John_Vandermeer
Wet Nightmare Writer
- Joined
- Dec 6, 2022
- Posts
- 353
I personally find it more interesting to write stories where the erotic magnetism reaches past taboo lines. But in related threads it seems clear many authors rather not go there, either because their squicks tell them there is a good reason the taboo lines are there, or because they are unable or unwilling to admit certain unspoken taboo lines are there. Though I like to point out some of the emblematic romances of all time resort to this device unabashedly: Romeo and Juliet, Tristan and Isolde, etc.
In my own writing interest I recognize three recurring forms of allure of the forbidden. Perhaps because all three provide perfect set ups for tease and denial situations, which is a kink present in all my stories.
Incest stories, which is of course a top theme among Lit readers, even if a number of AH authors squick on it. I think there are other appeals to incest other than the allure of the forbidden. But yeah, if some poor sap lusts after his mother, or sister, or daughter, you immediately have an interesting and intense inner conflict between what he wants and what he knows he is allowed to have, at least on a sustainable basis.
Other man's wife stories. Though of course infidelity is another top Lit readers theme, this is different that your typical cuckold or even bull stories. The distribution of who is victim and who is villain is different. Here the victim is the man who lusts after another man's wife, and the villain is said wife that toys with that man. Notice the details of that dynamic differ if the husband is a random stranger, a best friend, or a worst enemy of his wife's suitor. Yet again there is immediate interesting and intense inner conflict.
Social privilege/underprivilege stories. Perhaps have the highest squick factor as many are uncomfortable even facing the reality of privilege/underprivilege boundaries. Also may have the smallest, and yet at the same time quite dedicated, audience. Yet even Disney has tackled it several times (think Lady and the Tramp for example). Privilege boundaries may be drawn based on wealth, race, legal rights, and other matters, and often several such matters at the same time.
There are other examples of the allure of the forbidden of course, and a story can include multiple such elements at the same time. The reason I am thinking about, for example, is I am currently writing and editing a middle chapter of a femdom romance between a rich legitimate sister, and her poor illegitimate brother, diving into both the first and third type above.
So where do you fall in your willingness to use the allure of the forbidden? Use it all the time? Wont touch it with a ten foot pole? Might do some kinds but never, ever some other kinds?
In my own writing interest I recognize three recurring forms of allure of the forbidden. Perhaps because all three provide perfect set ups for tease and denial situations, which is a kink present in all my stories.
Incest stories, which is of course a top theme among Lit readers, even if a number of AH authors squick on it. I think there are other appeals to incest other than the allure of the forbidden. But yeah, if some poor sap lusts after his mother, or sister, or daughter, you immediately have an interesting and intense inner conflict between what he wants and what he knows he is allowed to have, at least on a sustainable basis.
Other man's wife stories. Though of course infidelity is another top Lit readers theme, this is different that your typical cuckold or even bull stories. The distribution of who is victim and who is villain is different. Here the victim is the man who lusts after another man's wife, and the villain is said wife that toys with that man. Notice the details of that dynamic differ if the husband is a random stranger, a best friend, or a worst enemy of his wife's suitor. Yet again there is immediate interesting and intense inner conflict.
Social privilege/underprivilege stories. Perhaps have the highest squick factor as many are uncomfortable even facing the reality of privilege/underprivilege boundaries. Also may have the smallest, and yet at the same time quite dedicated, audience. Yet even Disney has tackled it several times (think Lady and the Tramp for example). Privilege boundaries may be drawn based on wealth, race, legal rights, and other matters, and often several such matters at the same time.
There are other examples of the allure of the forbidden of course, and a story can include multiple such elements at the same time. The reason I am thinking about, for example, is I am currently writing and editing a middle chapter of a femdom romance between a rich legitimate sister, and her poor illegitimate brother, diving into both the first and third type above.
So where do you fall in your willingness to use the allure of the forbidden? Use it all the time? Wont touch it with a ten foot pole? Might do some kinds but never, ever some other kinds?