LitShark
Predator
- Joined
- Nov 8, 2002
- Posts
- 3,473
Lightning cracked the sky and the raindrops cut like knives. The wind was howling, whistling from and back into the towering funnel cloud as it made landfall. The trees all around were cracking, breaking and joining the cloud of debris and hurricane-force wind. Another crack of lightning split a tree in the distance, illuminating the long shadows with brief, flickering orange flame before the pouring rain doused it.
At the center of it all, a young woman—beautiful and petite, her long, purple hair fluttering across her face, sticking and wet.
The pale glare from the lighthouse passed over her face, illuminating the scene for a moment before continuing in its rotational path. Somehow, the lighthouse seemed to represent safety—it beckoned her.
A translucent figure of a doe—seemingly made of pure light, looked up and darted toward the lighthouse. Just as the girl approached, a boat, lifted and tossed by the wind, crashed into the side of the lighthouse. The broken tower came careening down, straight for the girl!
-FLASH-
“…the depth of field is what gives texture to an image. The sharp or soft focus of an image allows our eyes to perceive it in three dimensions.”
Professor Mark Jefferson noticed Max startling herself awake but chose not to call attention to it. The poor girl was so shy and timid, it felt almost like his glance might shatter her, like she was made of ashes and cobwebs. Nonetheless, he’d noticed her—a quiet genius, still discovering her own substance—still malleable, like molten glass not yet set. Opportunity made manifest.
Jefferson cleared his throat, forcing his mind back to the lesson, turning to reveal a stunning black and white landscape poster. It was impossible to know when the image of Yosemite’s Half Dome was taken—it was developed by hand before being meticulously reproduced. In turning, he was able to disguise the faint hint of an erection in his slacks.
“In bits and pieces, this exquisite piece of art is visual gibberish. No faces, no recognizable forms, just textures—but the depth of field makes this image what it is. The sharp against hard focus creates the depth of field and gives this image the scale which makes it a coherent image. Who can name the artist?”
Jefferson hesitated, waiting for a reply but looking expectantly to Max.
“Ansel Adams, of course.” Victoria chimed in, ever eager to please.
“Correct. Good work Victoria, but please stop throwing things.” She thought that he hadn’t noticed her hitting Kate with a wadded-up piece of paper while his back was turned, but Jefferson didn’t miss much.
Victoria blushed.
“Ansel Adams was a master at utilizing depth of field. He took advantage of the static nature of landscapes to find the ideal ratio between sharp and soft focus to create timeless artwork. Speaking of which, I’m still waiting for most of your submissions for our “Everyday Heroes,” photography contest. Aside from Ms. Chase there,” he nodded to Victoria who seemed poised to chime in and remind him that she had, in fact submitted already, “the winner gets to join me in New York at a showcase in which the winning photograph will be featured.”
There came a shutter click, a whir of an old-school Polaroid. Jefferson looked to the back of the classroom, curious to see if his favorite student had deigned to join the discussion.