Top Rock and Roll Songs with Conservative Values

Pure

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From the National Review. Who says conservatives can't rock?


Rockin' the Right
The 50 greatest conservative rock songs.


By John J. Miller

EDITOR’S NOTE: This week on NRO, we’ve been rolling out the first five and now all 50 songs from a list John J. Miller compiled that appears in the June 5 issue of National Review .

Here’s a look at #1 and get the whole list—complete with purchasing links—here.

On first glance, rock ’n’ roll music isn’t very conservative. It doesn’t fare much better on second or third glance (or listen), either. Neil Young has a new song called “Let’s Impeach the President.” Last year, the Rolling Stones made news with “Sweet Neo Con,” another anti-Bush ditty.

For conservatives who enjoy rock, it isn’t hard to agree with the opinion Johnny Cash expressed in “The One on the Right Is on the Left”: “Don’t go mixin’ politics with the folk songs of our land / Just work on harmony and diction / Play your banjo well / And if you have political convictions, keep them to yourself.” In other words: Shut up and sing.



But some rock songs really are conservative — and there are more of them than you might think. Last year, I asked readers of National Review Online to nominate conservative rock songs. Hundreds of suggestions poured in. I’ve sifted through them all, downloaded scores of mp3s, and puzzled over a lot of lyrics. What follows is a list of the 50 greatest conservative rock songs of all time, as determined by me and a few others.

The result is of course arbitrary, though we did apply a handful of criteria.

What makes a great conservative rock song? The lyrics must convey a conservative idea or sentiment, such as skepticism of government or support for traditional values. And, to be sure, it must be a great rock song. We’re biased in favor of songs that are already popular, but have tossed in a few little-known gems.

In several cases, the musicians are outspoken liberals. Others are notorious libertines. For the purposes of this list, however, we don’t hold any of this against them. Finally, it would have been easy to include half a dozen songs by both the Kinks and Rush, but we’ve made an effort to cast a wide net. Who ever said diversity isn’t a conservative principle?

So here are NR’s top 50 conservative rock songs of all time. Go ahead and quibble with the rankings, complain about what we put on, and send us outraged letters and e-mails about what we left off. In the end, though, we hope you’ll admit that it’s a pretty cool playlist for your iPod.

1. “Won’t Get Fooled Again,” by The Who. ;

The conservative movement is full of disillusioned revolutionaries; this could be their theme song, an oath that swears off naïve idealism once and for all. “There’s nothing in the streets / Looks any different to me / And the slogans are replaced, by-the-bye. . . . Meet the new boss / Same as the old boss.” The instantly recognizable synthesizer intro, Pete Townshend’s ringing guitar, Keith Moon’s pounding drums, and Roger Daltrey’s wailing vocals make this one of the most explosive rock anthems ever recorded — the best number by a big band, and a classic for conservatives.


2. “Taxman,” by The Beatles.

A George Harrison masterpiece with a famous guitar riff (which was actually played by Paul McCartney): “If you drive a car, I’ll tax the street / If you try to sit, I’ll tax your seat / If you get too cold, I’ll tax the heat / If you take a walk, I’ll tax your feet.” The song closes with a humorous jab at death taxes: “Now my advice for those who die / Declare the pennies on your eyes.”


3. “Sympathy for the Devil,” by The Rolling Stones.

Don’t be misled by the title; this song is The Screwtape Letters of rock. The devil is a tempter who leans hard on moral relativism — he will try to make you think that “every cop is a criminal / And all the sinners saints.” What’s more, he is the sinister inspiration for the cruelties of Bolshevism: “I stuck around St. Petersburg / When I saw it was a time for a change / Killed the czar and his ministers / Anastasia screamed in vain.”


4. “Sweet Home Alabama,” by Lynyrd Skynyrd.

A tribute to the region of America that liberals love to loathe, taking a shot at Neil Young’s Canadian arrogance along the way: “A Southern man don’t need him around anyhow.”

5. “Wouldn’t It Be Nice,” by The Beach Boys.

Pro-abstinence and pro-marriage: “Maybe if we think and wish and hope and pray it might come true / Baby then there wouldn’t be a single thing we couldn’t do / We could be married / And then we’d be happy.”

6. “Gloria,” by U2.
Just because a rock song is about faith doesn’t mean that it’s conservative. But what about a rock song that’s about faith and whose chorus is in Latin? That’s beautifully reactionary: “Gloria / In te domine / Gloria / Exultate.”

7. “Revolution,” by The Beatles.
“You say you want a revolution / Well you know / We all want to change the world . . . Don’t you know you can count me out?” What’s more, Communism isn’t even cool: “If you go carrying pictures of Chairman Mao / You ain’t going to make it with anyone anyhow.” (Someone tell the Che Guevara crowd.)

8. “Bodies,” by The Sex Pistols.
Violent and vulgar, but also a searing anti-abortion anthem by the quintessential punk band: “It’s not an animal / It’s an abortion.”

9. “Don’t Tread on Me,” by Metallica.
A head-banging tribute to the doctrine of peace through strength, written in response to the first Gulf War: “So be it / Threaten no more / To secure peace is to prepare for war.”

10. “20th Century Man,” by The Kinks.
“You keep all your smart modern writers / Give me William Shakespeare / You keep all your smart modern painters / I’ll take Rembrandt, Titian, da Vinci, and Gainsborough. . . . I was born in a welfare state / Ruled by bureaucracy / Controlled by civil servants / And people dressed in grey / Got no privacy got no liberty / ’Cause the 20th-century people / Took it all away from me.”

11. “The Trees,” by Rush.
Before there was Rush Limbaugh, there was Rush, a Canadian band whose lyrics are often libertarian. What happens in a forest when equal rights become equal outcomes? “The trees are all kept equal / By hatchet, axe, and saw.”

12. “Neighborhood Bully,” by Bob Dylan.
A pro-Israel song released in 1983, two years after the bombing of Iraq’s nuclear reactor, this ironic number could be a theme song for the Bush Doctrine: “He destroyed a bomb factory, nobody was glad / The bombs were meant for him / He was supposed to feel bad / He’s the neighborhood bully.”

13. “My City Was Gone,” by The Pretenders.

Virtually every conservative knows the bass line, which supplies the theme music for Limbaugh’s radio show. But the lyrics also display a Jane Jacobs sensibility against central planning and a conservative’s dissatisfaction with rapid change: “I went back to Ohio / But my pretty countryside / Had been paved down the middle / By a government that had no pride.”

14. “Right Here, Right Now,” by Jesus Jones.
The words are vague, but they’re also about the fall of Communism and the end of the Cold War: “I was alive and I waited for this. . . . Watching the world wake up from history.”

15. “I Fought the Law,” by The Crickets.
The original law-and-order classic, made famous in 1965 by The Bobby Fuller Four and covered by just about everyone since then.

16. “Get Over It,” by The Eagles.
Against the culture of grievance: “The big, bad world doesn’t owe you a thing.” There’s also this nice line: “I’d like to find your inner child and kick its little ass.”

17. “Stay Together for the Kids,” by Blink 182.
A eulogy for family values by an alt-rock band whose members were raised in a generation without enough of them: “So here’s your holiday / Hope you enjoy it this time / You gave it all away. . . . It’s not right.”
.....



48. “Why Don’t You Get a Job,” by The Offspring.

The lyrics aren’t exactly Shakespearean, but they’re refreshingly blunt and they capture a motive force behind welfare reform.

49. “Abortion,” by Kid Rock.

A plaintive song sung by a man who confronts his unborn child’s abortion: “I know your brothers and your sister and your mother too / Man I wish you could see them too.”

50. “Stand By Your Man,” by Tammy Wynette.

Hillary trashed it — isn’t that enough? If you’re worried that Wynette’s original is too country, then check out the cover version by Motörhead.

===========
http://article.nationalreview.com/?q=NzZkNDU5MmViNzVjNzkzMDE3NzNlN2MyZjRjYTk4YjE=
 
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Amusing. How many of these aren't a reach though? Obviously Sweet Home Alabama fits. But how many others?

U2 is conservative? The Offspring?

Also, a lot of the citations are for core "conservative" values that Bush and company want nothign to do with. Right to Privacy has become an issue the Democrats are stronger on. And to me this sounds more like Al Gore's message of environmentalism than Rush Limbaugh: “I went back to Ohio / But my pretty countryside / Had been paved down the middle / By a government that had no pride.”

A funny list and a great link. God, even the cited Creed lyric sounds more about multiculturalism than anti-affirmative action to me.
 
Pure said:
From the National Review. Who says conservatives can't rock?


Rockin' the Right
The 50 greatest conservative rock songs.


By John J. Miller

EDITOR’S NOTE: This week on NRO, we’ve been rolling out the first five and now all 50 songs from a list John J. Miller compiled that appears in the June 5 issue of National Review .

Here’s a look at #1 and get the whole list—complete with purchasing links—here.

On first glance, rock ’n’ roll music isn’t very conservative. It doesn’t fare much better on second or third glance (or listen), either. Neil Young has a new song called “Let’s Impeach the President.” Last year, the Rolling Stones made news with “Sweet Neo Con,” another anti-Bush ditty.

For conservatives who enjoy rock, it isn’t hard to agree with the opinion Johnny Cash expressed in “The One on the Right Is on the Left”: “Don’t go mixin’ politics with the folk songs of our land / Just work on harmony and diction / Play your banjo well / And if you have political convictions, keep them to yourself.” In other words: Shut up and sing.



But some rock songs really are conservative — and there are more of them than you might think. Last year, I asked readers of National Review Online to nominate conservative rock songs. Hundreds of suggestions poured in. I’ve sifted through them all, downloaded scores of mp3s, and puzzled over a lot of lyrics. What follows is a list of the 50 greatest conservative rock songs of all time, as determined by me and a few others.

The result is of course arbitrary, though we did apply a handful of criteria.

What makes a great conservative rock song? The lyrics must convey a conservative idea or sentiment, such as skepticism of government or support for traditional values. And, to be sure, it must be a great rock song. We’re biased in favor of songs that are already popular, but have tossed in a few little-known gems.

In several cases, the musicians are outspoken liberals. Others are notorious libertines. For the purposes of this list, however, we don’t hold any of this against them. Finally, it would have been easy to include half a dozen songs by both the Kinks and Rush, but we’ve made an effort to cast a wide net. Who ever said diversity isn’t a conservative principle?

So here are NR’s top 50 conservative rock songs of all time. Go ahead and quibble with the rankings, complain about what we put on, and send us outraged letters and e-mails about what we left off. In the end, though, we hope you’ll admit that it’s a pretty cool playlist for your iPod.

1. “Won’t Get Fooled Again,” by The Who. ;

The conservative movement is full of disillusioned revolutionaries; this could be their theme song, an oath that swears off naïve idealism once and for all. “There’s nothing in the streets / Looks any different to me / And the slogans are replaced, by-the-bye. . . . Meet the new boss / Same as the old boss.” The instantly recognizable synthesizer intro, Pete Townshend’s ringing guitar, Keith Moon’s pounding drums, and Roger Daltrey’s wailing vocals make this one of the most explosive rock anthems ever recorded — the best number by a big band, and a classic for conservatives.


2. “Taxman,” by The Beatles.

A George Harrison masterpiece with a famous guitar riff (which was actually played by Paul McCartney): “If you drive a car, I’ll tax the street / If you try to sit, I’ll tax your seat / If you get too cold, I’ll tax the heat / If you take a walk, I’ll tax your feet.” The song closes with a humorous jab at death taxes: “Now my advice for those who die / Declare the pennies on your eyes.”


3. “Sympathy for the Devil,” by The Rolling Stones.

Don’t be misled by the title; this song is The Screwtape Letters of rock. The devil is a tempter who leans hard on moral relativism — he will try to make you think that “every cop is a criminal / And all the sinners saints.” What’s more, he is the sinister inspiration for the cruelties of Bolshevism: “I stuck around St. Petersburg / When I saw it was a time for a change / Killed the czar and his ministers / Anastasia screamed in vain.”


4. “Sweet Home Alabama,” by Lynyrd Skynyrd.

A tribute to the region of America that liberals love to loathe, taking a shot at Neil Young’s Canadian arrogance along the way: “A Southern man don’t need him around anyhow.”

5. “Wouldn’t It Be Nice,” by The Beach Boys.

Pro-abstinence and pro-marriage: “Maybe if we think and wish and hope and pray it might come true / Baby then there wouldn’t be a single thing we couldn’t do / We could be married / And then we’d be happy.”

6. “Gloria,” by U2.
Just because a rock song is about faith doesn’t mean that it’s conservative. But what about a rock song that’s about faith and whose chorus is in Latin? That’s beautifully reactionary: “Gloria / In te domine / Gloria / Exultate.”

7. “Revolution,” by The Beatles.
“You say you want a revolution / Well you know / We all want to change the world . . . Don’t you know you can count me out?” What’s more, Communism isn’t even cool: “If you go carrying pictures of Chairman Mao / You ain’t going to make it with anyone anyhow.” (Someone tell the Che Guevara crowd.)

8. “Bodies,” by The Sex Pistols.
Violent and vulgar, but also a searing anti-abortion anthem by the quintessential punk band: “It’s not an animal / It’s an abortion.”

9. “Don’t Tread on Me,” by Metallica.
A head-banging tribute to the doctrine of peace through strength, written in response to the first Gulf War: “So be it / Threaten no more / To secure peace is to prepare for war.”

10. “20th Century Man,” by The Kinks.
“You keep all your smart modern writers / Give me William Shakespeare / You keep all your smart modern painters / I’ll take Rembrandt, Titian, da Vinci, and Gainsborough. . . . I was born in a welfare state / Ruled by bureaucracy / Controlled by civil servants / And people dressed in grey / Got no privacy got no liberty / ’Cause the 20th-century people / Took it all away from me.”

11. “The Trees,” by Rush.
Before there was Rush Limbaugh, there was Rush, a Canadian band whose lyrics are often libertarian. What happens in a forest when equal rights become equal outcomes? “The trees are all kept equal / By hatchet, axe, and saw.”

12. “Neighborhood Bully,” by Bob Dylan.
A pro-Israel song released in 1983, two years after the bombing of Iraq’s nuclear reactor, this ironic number could be a theme song for the Bush Doctrine: “He destroyed a bomb factory, nobody was glad / The bombs were meant for him / He was supposed to feel bad / He’s the neighborhood bully.”

13. “My City Was Gone,” by The Pretenders.

Virtually every conservative knows the bass line, which supplies the theme music for Limbaugh’s radio show. But the lyrics also display a Jane Jacobs sensibility against central planning and a conservative’s dissatisfaction with rapid change: “I went back to Ohio / But my pretty countryside / Had been paved down the middle / By a government that had no pride.”

14. “Right Here, Right Now,” by Jesus Jones.
The words are vague, but they’re also about the fall of Communism and the end of the Cold War: “I was alive and I waited for this. . . . Watching the world wake up from history.”

15. “I Fought the Law,” by The Crickets.
The original law-and-order classic, made famous in 1965 by The Bobby Fuller Four and covered by just about everyone since then.

16. “Get Over It,” by The Eagles.
Against the culture of grievance: “The big, bad world doesn’t owe you a thing.” There’s also this nice line: “I’d like to find your inner child and kick its little ass.”

17. “Stay Together for the Kids,” by Blink 182.
A eulogy for family values by an alt-rock band whose members were raised in a generation without enough of them: “So here’s your holiday / Hope you enjoy it this time / You gave it all away. . . . It’s not right.”
.....



48. “Why Don’t You Get a Job,” by The Offspring.

The lyrics aren’t exactly Shakespearean, but they’re refreshingly blunt and they capture a motive force behind welfare reform.

49. “Abortion,” by Kid Rock.

A plaintive song sung by a man who confronts his unborn child’s abortion: “I know your brothers and your sister and your mother too / Man I wish you could see them too.”

50. “Stand By Your Man,” by Tammy Wynette.

Hillary trashed it — isn’t that enough? If you’re worried that Wynette’s original is too country, then check out the cover version by Motörhead.

===========
http://article.nationalreview.com/?q=NzZkNDU5MmViNzVjNzkzMDE3NzNlN2MyZjRjYTk4YjE=

Henceforth, Huckleman's Hypothesis, ie, "Irony is lost on Conservatives", will be known as Huckleman's Law. :D

"the conservative movement is filled with disillusioned revolutionaries"!!!?????
Conservative, by definition, means hewing to the past, and making few changes. How the holy fuck can anyone conflate conservatism with a revolutionary attitude? The Who destroyed their equipment on stage in rebellion against the Establishment, for fuck's sake! Maybe it was calculated theatrics, which I suppose would shift them right somewhat, but they made a friggin' ROCK OPERA!

I'll give them "Sweet Home Alabama" They can take "Free Bird" too. "And this bird you cannot cha-ia-ia-ia-ia-ia-iange". Conservatism means you can't change the guitar lick. :rolleyes:

"Wouldn't It Be Nice" if two young people could experience the joy of being together and living together, without having to worry about getting pregnant? I think the NRO misses the point here in calling this an ode to abstinence....

"Gloria". Now, the NRO equates Conservatism with being reactionary.

With no acknowledgement of irony, note that #7 is "Revolution", because "...don't you know that you can count me out".

"Taxman" is the realization of a rebellious working class band who realized, once they'd made good, that their earnings were going to support an onerous status quo - The background lyrics (ah-ha Mister Wilson...ah-ha Mister Heath...) reject both the labor and conservative parties. Wilson had nominated the Beatles for the MBE the year before this song was recorded in a move widely seen as pandering to the youth vote. Later performances of the song replaced Wilson and Heath with other politicians of the day.

Skipping to "Why Don't You Get a Job?" by the Offspring at # 48. Hardly a welfare reform lament, the song is a diatribe against girlfriends and boyfriends that want to just stay at home, being supported by their significant others. How in the world this can be construed as supportive of the "daddy-work, mommy-home" crowd is beyond comprehension.

The NRO is reaching in calling any of these "conservative" songs.
 
Huckleman2000 said:
Conservative, by definition, means hewing to the past, and making few changes.

The NRO is reaching in calling any of these "conservative" songs.

In the US, conservatives actually want more changes than most moderate liberals. They want to rewind the progress and social change that has occurred since WWII. So, at least in the current US, conservative means "changing back" more than "no change".

17. “Stay Together for the Kids,” by Blink 182.
The title of this song is intended to be ironic, and also was missed by the article's author.
"Their anger hurts my ears
Been running strong for seven years
Rather than fix the problems, they never solve them
It makes no sense at all
I see them every day
We get along so why can't they?
If this is what he wants and this is what she wants
Then why is there so much pain?"

To me, the central message is that unhappy couples staying together "for the kids" who fight all the time are doing no real favors to their kids.

Yeah, I'm still amused they had to reach so much to come up with 50.
 
Pure said:
Rockin' the Right
The 50 greatest conservative rock songs.

...

IMO, there is quite a bit of what I would call "creative interpretation" in the analysis of these songs.
 
For Jett

same criteria, two lines from one song:

Just because I dress like this
Doesn't mean I'm a communist.
 
JamesSD said:
In the US, conservatives actually want more changes than most moderate liberals. They want to rewind the progress and social change that has occurred since WWII. So, at least in the current US, conservative means "changing back" more than "no change".

Technically, I think that makes them "Reactionaries", not Conservatives. ;)

We need to re-take the language of politics!
 
Sympathy for the Devil.

There is a nice discussion of this song at

http://dir.salon.com/story/ent/masterpiece/2002/01/14/sympathy/index.html

The conservative analysis attempts to parallel it to "Screwtape Letters" which is a disguised apology for Christianity, by having the Devil state how he's behind all kinds of sins, like pride.

I suppose the conservatives like:
The song says there's a devil.
The devil is behind the Russian Revolution.

As the above article points out, however, Jaggar drew on Baudelaire, who wrote poems about evil, and, so to say, "believed in the devil."

In stating a seeming Xtian view that the devil is behind lots of disorders, revolutions, and chaos, calling all cops criminals, it's not easy to go beyond the somewhat boastful position of the ostensible narrator, Lucifer, and get to the implied narrator. Is Lucifer being glorified, or dissed, or neither. Do his claims make him look ridiculous? Extremely powerful? or what?

There are lines suggesting that the responsibility lies with 'you and me'. This might be Xtian individual responsibility, "don't blame the devil." (Oddly enough, to have a too-powerful devil overriding individual choice is Gnostic more than Xtian mainstream.)

but it also might be Jaggar saying, "perhaps this talk of the devil obscures the fact that evil originates in the heart of man."

woo, woo!

J.

Artist: The Rolling Stones
Lyrics

Song: Sympathy For The Devil

(M. Jagger/K. Richards)

Please allow me to introduce myself
I'm a man of wealth and taste
I've been around for a long, long years
Stole many a man's soul and faith

And I was 'round when Jesus Christ
Had his moment of doubt and pain
Made damn sure that Pilate
Washed his hands and sealed his fate

Pleased to meet you
Hope you guess my name
But what's puzzling you
Is the nature of my game

I stuck around St. Petersburg
When I saw it was a time for a change
Killed the czar and his ministers
Anastasia screamed in vain

I rode a tank
Held a general's rank
When the blitzkrieg raged
And the bodies stank

Pleased to meet you
Hope you guess my name, oh yeah
Ah, what's puzzling you
Is the nature of my game, oh yeah
(woo woo, woo woo)

I watched with glee
While your kings and queens
Fought for ten decades
For the gods they made
(woo woo, woo woo)

I shouted out,
"Who killed the Kennedys?"
When after all
It was you and me
(who who, who who)

Let me please introduce myself
I'm a man of wealth and taste
And I laid traps for troubadours
Who get killed before they reached Bombay
(woo woo, who who)

Pleased to meet you
Hope you guessed my name, oh yeah
(who who)
But what's puzzling you
Is the nature of my game, oh yeah, get down, baby
(who who, who who)

leased to meet you
Hope you guessed my name, oh yeah
But what's confusing you
Is just the nature of my game
(woo woo, who who)

Just as every cop is a criminal
And all the sinners saints
As heads is tails
Just call me Lucifer
'Cause I'm in need of some restraint
(who who, who who)

So if you meet me
Have some courtesy
Have some sympathy, and some taste
(woo woo)

Use all your well-learned politesse
Or I'll lay your soul to waste, um yeah
(woo woo, woo woo)

Pleased to meet you
Hope you guessed my name, um yeah
(who who)
But what's puzzling you
Is the nature of my game, um mean it, get down
(woo woo, woo woo)

Woo, who Oh yeah, get on down
Oh yeah Oh yeah!
(woo woo)

Tell me baby, what's my name
Tell me honey, can ya guess my name
Tell me baby, what's my name
I tell you one time, you're to blame
Oh, who woo, woo
Woo, who
Woo, woo
Woo, who, who
Woo, who, who

Oh, yeah What's my name
Tell me, baby, what's my name

Tell me, sweetie, what's my name
Woo, who, who
Woo, who, who

Woo, who, who
Woo, who, who
Woo, who, who
Woo, who, who
Woo woo
Woo woo


http://dir.salon.com/story/ent/masterpiece/2002/01/14/sympathy/index.html
 
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