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DeeZire
Guest
Sometimes, stories or movies like “End of the World” (Kirsten Dunce- naked!) start by giving away the tragic ending. In my story, a socially inept, creepy guy discovers his new wife is running a major hustle on him, so he burns the house down - with her in it.
My plan was to start with a paragraph about the empty lot, describing the melted tin garden shed and the charred foundation, and mention that although there are still rumors going around about what happened, only one person knows for sure. Then I’d open the story. The reader wouldn't know who burned down the house, or even if it was the house the story takes place in. I could mention the decaying neighborhood, so the reader might think it was a house nearby. It’s a slow-moving tale - around 11k words - which might benefit from the added tension.
Any thoughts?
My plan was to start with a paragraph about the empty lot, describing the melted tin garden shed and the charred foundation, and mention that although there are still rumors going around about what happened, only one person knows for sure. Then I’d open the story. The reader wouldn't know who burned down the house, or even if it was the house the story takes place in. I could mention the decaying neighborhood, so the reader might think it was a house nearby. It’s a slow-moving tale - around 11k words - which might benefit from the added tension.
Any thoughts?