Britva415
"Alabaster," my ass
- Joined
- Nov 19, 2022
- Posts
- 5,138
One absolutely solid rule of thumb is to not pollute the first several paragraphs with excessive, ideally not even any, past-perfect tense statements.
"Had had had had had haddy hadhad" makes me nope out early and often.
Mostly for the reason I described previously: Nothing is happening while one backfills around the present scene and occasion which they ostensibly began the story in.
"It was a dark and stormy night" is the here-and-now, so, to immediately and repeatedly and persistently remove the reader from what was just established is to stop storytelling. Nothing can happen if you rewind and flash back to stuff that's over.
There are better ways to establish some previous fact and sometimes it's better to just not even do it at all. But if one must, I prefer finding a way which uses past-perfective extremely sparingly if at all.
And I'm not just talking about using a single past-perfective statement to establish the frame of a previous time and place, and then proceed to narrate a whole scene of stuff which still is removed from the present scene. That's just a grammatical trick. The whole aside is still something that's over and done with.
Something like this in the first scene of a story just strikes me as clumsy, and makes me not confident about how the remainder of the story will come off.
"Had had had had had haddy hadhad" makes me nope out early and often.
Mostly for the reason I described previously: Nothing is happening while one backfills around the present scene and occasion which they ostensibly began the story in.
"It was a dark and stormy night" is the here-and-now, so, to immediately and repeatedly and persistently remove the reader from what was just established is to stop storytelling. Nothing can happen if you rewind and flash back to stuff that's over.
There are better ways to establish some previous fact and sometimes it's better to just not even do it at all. But if one must, I prefer finding a way which uses past-perfective extremely sparingly if at all.
And I'm not just talking about using a single past-perfective statement to establish the frame of a previous time and place, and then proceed to narrate a whole scene of stuff which still is removed from the present scene. That's just a grammatical trick. The whole aside is still something that's over and done with.
Something like this in the first scene of a story just strikes me as clumsy, and makes me not confident about how the remainder of the story will come off.