Need help with spanking story

Jeff123

Virgin
Joined
May 26, 2003
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3
Hi everyone. I am a guy who would like to write an erotic spanking story and would like some advice. How can I build the interest without it getting too long in terms of anticipation. How should I set the scene. I am especially interested in the female perspective on the story structure. Ideas please! Note email Padomm40@aol.com
 
Hiya
Advice: remove your e-mail address from that post or a mod'll be along to teach you about spanking at first hand...
x
V
 
Vermilion said:
Hiya
Advice: remove your e-mail address from that post or a mod'll be along to teach you about spanking at first hand...
x
V
We have no mods on the AH, but V's right. Lit expressly requests no e-mail addresses in posts. People can send you a PM for your address. :)
 
Jeff, I have to say, you are asking the right kind of question. How to balance anticipation with a need to move the story on-- exactly the sort of concern any writer should have.

Much better than the one I had about the category! I was concerned with the repetitive nature of it. Whack whack whack, y'know. I mean, it gets a little bit silly, writing whack whack whack, but that's all that's actually going on at the time. Turned out there was a way around that.

Your question is a little too subjective and general, as put. Too general, because building suspense is not just one technique; it varies with the situation. Building tension about a secret being spilled is different from making the reader wait for the other shoe to drop or watching the hero try to break out of the chainlink box in time to stop the murder. In fact, suspense is a very difficult trick to pull off; it is not transferable from one situation to another as a formula. This makes talking about it without a really very specific example pointless, at least if we are going to decide anything directly useful to you.

And too subjective because readers vary a lot. What one reader experiences as a fine taut tension and exquisite sustained terror may easily strike another as a long, overly-drawn out rigmarole. Some writers seem to consistently draw praise for their suspense, even as some readers shun them becasue they move too slow.

For both reasons, I think you'd need to do it once so that a critique becomes possible. Write one version, and there are places on Lit where some of us will take the time to talk about what you have done.

As for the female perspective-- that's the ticket, isn't it? I think it's very important, myself. Writing orgasms, especially, which are intelligible to women is a real challenge if you have never been one. This one I think we can discuss to effect. We haven't had a good talk about writing orgasms for a while in the AH.

But orgasm rests on a receptive state of mind, especially for women. "The whole evening is foreplay," she said. This goes to your suspense question, too. A receptive state of body and mind makes many little things partake of orgasm, and makes the climaxes themselves far stronger.

Men can say the same, but it doesn't mean the same thing. Estrogen. I had a long talk once with a transitioning woman. She described the really huge difference estrogen levels make in the whole thing. And a discussion of how to write orgasms will help you to see the difference.

So now all we need is an orgasm thread! :D
 
cantdog said:
Jeff, I have to say, you are asking the right kind of question. How to balance anticipation with a need to move the story on-- exactly the sort of concern any writer should have.

Much better than the one I had about the category! I was concerned with the repetitive nature of it. Whack whack whack, y'know. I mean, it gets a little bit silly, writing whack whack whack, but that's all that's actually going on at the time. Turned out there was a way around that.

Your question is a little too subjective and general, as put. Too general, because building suspense is not just one technique; it varies with the situation. Building tension about a secret being spilled is different from making the reader wait for the other shoe to drop or watching the hero try to break out of the chainlink box in time to stop the murder. In fact, suspense is a very difficult trick to pull off; it is not transferable from one situation to another as a formula. This makes talking about it without a really very specific example pointless, at least if we are going to decide anything directly useful to you.

And too subjective because readers vary a lot. What one reader experiences as a fine taut tension and exquisite sustained terror may easily strike another as a long, overly-drawn out rigmarole. Some writers seem to consistently draw praise for their suspense, even as some readers shun them becasue they move too slow.

For both reasons, I think you'd need to do it once so that a critique becomes possible. Write one version, and there are places on Lit where some of us will take the time to talk about what you have done.

As for the female perspective-- that's the ticket, isn't it? I think it's very important, myself. Writing orgasms, especially, which are intelligible to women is a real challenge if you have never been one. This one I think we can discuss to effect. We haven't had a good talk about writing orgasms for a while in the AH.

But orgasm rests on a receptive state of mind, especially for women. "The whole evening is foreplay," she said. This goes to your suspense question, too. A receptive state of body and mind makes many little things partake of orgasm, and makes the climaxes themselves far stronger.

Men can say the same, but it doesn't mean the same thing. Estrogen. I had a long talk once with a transitioning woman. She described the really huge difference estrogen levels make in the whole thing. And a discussion of how to write orgasms will help you to see the difference.

So now all we need is an orgasm thread! :D

Everybody doesn't like something, but nobody doesn't like... orgasms!

For years it was thought that there was only one type of orgasm. However, thanks to research and our new found friend Mr. G-Spot, scientists have been able to identify several different types of orgasms.

For example, people who have sex in sports cars experience Four-on-the-Floor-gasms.

Women who have sex with a few good men have Marine Corps-gasms.

Lou Grant experienced Mary Tyler Moore-gasms.

Mrs. Abraham Lincoln often had Four Score-gasms.

Newlyweds often have Lets-do-it-'til-we're Sore-gasms

Married couples later have I've-got-mine-you-get-your-gasms.

(Incidentally, women who are still having trouble reaching orgasm should call cantdog.)

What was this thread about again?
 
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