madelinemasoch
Masoch's 2nd Cumming
- Joined
- Jan 31, 2022
- Posts
- 738
I've seen several on this forum refer to cuckoldry as a "theme." A theme in literature, as we have all undoubtedly been doubt, is the main idea of the story. I've never taken this to mean subject matter, but rather the story's "animating principle", for lack of a better term. Even if one includes subject matter in their definition of a theme, I don't think cuckoldry constitutes a theme on its own. There are too many different ways of doing it, which all have themes of their own, and when one puts this subject matter into an entire fleshed out story with not only character development and depth but a message of its own, more themes have the time to come up. It'd sound very weird if somebody said "cuckoldry is the theme," don't you think? There must be more to it than that, I'd imagine.
Let me give you an example: In CC6, Eleanor says this: "If there's anything I've learned from being with Matty, and I have learned a lot from her, it's that people need to be hurt in order to become better." People need to be hurt in order to become better, now that's a theme. She's the mouthpiece. Even more interestingly, Leya, who she's talking to in that scene, doesn't understand what she means and accuses her of being narcissistic. Still, Eleanor is getting as close as she can to saying the unsayable, i.e., breaking the fourth wall and going full analysis on the story she's literally in... because that's precisely what's happening to the cucks at the camp. If I were able, I'd write deeper final chapters of the story to show this in its full light, but a certain member put my story on hold by reporting it. 40 days in pending.
That's all aside from the point of this thread, though. I'm trying to say that a theme should be more than the story's subject matter, calling something like cuckoldry a theme is necessarily reductive when one is dealing with something more than a 1 page stroker (no shade), and that themes can even be misunderstood by the characters that are in the story with it.
Let me give you an example: In CC6, Eleanor says this: "If there's anything I've learned from being with Matty, and I have learned a lot from her, it's that people need to be hurt in order to become better." People need to be hurt in order to become better, now that's a theme. She's the mouthpiece. Even more interestingly, Leya, who she's talking to in that scene, doesn't understand what she means and accuses her of being narcissistic. Still, Eleanor is getting as close as she can to saying the unsayable, i.e., breaking the fourth wall and going full analysis on the story she's literally in... because that's precisely what's happening to the cucks at the camp. If I were able, I'd write deeper final chapters of the story to show this in its full light, but a certain member put my story on hold by reporting it. 40 days in pending.
That's all aside from the point of this thread, though. I'm trying to say that a theme should be more than the story's subject matter, calling something like cuckoldry a theme is necessarily reductive when one is dealing with something more than a 1 page stroker (no shade), and that themes can even be misunderstood by the characters that are in the story with it.