takes an interest in Orville and his aircraft.

Every 4th of July, Abby has everyone over. The British girls have to submit to the American girls. Everyone enjoys making Emma Watson and Keira into submissive little bitches. They use body paint to make them red white and blue

Abby’s “Star Crossed” script becomes Passengers, though it goes through many rewrites that Abby is not a part of and she goes uncredited on it. Abby only tells Jen about her part in writing it after it’s begun, and helps with some rewrites that improve it from the version that is widely known.

Abby is approached by Maggie Gyllenhaal to write Secretary 2. Abby works up a script.

It's got Maggie's character married to her man now. They try to conceive, but are unable to. So, she starts to look for a surrogate (played by Hayden Panettiere). Over the course of the story, Maggie has to make peace with watching her husband breed another woman, and in turn, Maggie starts to fall in love with the woman who's having her husband's baby. By the end, the 3 of them raise the child together in harmony.


Regarding Hayden's motherhood thing.

Hayden has this fetish for being a mother. It's a big deal with her. The boxer that she's married to (Vladimir) is infertile (steroid use being a bitch). Before Hayden's wedding (when Abby and Jen are just friends) Hayden asks Abby to fuck her in the wedding dress. She wants to be a proper bride for someone, just in case her husband can't get it up that night.

Abby agrees and when she arrives the morning of the ceremony, she has a special strapon for the purpose. The toy can be loaded and squirted during sex. Abby has 2 vials. One with saline, harmless, and the other has viable sperm (donated anonymously by Brad Pitt, via Angelina).

Abby and Hayden have sex twice with Hayden in the dress, once in her pussy, once in her ass. Hayden picks which vial goes where, but she guesses wrong and the viable sperm wind up in her ass.

About a year later, Hayden asks Abby to arrange for her to be bred properly this time. Abby arranges for Brad to take Hayden in a private ritual ceremony. Only Abby, Jennifer and Angelina know the identity of both of the child's parents. Brad is hooded and has no idea who he's fucking. Hayden is strapped to a bench, facing away from him and only feels his cock.

9 months later, Hayden gives birth to a girl, named Abby in honor of her godmother.

Oh... I should also mention that, after baby-Abby is born, Hayden regularly breastfeeds adult Abby as well. In fact, in the fridge at Jen and Abby's place, you can usually find a glass bottle of Hayden's milk. Abby and Jen both prefer it over regular milk, lol.

After Secretary 2, Abby gets a call from Ariel Winter

Ariel has heard that Abby is a great masseuse. She's been having back issues (due to her G cups) and asks if Abby can help. Abby agrees to be her masseuse, but Ariel eventually tries to seduce Abby. Abby is intrigued and turned on by the girl, refuses to touch her until her next birthday. So, until her birthday, Ariel continually tries to get Abby into bed. Abby, in turn, teaches Ariel about bdsm and seduction techniques. On her next birthday, Ariel has amazing sex with Abby. Jen loves watching the girl lose her virginity to her wife.

After the Cubs win the World Series in 2016, Abby puts a script together called Cubby Blue, which is the story of the team and its fans over the course of the year.

Abby makes her first foray into directing with Artemis, an adaptation of the book of the same name by Andy Weir.


Story trails:

lots of vignettes for other celebs, Lucy Lawless, Olivia Munn. Jena Malone has her own storyline.

Amy winds up with Anna Kendrick

Angelina's daughter, Sabine, eventually becomes a submissive to Kat Dennings

Taylor Swift at one point kidnaps Abby. Abby escapes. Taylor eventually becomes a house-bitch to Ariel Winter. Taylor and Ariel eventually break up and Ariel starts dating Brianna Hildebrand (Negasonic Teenage Warhead from Deadpool).

Jen becomes a switch like Abby and is able to both top and bottom for Abby, though she never takes another lover.
 
Prairie Heart Synopsis

West Texas, 1872.

Jacob Gregg is shot down in the aftermath of a bar-room brawl. Three weeks later, Maggie Gregg, the late Jacob’s wife, arrives by stagecoach to take ownership of his cattle ranch. Maggie is accompanied by Sarah. Together they sign the proper documents with the town clerk.

Sarah does not speak, but observes the town and its people with a calculated gaze. A day after their arrival, they are visited by the local reverend, a middle-aged gentleman named Bucklin. Reverend Bucklin asks about the marriage of Jacob and Maggie. Maggie is not forthcoming but manages not to be rude. Sarah never speaks. Maggie explains that they are cousins and that Sarah tends not to talk. The visit ends with Rev. Bucklin inviting the women to his church on Sunday morning.

On Sunday, Maggie and Sarah sit and listen to the sermon. They hold hands for most of the service. Their body language is intimate, but does not arouse any suspicion. After the service concludes, they’re approached by David Wheaton, the local sheriff who is friendly and professional. He explains to Maggie that their lands are being targeted by another rancher, Gabriel Bucklin, brother to the reverend. Wheaton suspects that Jacob’s death wasn’t a simple bar brawl, but was instead a targeted effort to turn his land over to the town, thereby bringing it up for sale.

Sarah and Maggie return home and go about tending to the ranch. Sarah gives silent lessons in some of the more intricate operations on the ranch. The two work well together and work closely. In the privacy of their home, they kiss and read together, obviously with an affection of two women in love, rather than two women related to one another. Within a few weeks, they’ve settled into a relatively peaceful life of tending to the ranch. The townsfolk are somewhat scandalized by two women who manage a ranch without male supervision, but in general, they are left alone.

The two ride into town for supplies. After making a few purchases, they are approached by Gabriel Bucklin, who asks Maggie for a short meeting. Maggie follows him into an empty saloon, Sarah close behind, seemingly guarding Maggie with every step. Once inside, Bucklin explains that he knows the two are not cousins and knows that Jacob Gregg came west to escape some very pernicious rumors about their marriage. More specifically, to get away from people who claimed that another woman was able to steal his wife’s affections. He offers to buy the ranch from Maggie, but at a price that’s unacceptable to her. With an even-toned malice, he explains that the townsfolk will not abide women of their type for long. He also adds that they will be forced out sooner or later, with his way at least providing some compensation. Sarah eyes him icily, but remains silent. Maggie declines as politely as possible and they return to the horses.

Upon exiting they are startled by three of the Bucklin’s men. One points out that the women are dressed in clothes meant for working men. Maggie counters that they work as much as any man in the town. As they are packing the horses to leave, a few snide comments are made. When one of the men approaches Maggie, his foot is swiped by Sarah and he winds up on his back in the mud. The man gets up, angry, ready for violence, but is held back by Gabriel Bucklin, who reminds him that it would be unseemly to fight a woman.

Days later, in the shade of a tree as the afternoon closes, Maggie and Sarah cuddle together, the horses tied nearby, the sunset not long off. Maggie casually opens Sarah’s overalls and the two make love, confident that there’s no one around for miles. Sarah calls Maggie’s name in orgasm and it’s the first time she’s spoken for the entire film.

As they lay in post-coital bliss, Maggie points out a heifer who is almost ready to give birth. She looks wistful as she ponders what motherhood must be like. Sarah keeps her silence and strokes Maggie’s body. The two lie on a blanket in the grass and Maggie reads to her lover as the evening comes on. They make a fire and decide to sleep in the field.

Unbeknownst to either, they are observed from a nearby hill by the man who approached Maggie. He slips quietly back to town and informs the Bucklins. Gabriel, who had been trying to get his brother the reverend to denounce the two women, succeeds in convincing him that they are an evil that must be purged from the town. The dialog drips with religious fervor.

Maggie and Sarah return home the next morning and find the ranch house trashed. Fences have been ripped apart, several cattle killed, supplies looted and the word LEVITICUS scrawled in blood across their door. Sarah, after surveying the damage, returns inside to get a shotgun, but she’s stopped by Maggie before she can ride for town. Maggie explains that they’re outnumbered and there’s no way to resolve this with guns. They’re interrupted by the heifer that Maggie mentioned the previous day. She begins to birth her calf and the two lovers assist her as best they can.

After the birth, they quietly clean up the house and fix the damages. As the day draws to a close, they have a tense dinner. Maggie outlines their options out loud to a silent Sarah. Sarah listens without giving any indication of her thoughts. Maggie offers a half-hearted recommendation that they take Bucklin’s offer and head for the open prairie, to forge a new life together in a new place. Sarah’s face makes it clear that she has no intention of abandoning their home.

That night, the two are awakened by sounds of gunfire. Looking out the back window, they see fires burning on the horizon. Sarah grabs the shotgun and Maggie makes a move to stop her but is frozen by Sarah’s words, “they’ll never quit.”

Maggie dresses to go with Sarah, but a firm look from Sarah makes Maggie stay in the house. Sarah rides to the site and finds parts of the fence smoldering, but no sign of any intruders. In a blind panic, she rushes back to the house only to find it guarded by Bucklin’s men. Inside, Maggie is bound to a chair and the Bucklin brothers are tearing apart the house in search of the deed to the land. Sarah proceeds to quietly neutralize Bucklin’s guards. Just after sunrise, Maggie’s chair is dragged to the porch and Gabriel holds a pistol on her. Sarah surrenders herself after a brief standoff. Shortly thereafter, a contingent of townsfolk arrives, armed with torches, determined to drive the two lovers out of town.

Reverend Bucklin speaks to the crowd on the evil of these two women and as he addresses them, Sarah uses the opportunity to attack Gabriel. In their struggle, Gabriel’s gun goes off, hitting the reverend in the stomach. Stunned by the accident, Gabriel is frozen and Sarah wrestles his gun away.

The crowd, not wanting to lose the opportunity, begins to approach the house, but is cut off by Sheriff Wheaton and two deputies. They force the crowd to stand down. The crowd continues to scream for Sarah to be taken into custody for shooting the reverend. Wheaton says that this looks like an invasion of private property, and that the shot was fired in self-defense. Despite a protest, the crowd reluctantly accepts this. A voice from the crowd shouts that they’ll return to get justice. Wheaton replies by pointing out that if Bucklin’s men couldn’t drive them away, no other men were likely to.

Gabriel Bucklin is furious at the loss of his brother, several of his men and the property he coveted. Sarah, in an attempt to make piece, unloads his pistol and returns it to him, saying, “Take who can walk and go. Bury the dead in the morning. There is nothing for you here.” The gesture only enrages Gabriel further and in his rage he lunges at Sarah. Wheaton intercedes before a fight can begin. He takes Gabriel into custody and, mockingly, reminds him that it would be unseemly to fight a woman.

The crowd disperses and the deputies withdraw. Before riding out, the Sheriff tells them that as long as they have no quarrel with the law, they’ll have the full protection of it. He rides away, the final shot of the film is from the POV of the ranch door. We see the sheriff riding towards the sunrise, and our two lovers take each other by the hand and go back into their home.
 
Prairie Heart Trivia

From IMDb:

Abby Jacobs wrote the screenplay as a wedding gift for her wife, Jennifer Lawrence.



Scarlett Johansson’s character, Sarah, only has 23 words of dialog.



From the start of the calf-birthing scene, 17 minutes pass with the only dialog coming from Jennifer Lawrence.



The lovemaking scene was part of the original script, was removed from the initial shooting script, and added back at the insistence of director Angelina Jolie.



Feature film debut of the music of Amy Lynn.



According to E! News, Abby Jacobs described observing the filming of the lovemaking scene to be “One of the more emotional moments of my professional life.”



Both Jennifer Lawrence and Scarlet Johansson would go on to play leading roles in other movies written by Abby Jacobs. Scarlet Johansson would play Black Widow in Black Widow. Jennifer Lawrence would play Sally Ride in Challenger.



Abby Jacobs would accept no payment for the script, citing that it was the property of Jennifer Lawrence as it had been written as a gift to her. At her request, the proceeds from what would have been her payment were donated to UN relief efforts in sub-Saharan Africa.



Taylor Swift wrote a song for Prairie Heart which was not used. It was made an exclusive on the soundtrack and is thought to be partially responsible for the unusually high sales of the soundtrack.



Location shooting was done over the course of 40 days. Locations included Monument Valley, CA. West Texas, and Colorado.



Jennifer Lawrence spent more than 6 hours tied to a chair during the filming of the standoff scenes.
 
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