How is it that the clouds still hang on you?

[Byron In Exile]

Hamlet
Not so, my lord; I am too much i' the sun.

Queen
Good Hamlet, cast thy nighted colour off,
And let thine eye look like a friend on Denmark.
Do not for ever with thy vailed lids
Seek for thy noble father in the dust:
Thou know'st 't is common; all that lives must die,
Passing through nature to eternity.

Hamlet
Ay, madam, it is common.

Queen
If it be,
Why seems it so particular with thee?

Hamlet
Seems, madam? Nay, it is; I know not 'seems.'
'T is not alone my inky cloak, good mother,
Nor customary suits of solemn black,
Nor windy suspiration of forc'd breath,
No, nor the fruitful river in the eye,
Nor the dejected 'havior of the visage,
Together with all forms, moods, shows of grief,
That can denote me truly: these, indeed, seem,
For they are actions that a man might play:
But I have that within which passeth show;
These, but the trappings and the suits of woe.

King
'T is sweet and commendable in your nature, Hamlet,
To give these mourning duties to your father:
But, you must know, your father lost a father;
That father lost, lost his; and the survivor bound
In filial obligation for some term
To do obsequious sorrow: but to persever
In obstinate condolement is a course
Of impious stubbornness; 't is unmanly grief;
It shows a will most incorrect to heaven,
A heart unfortified, a mind impatient,
An understanding simple and unschool'd:
For what we know must be, and is as common
As any the most vulgar thing to sense,
Why should we in our peevish opposition
Take it to heart? Fie! 't is a fault to heaven,
A fault against the dead, a fault to nature,
To reason most absurd: whose common theme
Is death of fathers, and who still hath cried,
From the first corse till he that died to-day,
'This must be so.' We pray you, throw to earth
This unprevailing woe, and think of us
As of a father: for let the world take note,
You are the most immediate to our throne

 

[phrodeau]

My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thine happiness,
That thou, light-wingèd Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.

O for a draught of vintage! that hath been
Cool'd a long age in the deep-delvèd earth,
Tasting of Flora and the country-green,
Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South!
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stainèd mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:

Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last grey hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs;
Where beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.

Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.

I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmèd darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast-fading violets cover'd up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.

Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a musèd rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain—
To thy high requiem become a sod.

Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that ofttimes hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.

Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:—do I wake or sleep?

 

[blunt_trauma]

hmmmmm...

 

[fair_warning]

Other than Richard III, I totally avoided Shakespeare.

Now Emily Dickinson is another matter....

 

[Byron In Exile]

My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thine happiness,
That thou, light-wingèd Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.

O for a draught of vintage! that hath been
Cool'd a long age in the deep-delvèd earth,
Tasting of Flora and the country-green,
Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South!
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stainèd mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:

Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last grey hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs;
Where beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.

Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.

I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmèd darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast-fading violets cover'd up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.

Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a musèd rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain—
To thy high requiem become a sod.

Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that ofttimes hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.

Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:—do I wake or sleep?

Keats, and awesome.

Musical thought.

 

[Byron In Exile]

hmmmmm...

We call it poetry.

It soothes the soul, sometimes.

 

[fair_warning]

This soothes my soul....

Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.

We slowly drove, he knew no haste,
And I had put away
My labour, and my leisure too,
For his civility.

We passed the school where children played,
Their lessons scarcely done;
We passed the fields of gazing grain,
We passed the setting sun.

We paused before a house that seemed
A swelling of the ground;
The roof was scarcely visible,
The cornice but a mound.

Since then 'tis centuries; but each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.
Emily Dickinson

 

[fair_warning]

And this...

DOVER BEACH
By Matthew Arnold
The sea is calm tonight,
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the Agean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

1867

 

[blunt_trauma]

We call it poetry.

It soothes the soul, sometimes.

There once was a man from Brighton
Who said to his girl, “You’re a tight one.”
She said, “Pardon my soul,
but you’re in the wrong hole.
There’s plenty of room in the right one.”

 

[Byron In Exile]

There once was a man from Brighton
Who said to his girl, “You’re a tight one.”
She said, “Pardon my soul,
but you’re in the wrong hole.
There’s plenty of room in the right one.”

That's British, isn't it?

 

[blunt_trauma]

That's British, isn't it?

like shakespeare!

 

[Holy Devil]

I used to remember this poem by heart

Daffodils

I wander'd lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the Milky Way,
They stretch'd in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

~ WW

 

[John Doe]

My love is as a fever, longing still
For that which longer nurseth the disease;
Feeding on that which doth preserve the ill,
The uncertain sickly appetite to please.
My reason, the physician to my love,
Angry that his prescriptions are not kept,
Hath left me, and I desperate now approve,
Desire his death, which physic did except.
Past cure I am, now reason is past care,
And frantic-mad with evermore unrest;
My thoughts and my discourse as madmen's are,
At random from the truth vainly express'd;

For I have sworn thee fair, and thought thee bright,
Who art as black as hell, as dark as night.

 

[Byron In Exile]

Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.

We slowly drove, he knew no haste,
And I had put away
My labour, and my leisure too,
For his civility.

We passed the school where children played,
Their lessons scarcely done;
We passed the fields of gazing grain,
We passed the setting sun.

We paused before a house that seemed
A swelling of the ground;
The roof was scarcely visible,
The cornice but a mound.

Since then 'tis centuries; but each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.
Emily Dickinson

That's one of my favorite Emily poems.

There are a couple of versions: I like best the one you used.

 

[Byron In Exile]

My love is as a fever, longing still
For that which longer nurseth the disease;
Feeding on that which doth preserve the ill,
The uncertain sickly appetite to please.
My reason, the physician to my love,
Angry that his prescriptions are not kept,
Hath left me, and I desperate now approve,
Desire his death, which physic did except.
Past cure I am, now reason is past care,
And frantic-mad with evermore unrest;
My thoughts and my discourse as madmen's are,
At random from the truth vainly express'd;

For I have sworn thee fair, and thought thee bright,
Who art as black as hell, as dark as night.

Great selection. Thank you.

The English sonnet (abab cdcd efef gg) kicks ass on the Italian.

 

[Byron In Exile]

like shakespeare!

Yes, but... that was a long time ago.

The world has adopted Shakespeare. The world has not adopted Britain.

 

[blunt_trauma]

Yes, but... that was a long time ago.

The world has adopted Shakespeare. The world has not adopted Britain.

good.
because if you adopted me, it would lead to incest.
ew.

 

[fair_warning]

That's one of my favorite Emily poems.

There are a couple of versions: I like best the one you used.

Ah yes, you agree the tippet and tuille stanza seems oddly flirtatious and incongruous?

 

[Byron In Exile]

Ah yes, you agree the tippet and tuille stanza seems oddly flirtatious and incongruous?

I don't know about flirtatious, but I can get behind incongruous. You don't want to build up so much emotion in a poem, and then have people suddenly go "huh?" in the middle of it. I'm comfortable with her both ways, actually. Some of her poetry is tiresome. But there are such diamonds to be found. She was able to pour her soul onto paper in a unique way. It all would have been lost had her sister not disobeyed her wishes that they all be burned, and published them instead. Hell of a girl.

 

[Byron In Exile]

good.
because if you adopted me, it would lead to incest.
ew.

I meant the country, not you personally.

We could still sex it up -- it wouldn't be incest, technically.

 

[fair_warning]

I thought once how Theocritus had sung
Of the sweet years, the dear and wished-for years,
Who each one in a gracious hand appears
To bear a gift for mortals, old or young:
And, as I mused it in his antique tongue,
I saw, in gradual vision through my tears,
The sweet, sad years, the melancholy years,
Those of my own life, who by turns had flung
A shadow across me. Straightway I was ’ware,
So weeping, how a mystic Shape did move
Behind me, and drew me backward by the hair;
And a voice said in mastery, while I strove,—
“Guess now who holds thee!”—“Death,” I said, But, there,
The silver answer rang, “Not Death, but Love.”
Elizabeth Barrett Browning

*sigh*

 

[Byron In Exile]

I thought once how Theocritus had sung
Of the sweet years, the dear and wished-for years,
Who each one in a gracious hand appears
To bear a gift for mortals, old or young:
And, as I mused it in his antique tongue,
I saw, in gradual vision through my tears,
The sweet, sad years, the melancholy years,
Those of my own life, who by turns had flung
A shadow across me. Straightway I was ’ware,
So weeping, how a mystic Shape did move
Behind me, and drew me backward by the hair;
And a voice said in mastery, while I strove,—
“Guess now who holds thee!”—“Death,” I said, But, there,
The silver answer rang, “Not Death, but Love.”
Elizabeth Barrett Browning

*sigh*

Now there is a thing I had not read before.

Thank you.

I understand why my first liked her so much.

 

[where]

There once was a man from Brighton
Who said to his girl, “You’re a tight one.”
She said, “Pardon my soul,
but you’re in the wrong hole.
There’s plenty of room in the right one.”

hahahahaha!!!!!!!!!

My favourite poetry is early Neruda.

 

[Byron In Exile]

hahahahaha!!!!!!!!!

My favourite poetry is early Neruda.

I don't care for him.

To each his own.

 

[Byron In Exile]

Back to the subject...

Hamlet
O, that this too too solid flesh would melt
Thaw and resolve itself into a dew!
Or that the Everlasting had not fix'd
His canon 'gainst self-slaughter! O God! God!
How weary, stale, flat and unprofitable,
Seem to me all the uses of this world!
Fie on't! ah fie! 'tis an unweeded garden,
That grows to seed; things rank and gross in nature
Possess it merely. That it should come to this!
But two months dead: nay, not so much, not two:
So excellent a king; that was, to this,
Hyperion to a satyr; so loving to my mother
That he might not beteem the winds of heaven
Visit her face too roughly. Heaven and earth!
Must I remember? why, she would hang on him,
As if increase of appetite had grown
By what it fed on: and yet, within a month--
Let me not think on't--Frailty, thy name is woman!--
A little month, or ere those shoes were old
With which she follow'd my poor father's body,
Like Niobe, all tears:--why she, even she--
O, God! a beast, that wants discourse of reason,
Would have mourn'd longer--married with my uncle,
My father's brother, but no more like my father
Than I to Hercules: within a month:
Ere yet the salt of most unrighteous tears
Had left the flushing in her galled eyes,
She married. O, most wicked speed, to post
With such dexterity to incestuous sheets!
It is not nor it cannot come to good:
But break, my heart; for I must hold my tongue.

Enter Horatio, Marcellus, and Bernardo

Horatio
Hail to your lordship!

Hamlet
I am glad to see you well:
Horatio,--or I do forget myself.

Horatio
The same, my lord, and your poor servant ever.

Hamlet
Sir, my good friend; I'll change that name with you:
And what make you from Wittenberg, Horatio? Marcellus?

Marcellus
My good lord--

Hamlet
I am very glad to see you. Good even, sir.
But what, in faith, make you from Wittenberg?

Horatio
A truant disposition, good my lord.

Hamlet
I would not hear your enemy say so,
Nor shall you do mine ear that violence,
To make it truster of your own report
Against yourself: I know you are no truant.
But what is your affair in Elsinore?
We'll teach you to drink deep ere you depart.

Horatio
My lord, I came to see your father's funeral.

Hamlet
I pray thee, do not mock me, fellow-student;
I think it was to see my mother's wedding.

Horatio
Indeed, my lord, it follow'd hard upon.

Hamlet
Thrift, thrift, Horatio! the funeral baked meats
Did coldly furnish forth the marriage tables.
Would I had met my dearest foe in heaven
Or ever I had seen that day, Horatio!
My father!--methinks I see my father.

Horatio
Where, my lord?

Hamlet
In my mind's eye, Horatio.

Horatio
I saw him once; he was a goodly king.

Hamlet
He was a man, take him for all in all,
I shall not look upon his like again.

Horatio
My lord, I think I saw him yesternight.

Hamlet
Saw? who?

Horatio
My lord, the king your father.

Hamlet
The king my father!

Horatio
Season your admiration for awhile
With an attent ear, till I may deliver,
Upon the witness of these gentlemen,
This marvel to you.

Hamlet
For God's love, let me hear.

Horatio
Two nights together had these gentlemen,
Marcellus and Bernardo, on their watch,
In the dead vast and middle of the night,
Been thus encounter'd. A figure like your father,
Armed at point exactly, cap-a-pe,
Appears before them, and with solemn march
Goes slow and stately by them: thrice he walk'd
By their oppress'd and fear-surprised eyes,
Within his truncheon's length; whilst they, distilled
Almost to jelly with the act of fear,
Stand dumb and speak not to him. This to me
In dreadful secrecy impart they did;
And I with them the third night kept the watch;
Where, as they had deliver'd, both in time,
Form of the thing, each word made true and good,
The apparition comes: I knew your father;
These hands are not more like.

Hamlet
But where was this?

Marcellus
My lord, upon the platform where we watch'd.

Hamlet
Did you not speak to it?

Horatio
My lord, I did;
But answer made it none: yet once methought
It lifted up its head and did address
Itself to motion, like as it would speak;
But even then the morning cock crew loud,
And at the sound it shrunk in haste away,
And vanish'd from our sight.

Hamlet
'Tis very strange.

Horatio
As I do live, my honour'd lord, 'tis true;
And we did think it writ down in our duty
To let you know of it.

Hamlet
Indeed, indeed, sirs, but this troubles me.
Hold you the watch to-night?

Marcellus, Bernardo
We do, my lord.

Hamlet
Arm'd, say you?

Marcellus, Bernardo
Arm'd, my lord.

Hamlet
From top to toe?

Marcellus, Bernardo
My lord, from head to foot.

Hamlet
Then saw you not his face?

Horatio
O, yes, my lord; he wore his beaver up.

Hamlet
What, look'd he frowningly?

Horatio
A countenance more in sorrow than in anger.

Hamlet
Pale or red?

Horatio
Nay, very pale.

Hamlet
And fix'd his eyes upon you?

Horatio
Most constantly.

Hamlet
I would I had been there.

Horatio
It would have much amazed you.

Hamlet
Very like, very like. Stay'd it long?

Horatio
While one with moderate haste might tell a hundred.

Marcellus, Bernardo
Longer, longer.

Horatio
Not when I saw't.

Hamlet
His beard was grizzled--no?

Horatio
It was, as I have seen it in his life,
A sable silver'd.

Hamlet
I will watch to-night;
Perchance 'twill walk again.

Horatio
I warrant it will.

Hamlet
If it assume my noble father's person,
I'll speak to it, though hell itself should gape
And bid me hold my peace. I pray you all,
If you have hitherto conceal'd this sight,
Let it be tenable in your silence still;
And whatsoever else shall hap to-night,
Give it an understanding, but no tongue:
I will requite your loves. So, fare you well:
Upon the platform, 'twixt eleven and twelve,
I'll visit you.

All
Our duty to your honour.

Hamlet
Your loves, as mine to you: farewell.

Exeunt all but Hamlet

My father's spirit in arms! all is not well;
I doubt some foul play: would the night were come!
Till then sit still, my soul: foul deeds will rise,
Though all the earth o'erwhelm them, to men's eyes.

Exit