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the AVATARS question – is it time to ban the ugly ones????

http://static.guim.co.uk/sys-images/Books/Pix/pictures/2012/3/15/1331824731119/The-Camden-Town-Murder-by-001.jpg

From Wiki: Walter Richard Sickert (31 May 1860 – 22 January 1942), born in Munich, Germany, was a painter who was a member of the Camden Town Group in London. He was an important influence on distinctively British styles of avant-garde art in the 20th century.
Sickert was a cosmopolitan and eccentric who often favoured ordinary people and urban scenes as his subjects… He is considered a prominent figure in the transition from Impressionism to Modernism

​
 
http://img.artknowledgenews.com/files2007a/WalterSickertMorningtonCres.jpg

The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge, located on Trumpington Street opposite Fitzwilliam Street in central Cambridge, England. It receives around 300,000 visitors annually. Admission is free

Truly a wonderful place to visit for those planning on visiting the old country this summer...

http://www.europe.travelonline.com/united_kingdom/images/cambridge_fitzwilliam_museum1.jpg​
 

image.php

its for the birds...
 
Last edited:
topace said:
*snorts and giggles*

You're a comedian, and a joker! Good thing most of the members know that already!
Click to expand...

No, he is a pompous asshole who is out to do damage to this site in every way possible.
 
I was being sarcastic, or couldn't you tell it from my snorts and giggles?
 
[SIZE=+2]ERNST LUDWIG KIRCHNER’S [/SIZE]
http://www.artdaily.com/imagenes/2010/10/11/Kirchner-1.jpg
A view of one of the exhibition rooms that displayed the paintings of Ernst Ludwig Kirchner in the Kunsthalle of Hamburg, Germany.

HAMBURG.- Ernst Ludwig Kirchner (1880-1938), founding member of the Die Brücke (The Bridge) artists group in Dresden, Germany 1905, is among the most influential artist personalities in German classical Modernism. A trailblazer for Expressionist art, he succeeded in creating some of the most innovative formal solutions of his day - particularly as a printmaker. The exhibition at the Hamburger Kunsthalle features a representative overview of the most significant phases in Kirchner’s creative development: the early work showing studio and street scenes of Dresden and Berlin, work created during summer stays on the Baltic Sea island Fehrmarn and the later work in Davos. The exhibition itself centers primarily on paintings from the Kunsthalle’s own collection along with selected loans, all works indisputably regarded as the high point of Kirchner’s oeuvre as a painter
 
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