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Just think about the things that actually happen during sex. I have a friend I record things for sometimes, and what he wants more than anything is to hear the changes in my breathing - breath quickens, speeds up, grows more shallow, is held, released, etc, depending on how you're reacting to something.
Maybe your women could be a bit more vocal - I'll growl, shout, and sometimes scream, depending on the thing that's happening. And mostly, I'll use actual words - there's a lot of swearing and taking various versions of the Lord's name in vain.
Even 'moan' has variations - get some more adjectives in there. Are the moans long and low? Guttural? Breathless? Loving? Satisfied?
(I don't think I've ever in my whole life 'whimpered' during sex.)
I agree with all of this in terms of actions, you can always pile more on, or add dialogue, or look around the room and add descriptions. But that all seems like avoidance. Filler.
Still basically stuck with gasp, whimper and moan.
I can think of a few more. Shudder. Tremble. Break out on gooseflesh. Breathe heavily. Given this is before any raucous activity takes place. Then there's more variety. But slow building of arousal I find a perpetual challenge.
I just finished a sex scene where a witch has sex with another witch and fucks her with flames. That way I got to use crackling, sizzling, shimmering... a whole new set of sexual 'ings'
well that's a different kind of edgeplay
searing, blistering, boiling, glistening, scorching, sweltering, stifling, roasting
It gives a whole different meaning to heat in the caldron.![]()
well that's a different kind of edgeplay
searing, blistering, boiling, glistening, scorching, sweltering, stifling, roasting
Dialogue as filler or avoidance? If the dialogue is right, that can help add to the slow build of arousal, and keep the scene flowing. Maybe it's just a personal preference, but I prefer for there to be dialogue between the characters during sex; it makes the characters seem more personable instead of resembling cardboard cut-outs just going through the motions.
Plus with dialogue, then you have growl, snarl, smirk, whisper, mumble, sigh, hiss, yell, scream, stutter, stammer, purr, bark, whine, groan, grunt, beg, plea, croak, hum, giggle, chuckle, jest, joke etc. to play with.
All help display a characters personality.
For most people a burning sensation down below is a bad thing but not for them![]()
Well understand their power is they control fire so they are not actually being burned but more like being tickled and caressed by the flames.
For most people a burning sensation down below is a bad thing but not for them![]()
Everlux said:Unless it's from hot wax![]()
No, I hear you. I meant for me, really. I looove dialogue. I rely on it.
Just sometimes I'll find myself IMMENSELY frustrated with physical descriptions, like kissing. "Their lips pressed together.," That's all I've got. I don't want to do anything else but lengthen the description for a while and . . . can't. So I'll go into dialogue.
At times action and what have you can seem like a replacement for description. For me anyway.
and? Erotic horror means that all of those words could be viable.
exactly. Or temperature play via the use of warmed up glass dildos, or warmed stones, or cupping, or certain creams meant to cause that very sensation... or you know...actual fire play.
If you want to lengthen the description, I would think about the circumstances surrounding the action and elaborate on that.
For instance: "their lips pressed together"
Who is initiating? Why? Is there a specific taste on said lips? Is one more experienced than the other, and does that show in their kiss? If it does, is that intimidating or arousing for the other participant? What is the emotion behind that kiss, i.e. is it aggressive, passionate, or part of some sorrowful goodbye? Are there small noises or subconscious movements being made by either character?
Dialogue in this instance does not have to be self defeating, it could help with the description by having one character verbally point out one of these descriptions for the narrator, which then the narrator could expand upon.
exactly. Or temperature play via the use of warmed up glass dildos, or warmed stones, or cupping, or certain creams meant to cause that very sensation... or you know...actual fire play. Just, with actual fire play, most people keep that nastiness outside of the body.
All this just got copied and pasted to my to-do list.
Three words for warm and tingly. Oil of peppermint.![]()
If you want to lengthen the description, I would think about the circumstances surrounding the action and elaborate on that.
For instance: "their lips pressed together"
Who is initiating? Why? Is there a specific taste on said lips? Is one more experienced than the other, and does that show in their kiss? If it does, is that intimidating or arousing for the other participant? What is the emotion behind that kiss, i.e. is it aggressive, passionate, or part of some sorrowful goodbye? Are there small noises or subconscious movements being made by either character?
Dialogue in this instance does not have to be self defeating, it could help with the description by having one character verbally point out one of these descriptions for the narrator, which then the narrator could expand upon.
I have never heard whimpering, even in bondage. I can't imagine that would be attractive to any Dom. Not sexy in the least.
Two things that might help ... indulge in some cyber sex. I got a LOT better at that over time, by virtue of having to think of ways to describe things (and actually started paying a lot more attention to actual sex, so I could describe particular things in words later on). If you do with multiple times with the same person, you're sort of forced to get more inventive so you don't get boring.