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Olivianna said:Maybe start at Waugh. Also, contact your professor and talk with him/her to get ideas and further clarification.
Baudrillard, Jean. SELECTED WRITINGS.
Bertens, Hans. THE IDEA OF THE POSTMODERN: A HISTORY.
Couturier, Maurice. REPRESENTATION AND PERFORMANCE IN POSTMODERN FICTION.
Fokkema, Douwe, ed. LITERARY HISTORY, MODERNISM, POSTMODERNISM.
Foster, Hal, ed. THE ANTI-AESTHETIC.
Habermas, Jurgen, THE PHILOSOPHICAL DISCOURSE OF MODERNITY.
Harvey, David. THE CONDITION OF POSTMODERNITY.
Hutcheon, Linda. NARCISSISTIC NARRATIVE: THE METAFICTIONAL PARADOX.
Klinkowitz, Jerome. LITERARY DISRUPTIONS.
Lyotard, Jean-Francois. THE POSTMODERN CONDITION.
McCaffery, Larry. THE METAFICTIONAL MUSE: THE WORKS OF
ROBERT COOVER, DONALD BARTHELME, AND WILLIAM H. GASS.
McGowan, John. POSTMODERNISM AND ITS CRITICS.
Scholes, Robert. FABULATION AND METAFICTION.
Waugh, Patricia. FEMININE FICTIONS: REVISITING THE POSTMODERN.
---. METAFICTION.
sidney328 said:it's a required class...
i'd much rather be doing physics
grabbing a stick and showing ya what the academic mumbo jumbo of physics can do for a pool game
sidney328 said:ok...you're on
ladies first?
Hamletmaschine said:
Depending on your professor's mood, you'd get an "A" or an "F."
That's usually where the cool professors are, anyway. From their relaxed revelations flow the inspirations for the structures of papers they wish they had written themselves as undergrads.eagleyez said:ive slummed around enough English Depts to know your better off in a good bar with a pool table and a juke box
Hamletmaschine said:You could always write your research paper about the impossibility of writing a research paper.
Depending on your professor's mood, you'd get an "A" or an "F."