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Hello Summer!
- Joined
- Nov 1, 2005
- Posts
- 13,823
Ratatouille, the latest computer animated film by Disney/Pixar, is getting rave reviews and I think it deserves them. It's charming, warm, funny, enjoyable and clever. One of those movies that leaves you feeling really good as you walk out of the theater.
The basic story and message are not all that outré: follow your bliss and be who you are, but the journey taken to this conclusion is so much more fun than most of the other, recent animated films. That's thanks to Brad Bird, who took over the script and its direction and never rushes things. He offers up an introduction (appetizers and soup as it were) so you get a real connection and feeling for the main rat character, Remy and his passion for food. Even when the movie gets to the meat of the story--the restaurant and its drama--it still allows itself to take quick and witty detours: tips of the hat to old French movies and silent films, rollercoaster rides down sewer pipes and under kitchen stoves. All of which makes a fairly short movie very rich and layered.
Most essentially, the film is true to its message and makes some bold moves, in particular by making the rats *rats* not cuddily toys. When they swarm, they swarm. I like that about Brad Bird as well, that he never tip-toes around things or tries to play it safe--and his bets pay off.
It's a really marvelous little film; a lot of heart and soul. And how could we writers not connect with someone who has a passion and wants to express it? I really loved it and it's one of the few summer movies I'll probably see again.
The basic story and message are not all that outré: follow your bliss and be who you are, but the journey taken to this conclusion is so much more fun than most of the other, recent animated films. That's thanks to Brad Bird, who took over the script and its direction and never rushes things. He offers up an introduction (appetizers and soup as it were) so you get a real connection and feeling for the main rat character, Remy and his passion for food. Even when the movie gets to the meat of the story--the restaurant and its drama--it still allows itself to take quick and witty detours: tips of the hat to old French movies and silent films, rollercoaster rides down sewer pipes and under kitchen stoves. All of which makes a fairly short movie very rich and layered.
Most essentially, the film is true to its message and makes some bold moves, in particular by making the rats *rats* not cuddily toys. When they swarm, they swarm. I like that about Brad Bird as well, that he never tip-toes around things or tries to play it safe--and his bets pay off.
It's a really marvelous little film; a lot of heart and soul. And how could we writers not connect with someone who has a passion and wants to express it? I really loved it and it's one of the few summer movies I'll probably see again.