Sean
We'll see.
- Joined
- Feb 17, 2005
- Posts
- 96,193
The Wicker Man (1973)
Ah, forgot about that one.
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The Wicker Man (1973)
Ah, forgot about that one.
If only half of your readers/watchers are rooting for your protaganist you're either doing a horrible job or an incredible one. Probably the former. The hero pretty much has to win because if he doesn't you'd rarely have a story. Though it does happen, especially depending on how strictly your defining victory in a few movies.
The Bad Guy wins in Saw and again in Saw II. It's not until Saw III that anything that can be considered a victory over Jigsaw occurs. After that it's all downhill for him but he has two clear victories.
The Bad Guy wins (albeit a squeaker) in Fallen, where he tells you the story of how he "almost died."
I'd argue the bad guy wins in T3 (though the moral of the story was John Connor and Skynet are stuck in a stable time loop so neither one of them can actually WIN which sucks for them both.) So I guess we can nix this one.
If I sat here and dug I could probably find more stories where the bad guys win.
Also the reason bad guys are more interesting is because they generally have to carry the story. The good guys only have to win and make it look difficult. Think professional wrestling, one guy does all the work and the other guy gets to land his "super awesome nobody can get up from this" attack win the match and go home. But listen to the crowd, if they are cheering for the bad guy it's because the wrestlers are either failures (or John Cena).
Bingo!Fuck the evil charecters, they already win too much in real life.
"The Bachman Books", also "Apt Pupil" (all by Stephen King) are definately stories where the bad guy wins.
Orwell's "1984". The forces of evil most definitely win in that story.
Michael Moorcock's "Elric of Melnibone" saga, which ends with;
"Farewell, friend. I was a thousand times more evil than thou."
'And then it leapt from the Earth and went spearing upwards, its wild voice laughing mockery at the Cosmic Balance; filling the universe with its unholy joy.'
Arthur C Clark's "Childhood End", though to be fair, that story eschewed the Good vs. Evil dynamic entirely.
Dr Strangelove (movie) ends with the forces of stupidity winning
Anthony Burgess's "A Clockwork Orange" is another in which the main character (who is thoroughly reprehensible with no redeeming moral qualities" wins.
The guards are disrespectful to him and shown to be somewhat callous. The Italian is in it for the money and portrayed as greedy.
It's been a while since I've seen the movies but I don't recall him killing any character that is truly sympathetic or innocent. That's on purpose of course because we're supposed to root for him.
And don't get me started on the second book. Holy fuck that ending was awful. Just terrible.