PatPowers
Really Experienced
- Joined
- Mar 18, 2006
- Posts
- 104
The Year: 1992
The Place: Hollywood
The Situation: You, and not Gerry Marshall, are the person who has obtained rights to make a movie based on Anne Rice's "Exit To Eden." What's more, the studio has green-lighted the project and you have complete creative control. You are free to produce, direct, screenwrite and cast this movie however you like. You can use as much or as little from the book as you like. You've pitched the idea to the studios as "A fun, kinky, BDSM romance that'll bring in audiences that are curious about BDSM, but not frighten them away with too much heavy kink." Bringing in a movie that more or less fits this description under a very generous A-movie budget are the only constraints you are working under.
So what do you do? What DO you DO?
The Place: Hollywood
The Situation: You, and not Gerry Marshall, are the person who has obtained rights to make a movie based on Anne Rice's "Exit To Eden." What's more, the studio has green-lighted the project and you have complete creative control. You are free to produce, direct, screenwrite and cast this movie however you like. You can use as much or as little from the book as you like. You've pitched the idea to the studios as "A fun, kinky, BDSM romance that'll bring in audiences that are curious about BDSM, but not frighten them away with too much heavy kink." Bringing in a movie that more or less fits this description under a very generous A-movie budget are the only constraints you are working under.
So what do you do? What DO you DO?