SimonBrooke
Literotica Guru
- Joined
- Mar 5, 2005
- Posts
- 1,139
I'm writing a story which is a dialectical piece about BDSM. The reason I'm writing it is because there seems to be an increasing crackdown on 'deviant sexuality' here in Scotland - it's now illegal to possess a 'picture of rape', although how you're supposed to be able to tell whether a person in a picture is consenting or not is hard to see; I think that the courts will interpret this as making the possession of any picture of forceful sex illegal.
I don't make pictures, but I do write stories; and if the pictures are made illegal how long is it before the stories follow?
So what I'm planning to do is is write a story which is about 'deviant sexuality' - BDSM - and use it as a tool to discuss attitudes to BDSM, and to defend the right of those of us who are kinked that way to express our sexuality.
And to do this I need a character to put the opposite point of view - that deviant sexuality is dangerous, wrong, and should be controlled. I've made her a police inspector, leading a rape investigation team. She exists in the story so that my protagonist - a very articulate masochistic submissive - can have a dialogue with her and thus expose her thoughts.
The real facts on the ground are that here in Scotland domestic violence really is an epidemic - way too high, and that rape here is very rarely successfully prosecuted. There's a very strong link between drug addiction and prostitution, especially in our bigger cities. So it isn't unreasonable for my foil character to see BDSM as just another case of ugly domestic violence, and part of a pattern of behaviour which readily leads to rape .
But I find I'm writing a cardboard cutout figure, and the arguments I'm giving her are too obviously aunt sallies. This story isn't going to work unless I make my inspector a rounded character with good, reasonable arguments which are not simply grounded in ignorance and prejudice.
Help me out here, guys. Help me with arguments that a sensible person might make as to why there's a public policy interest in cracking down on 'pictures of rape', and on people who play with whips and chains.
I don't make pictures, but I do write stories; and if the pictures are made illegal how long is it before the stories follow?
So what I'm planning to do is is write a story which is about 'deviant sexuality' - BDSM - and use it as a tool to discuss attitudes to BDSM, and to defend the right of those of us who are kinked that way to express our sexuality.
And to do this I need a character to put the opposite point of view - that deviant sexuality is dangerous, wrong, and should be controlled. I've made her a police inspector, leading a rape investigation team. She exists in the story so that my protagonist - a very articulate masochistic submissive - can have a dialogue with her and thus expose her thoughts.
The real facts on the ground are that here in Scotland domestic violence really is an epidemic - way too high, and that rape here is very rarely successfully prosecuted. There's a very strong link between drug addiction and prostitution, especially in our bigger cities. So it isn't unreasonable for my foil character to see BDSM as just another case of ugly domestic violence, and part of a pattern of behaviour which readily leads to rape .
But I find I'm writing a cardboard cutout figure, and the arguments I'm giving her are too obviously aunt sallies. This story isn't going to work unless I make my inspector a rounded character with good, reasonable arguments which are not simply grounded in ignorance and prejudice.
Help me out here, guys. Help me with arguments that a sensible person might make as to why there's a public policy interest in cracking down on 'pictures of rape', and on people who play with whips and chains.