mildlyaroused
silly bitch
- Joined
- Mar 23, 2023
- Posts
- 576
I was recently re-reading Kazuo Ishiguro's most polarising novel, 'The Unconsoled', and was struck by just how much I loved it. The book follows a famous pianist named Mr Ryder during his stay in a small town and, simply put, it's bizarre. It reads like a dream. It got me thinking about how powerful surrealism can be.
When I look back on the books that made me think deeply about themes or philosophy, there are a lot of surreal titles on that list. I think I've found some (piece of the puzzle) sort of reason as to why that is for me.
It came when I was looking into Ishiguro's thoughts on his book, and found that he described his techniques in the narrative as "The language of dreams."
What I like about surrealism is that, by removing a fundamental logic or physical realism to a story, you force the reader to make other connections. You force them to look for patterns. When I read surrealist work, my brain can't find as many logical connections as it'd like to, so it forces me to look elsewhere - usually, to the abstract, to theme or metaphor or philosophy. This often causes me to engage with the real guts of a story in a way I wouldn't had the narrative been more straightforward. Often that has a profound impact on me.
It's a very different experience to more sensical narratives. It's not better or worse, just different. I'm sure there are dozens of more conventional narratives that I haven't quite processed in the deepest way I could - but this is exactly why I love surrealism. It forces me to process those deeper messages, since I have to forget the parts of stories that I usually engage with (plot, progression, clever narrative) in favour of the language of dreams.
Do others like surrealism as I do?
When I look back on the books that made me think deeply about themes or philosophy, there are a lot of surreal titles on that list. I think I've found some (piece of the puzzle) sort of reason as to why that is for me.
It came when I was looking into Ishiguro's thoughts on his book, and found that he described his techniques in the narrative as "The language of dreams."
Just now, the two of us are having this conversation in this room with nobody else in the house. A third person is introduced into this scene. In a conventional work, there would be a knock on the door and somebody would come in, and we would say hello. The dreaming mind is very impatient with this kind of thing. Typically what happens is we’ll be sitting here alone in this room, and suddenly we’ll become aware that a third person has been here all the time at my elbow. There might be a sense of mild surprise that we hadn’t been aware of this person up until this point, but we would just go straight into whatever point the person is raising. I thought this was quite interesting. And I started to see parallels between memory and dream, the way you manipulate both according to your emotional needs at the time. The language of dreams would also allow me to write a story that people would read as a metaphorical tale as opposed to a comment on a particular society.
What I like about surrealism is that, by removing a fundamental logic or physical realism to a story, you force the reader to make other connections. You force them to look for patterns. When I read surrealist work, my brain can't find as many logical connections as it'd like to, so it forces me to look elsewhere - usually, to the abstract, to theme or metaphor or philosophy. This often causes me to engage with the real guts of a story in a way I wouldn't had the narrative been more straightforward. Often that has a profound impact on me.
It's a very different experience to more sensical narratives. It's not better or worse, just different. I'm sure there are dozens of more conventional narratives that I haven't quite processed in the deepest way I could - but this is exactly why I love surrealism. It forces me to process those deeper messages, since I have to forget the parts of stories that I usually engage with (plot, progression, clever narrative) in favour of the language of dreams.
Do others like surrealism as I do?