alohadave
Doing better
- Joined
- Dec 6, 2019
- Posts
- 3,534
That Gap commercial, Big Bad Voodoo Daddy, Cherry Poppin' Daddies (again with the daddies with you).wasn't everyone obsessed with big band swing music for a minute in the late 1990s??
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That Gap commercial, Big Bad Voodoo Daddy, Cherry Poppin' Daddies (again with the daddies with you).wasn't everyone obsessed with big band swing music for a minute in the late 1990s??
That Gap commercial, Big Bad Voodoo Daddy, Cherry Poppin' Daddies (again with the daddies with you).
And yet there's an award named after him.I'll throw some logs on the fire. HP Lovecraft is way overrated as a writer. He has some cool, macabre ideas, but his writing style was antiquated even by his day, turgid and wordy. He didn't employ dialogue that well, or often enough. He overused the odd device of a story within a story, i.e., the main character, who experienced something horrific, would narrate the story to another person, who narrated it to the reader. This created a sense of distance between the reader and the action, which dilutes the immediacy and the horror. It also tips off the reader that the main character survived, so it's a spoiler.
I had never read Lovecraft until a few years ago, but I'd heard for years about Chthulu and the man's impact on horror, and I was disappointed.
wasn't everyone obsessed with big band swing music for a minute in the late 1990s??
It wasn't this one, was it?a man and woman who fall in love with each other after unwittingly drinking a love potion.
But it definitely had its outposts. People still know who Glenn Miller and Benny Goodman are.There was definitely not an unbroken tradition of swing-dance music which continued from the 40s to the 90s. At that time, the WW2 veterans were not dead and gone but their "classic" swing-band music was not suffusing the culture like classic rock has done and continues to do.
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Nope. Pop. Fucking fantastic. Most honest song writer I've ever heard. Her mix of personal, politics, pulse of the culture, is just kinda mind blowing. And that voice.... Oh that voice. Not gonna lie though. It's best to listen to her work as a whole rather than individual songs.
The Ring Cycle is great. All fourteen and a half hours. And Ride of the Valkyrie is one of the great pieces of music.Somehow the 2006 movie version Tristran + Isolde (yes, with an actual addition sign) managed to be superior to the opera just because the two lovers actually fell in love.
It's fair to say, that Richard Wagner, for all he was a dab hand with the old chords, had no idea how romance worked.
The Ring Cycle has a man who has literally never seen a woman before meet a woman (well, valkyrie) who is cursed to fall in love with the first man she sees. Then he is tricked into drinking a potion to forget his love for her. Fourteen and a half hours and who in the hell cares (except that the last forty minutes of Das Valkyrie is probably longest continuous stretch of pure musical magic ever written)
Still better than Lohengrin which may be the single most sexist story ever told not involving Alf Garnett.
At least it's music, with discernable melody, harmony, and rhythm.Also: a lot of what people think of as "bad music" is actually "music made for people other than me".
Completely disagree.Coke is over rated. Pepsi is better.
Linda Ronstadt did an album of standards called What's New. She got pilloried for it on Saturday Night Live.There were definitely people getting off on jazz from the 20's.
And if you shift just a little later, Clapton did an album (in 95?) covering Robert Johnson songs from the mid 30's.
What do you mean by ‘Hollywood’ - just films in general or specifically American films made by the major studios based in LA?Broadway is a higher art form than Hollywood.
And its music is underrated these days.
If you take the very lowest quality film and compare it with the very best of Broadway then you might have a conversation.I mean generally the movies being put out today. Most of them are lowbrow entertainment, and often not done well.
Furthermore, in the movies, you can do take after take. On stage, you get one chance. Get it right. Eight times a week.
omg One Battle deserves its own thread, best movie i've seen in several yearsThere’s even a film in American theaters right now, One Battle After Another, which blows away anything that Broadway is doing right now.
It’s very good, isn’t!omg One Battle deserves its own thread, best movie i've seen in several years![]()
There have been many filmmakers in cinema history who have treated film as filmed theater - making use of the live, documentary qualities.I wouldn't say that. Live theatre requires so many skills. Yes, there's some mediocrity on Broadway, but live theatre is simply a higher art form.
"American Girl" playing during the credits made me ugly cryIt’s very good, isn’t!
I saw it with a packed cinema, not a free seat in the house, and there was whooping and cheering and applause at the end. Phenomenal experience. Seriously fun.
For that reason, I like to maintain some optimism despite the difficulties faced by the creative arts. I think that we'll find that there's still scope for innovation and (particularly) subversion. Music might be travelling underground in interesting ways. I also believe that authenticity will be more and more valued. I saw a stage musical last night in a small venue that was sung and played by five musicians with a wonderful assortment of instruments - nothing prerecorded. It was wonderful, hilarious, moving, and sold out. I saw something similar on an opera stage several months ago, and the reaction was similar - everybody left the show gushing and flushed with excitement (plot bunnies! settle down!).That's a fair point about about certain eras getting to sweep up all of the low-hanging fruit when a new kind of music gets developed. But 60s rock isn't the only new genre that got to do this, there was all kinds of innovative stuff happening in 1970's punk, 1980's rap, 2000's electronica, 2010's bedroom-and-laptop music... you never know what's coming next until it happens!
I liked the whole ‘what time is it?’ conceit. 60s radicals but kind of today and then it skips forward 16 years but nothing has really changed (that was a real oof moment). And he can never answer the question. Just a perpetual fight against it all."American Girl" playing during the credits made me ugly cry![]()