Desiremakesmeweak
Literotica Guru
- Joined
- Jun 7, 2012
- Posts
- 2,060
Noir Violence (against women) and How I Met Guccifer 2.0...
I still remember, even from such a long time ago, the very first time I watched 'The Third Man.' I was very very young. I think it is was in fact that very first 'adult' type movie that my mother took me to and she went because SHE wanted to see it and for some reason on that particular day didn't or couldn't leave me with the um 'household staff.' (That would have likely been due to some kind of local cultural or religious festival very probably).
The MOST lingering memory is to do with this thin, echoing sound of running footsteps up and down empty cobbled streets, and down into underground tunnels, and then the sound of pistol shots, again, loudly firing, but also echoing into the darkness everywhere.
The scenes are not over-burdened with detail or visual elements - but those that are there, are like threatening chess-pieces on a stilted kind of Cosmic chessboard, and actually playing out in front of you in a live, and very serious, Cosmic chess-game.
The real violence in the noir style is not the physical fights, or the 'gut-shooting' of the side-kick or the two-bit villain, or anyone else; often the villain sort of 'gets away' in one sense or another.
The violence is always the encircling of the female main character who is compromised, by circumstances of life. There is a looming 'fate worse than death' in there somewhere, regularly.
The Third Man, Casablanca, Kiss Me Deadly - all have this element in them.
And of The Big Sleep. There are many titles. Not to say all THAT many, but 'many.'
The darkness in the noir style, is a way of 'blacking out' or blurring the misleading narratives of our daily waking world.
And in that matte arrangement, the REAL chess pieces can be allowed to come out and be seen.
Right now, the story is more 'ultra-violet' than 'noir' for me. So, no fun for ol' JBJ here.
Move along. Nothing to see here.
I still remember, even from such a long time ago, the very first time I watched 'The Third Man.' I was very very young. I think it is was in fact that very first 'adult' type movie that my mother took me to and she went because SHE wanted to see it and for some reason on that particular day didn't or couldn't leave me with the um 'household staff.' (That would have likely been due to some kind of local cultural or religious festival very probably).
The MOST lingering memory is to do with this thin, echoing sound of running footsteps up and down empty cobbled streets, and down into underground tunnels, and then the sound of pistol shots, again, loudly firing, but also echoing into the darkness everywhere.
The scenes are not over-burdened with detail or visual elements - but those that are there, are like threatening chess-pieces on a stilted kind of Cosmic chessboard, and actually playing out in front of you in a live, and very serious, Cosmic chess-game.
The real violence in the noir style is not the physical fights, or the 'gut-shooting' of the side-kick or the two-bit villain, or anyone else; often the villain sort of 'gets away' in one sense or another.
The violence is always the encircling of the female main character who is compromised, by circumstances of life. There is a looming 'fate worse than death' in there somewhere, regularly.
The Third Man, Casablanca, Kiss Me Deadly - all have this element in them.
And of The Big Sleep. There are many titles. Not to say all THAT many, but 'many.'
The darkness in the noir style, is a way of 'blacking out' or blurring the misleading narratives of our daily waking world.
And in that matte arrangement, the REAL chess pieces can be allowed to come out and be seen.
Right now, the story is more 'ultra-violet' than 'noir' for me. So, no fun for ol' JBJ here.
Move along. Nothing to see here.