Peregrinator
Hooded On A Hill
- Joined
- May 27, 2004
- Posts
- 89,482
SPOILER ALERT ** SPOILER ALERT ** SPOILER ALERT ** SPOILER ALERT ** SPOILER ALERT ** SPOILER ALERT ** SPOILER ALERT ** SPOILER ALERT **
**DON'T READ IF YOU DON'T WANT TO KNOW WHAT HAPPENS IN THE LAST CHAPTER OF "A CLOCKWORK ORANGE**
Okay. Basically, the 21st chapter starts out like the 1st - except Alex is now the oldest of his new droogs. One night, they're out doing what they do, but Alex isn't really participating...he just doesn't feel like it. He tells the boys he's going home. He's found a picture on the street of a baby, and for some reason he keeps it in his wallet. He decides to go into a tea shop, and bumps into Pete - one of his old droogs from the old days. Pete tells Alex that Georgie has been killed (if memory serves). Pete is married, has a kid, and works a regular job. His wife is lovely, but thinks that Alex is a bit strange - he still speaks in nadsat, the slang the gang kids speak - and it's a bit much for her. Alex sits with his tea, thinking about Pete being married, thinking about the possibility of a job, getting married (perhaps to the young lady from the record shop) and having a baby - like the baby in the picture in his wallet. He's starting to think that all of the "fillying and shop-crasting" is really for the young, and that he's had enough - that he can have a kid, and the kid can get caught up in the folly of youth, if he likes.
Black Shanglan - I don't think that "In order for real good to exist, evil must sometimes triumph." is really the message of the piece. I believe that it's more about the folly of trying to artificially impose something that is against the organic nature of a being. In the last chapter, Alex comes organically to the conclusion that Ludovico experiment was trying to artificially re-program in him, simply by growing up.
I was involved in a stage production of "A Clockwork Orange" and the gentleman who wrote our adaptation spoke directly with Burgess about a year before he died. Burgess had apparently always hated that American publishers left out the 21st chapter - he said that it was part of the theme of maturity - 21 chapters = 21 years (pretty much a universal age of maturity) Burgess also gave his permission to produce a stage version "as long as it stays faithful to the book and includes the 21st chapter."
Cheers! My version definitely did not include that chapter. Interesting.