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When the character's measurements are given in the first paragraph. (Actually, I'd really prefer not to know what cup size a female character has, or how long a male character's dick is. It goes back to the old adage of "show, don't tell.")
When the character's measurements are given in the first paragraph. (Actually, I'd really prefer not to know what cup size a female character has, or how long a male character's dick is. It goes back to the old adage of "show, don't tell.")
Pages of adjectives. I don't care if the chiffon dress is soft teal or misty turquoise. I don't really care what color it is at all. (This doesn't just apply to erotica.) Ditto the previously mentioned bust sizes and dick lengths, especially if it's monstrous DD 40 this or 11" that. Worst case scenario: a detailed description of a suit.
Bad grammar. Unless you're freaking James Joyce, write according to the language you claim to speak.
Sluts. Women who are extremely promiscuous just about always have serious self-esteem problems or other significant damage. No sane woman opens her legs without pages of internal monologue happening first. If she's willingly doing it on page one, she's a man with boobs, not a woman. I'm not into men.
Backstory in the wrong place. Until I care about a character I don't want to know about her childhood. Little reveals and flashes of insight scattered across a story can be fascinating; an info dump isn't.
Victimization of children, animals, or the mentally enfeebled, or actual incest. If a character doesn't have enough agency to make rational decisions, it's no longer seduction.
When the character's measurements are given in the first paragraph. (Actually, I'd really prefer not to know what cup size a female character has, or how long a male character's dick is. It goes back to the old adage of "show, don't tell.")
Too many names all at once. "My name is Bill Anderson and my wife is Beverly. Our neighbors, Jim and Jackie Johanson, and my boss and his wife, Harvey and Harriet Harrelson, were all over for dinner at our house....." I'm not going to do the mental gymnastics to remember all of that! Spoonfeed me, please!
Being told what I see, say, think or feel. "You" being a character.
When the character's measurements are given in the first paragraph. (Actually, I'd really prefer not to know what cup size a female character has, or how long a male character's dick is. It goes back to the old adage of "show, don't tell.")
LOL!! Yes this.
I was telling my kids about the Halloween writing contest and I said I can write a good story that I will feel proud of that probably won't get enough votes, or I can write one about
He grabbed my 36DD boobs while I rubbed my ass against his 9 inch rock hard cock.
Start with that, or put it somewhere in the story and it will get votes. Oh and if I add
"I'M CUMMMMMMMMMIIIIINNNGGGG"
in it several times I'm sure to have a winner.
LOL!! Yes this.
I was telling my kids about the Halloween writing contest and I said I can write a good story that I will feel proud of that probably won't get enough votes, or I can write one about
He grabbed my 36DD boobs while I rubbed my ass against his 9 inch rock hard cock.
Start with that, or put it somewhere in the story and it will get votes. Oh and if I add
"I'M CUMMMMMMMMMIIIIINNNGGGG"
in it several times I'm sure to have a winner.
Ah yeah, second POV. In my opinion that's only acceptable in games and roleplays, and even then there are exceptions. I don't get what writers like that try to do, it certainly doesn't get me to feel like I'm the character since it's directly aimed at me.
Anything involving a strong woman who suddenly needs to be submissive.
Any storyline designed for low self esteem men who need women to act drooling cockwhores for middle aged loser men.
The same storyline written twenty times over by the same author to the point it could be copy paste.
Anything involving a strong woman who suddenly needs to be submissive.
Any storyline designed for low self esteem men who need women to act drooling cockwhores for middle aged loser men.
The same storyline written twenty times over by the same author to the point it could be copy paste.
I am so glad to discover that I am not alone to abhor 2POV, thank you!
What the people who dabble with it fail to realise is that second person address is a form of imperative; you will, you must, your failure to comply (etc.) The best examples of second person usage is by HM Revenue & Customs (or the IRS in the US).
From my experiences of other literary forums I would say that those who dabble with it mistakenly believe that by rendering their usually mediocre, ill-conceived and ill-written tales into second person narratives, they are magically transformed into fine art. In a way they are right though - by the third page, the reader is so exhausted and bewildered by it all and suffers from sensory overload trauma to the extent that (s-)he stops reading never to return, convinced that it was so far above her or his ken that they are positive the author must be some kind of genius. In my opinion, there is no place for it in serious literature except very sparingly used to focus the reader's attention on something important.
The only kind of stories that I can think of from the top of my head where the second POV could work well is the Choose Your Own Adventure style stories, but even then you could just use a Third or First Person perspective.
I could think of many more. It could have it's place in literature, but it's often done so very poorly or written so with such narrow focus that it turns most readers away. Most times the immersion is broken when the reader thinks, "I wouldn't do that" when the author is telling them that "you do this, you do that."
Were it not for time, I could make more honest attempts with this PoV.