Djmac1031
Consumate BS Artist
- Joined
- Aug 15, 2021
- Posts
- 4,558
Fuck it. This is the comment Commentarista left on my story, Black Barbie.
The story in a nutshell: a recently divorced middle aged man visits an Adult Book Store that features "Live Nude Girls!" and has a brief but erotic encounter with the lovely black sex worker who catches his eye.
My only "goals" in telling this story was to tell a sexy story that did not fetishize the black woman simply for being black and did not portray sex workers in a negative light or portray those who use their services as deviants.
The story is short: 3.8k words
Now, that in mind, see if you can interpret this:
The story in a nutshell: a recently divorced middle aged man visits an Adult Book Store that features "Live Nude Girls!" and has a brief but erotic encounter with the lovely black sex worker who catches his eye.
My only "goals" in telling this story was to tell a sexy story that did not fetishize the black woman simply for being black and did not portray sex workers in a negative light or portray those who use their services as deviants.
The story is short: 3.8k words
Now, that in mind, see if you can interpret this:
Since the stated purpose was to not stigmatize the worker nor the user, the story partially succeeded: it didn't blame the man that solicited and didn't cast the female negatively. But I can't help wonder if there weren't missed opportunities to strengthen the female side. No one can argue the guy didn't get bothered by anyone and no other guy that visited received criticism either.
***
Largely the story couches most of the language neutrally. For example, he recognizes that she doesn't have to care about him and he notes it as transactional. The narrative grants him some sympathy by establishing his ex-wife wouldn't do two things for him that Barbie did. No one doubts a divorcee--especially male--gets lonely if he's shier. Contrarians however could say he's throwing shade at his ex because either he didn't tell her what he liked or she was rather self-centered and didn't want to know.
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There is some minimal moralization in the guise of the man; that approach in any fashion was highly reviled in literary circles in the 18th and 19th century. It could have been opted to enlarge her backstory in humanizing her more through perhaps doing something like explaining briefly that she had her life planned out, several unfortunate circumstances occurred which put her in financial hardship, and then she turned to this because when she thought about it, about the only assets she had left were her looks. This story could have improved by making her an escort, as A&E produced documentaries on pornstars, sex workers, or escorts. The thing about escorts that could have supported this better is that many--although able to engage in sex for added fees--can be contracted to be a man's high-end beauty queen for the evening (that's it); could be asked to listen to a man's tale of woe; or otherwise could highlight her wits and intelligence by accompanying him to a high-end ball or to some art exhibit (perhaps roleplaying as a friend)... which has happened. Some make upwards of 1,500 in one appointment, while all of their clients tend to be screened well before they can say yes or no. Reason why this proves more powerful is because the woman controls the experience and can even craft the kind of reputation she desires as opposed to simply being in a club and being more one-dimensional.
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While this metaphorically gets on base, it doesn't make it farther because it's too short. About 7.5 K words would normally give stories a shot to develop most everything so nothing's lacking. The other thing: this category requires Interracial Love, which means focusing on a relationship and the cross-cultural issues they might have to address to be successful as a couple. This fails to do that, because in the end, we could have replaced Barbie with anybody else and had the same result/conclusion.
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However, thank you for a more considered offering then what most recent submissions here have been.