lesbiaphrodite
Literotica Guru
- Joined
- May 29, 2007
- Posts
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In looking often at the ways that women are depicted in advertisements, pornography and films, I come back to a concept that I was introduced to back in my graduate school days: the power of the male gaze to define women and their perceptions of themselves. Below is an excerpt of an article dealing with the subject. I find it fascinating in its way. I'd be very interested what others think.
The Gaze
by Hammad Ahmed
The famed French Freudian psychologist Jacques Lacan watched infants looking at mirrors and thought that there was a profit to be turned in writing about it. So he defined le regard—the gaze—as an awareness that what is looking back in the mirror at us is ourselves. Sort of a tough concept to swallow if you’re still teething. But later on, he thought, the gaze develops into this sense that what we are looking at is looking back at us with an uncanny consciousness, whether it’s our reflection in the mirror or a pigeon in the park. For all his perhaps underwhelming insight, he was among the first to write about the power and mystery that pure staring could encompass.
It took a little while longer for Michel Foucault, that theory queer par excellence and alleged lover of bondage, to write about the cruel power of the gaze. Inspired by the Victorian era prisons, hospitals, and other places of “treatment,” he described a cold, all-knowing “clinical gaze” that modern doctors use in his groundbreaking book The Birth of the Clinic. He writes that it is a kind of stare that confers all the power upon the doctor to know his subject and to cure that subject. So in other words, whoever wields the gaze has the ability to control and dominate the one being looked at. And this is almost certainly true of Victorian prisons at least, but I’ve always felt that this is a poor mirror for day-to-day life among strangers. It’s worthwhile remembering how the stare can be frighteningly oppressive, but also important not to take this idea too far... Which is perhaps just what some feminist scholars in the 1970s and 80s, such as Laura Mulvey, did. Building off the ideas of Foucault and Lacan, they criticized the fact that men control the gaze, that they do all the looking and that women act as passive screens for their fantasies. They argued that images of women in the media and in pornography consistently demeaned the female form, and that men were socialized to stare at women as objects in order to control them and prevent them from talking or, well, looking back.
Were the feminists right? To an extent, yes, but less so as time has gone on. Certainly, the prevalence of men as objects-to-be-seen alongside women has increased dramatically, as exemplified in advertising and in popular culture. In fact, where I went to school, the men’s water polo team—and not the women’s—posted flyers of themselves all lined up wearing speedos as a gimmick, urging people to come to their games, presumably to see their sexualized bodies in action. So, at least from where I’m standing, I don’t see that men are never the objects of the gaze.
Newer feminist critics have taken account of these complexities. Indeed, the question has moved out of academia and into popular culture. “The Female Gaze” is a weblog that attempts to reverse the direction of the classically defined male gaze, for example. But what still often goes uncontested is the notion that the gaze objectifies its target and empowers its owner; in other words, watching is better than being watched.
The Gaze
by Hammad Ahmed
The famed French Freudian psychologist Jacques Lacan watched infants looking at mirrors and thought that there was a profit to be turned in writing about it. So he defined le regard—the gaze—as an awareness that what is looking back in the mirror at us is ourselves. Sort of a tough concept to swallow if you’re still teething. But later on, he thought, the gaze develops into this sense that what we are looking at is looking back at us with an uncanny consciousness, whether it’s our reflection in the mirror or a pigeon in the park. For all his perhaps underwhelming insight, he was among the first to write about the power and mystery that pure staring could encompass.
It took a little while longer for Michel Foucault, that theory queer par excellence and alleged lover of bondage, to write about the cruel power of the gaze. Inspired by the Victorian era prisons, hospitals, and other places of “treatment,” he described a cold, all-knowing “clinical gaze” that modern doctors use in his groundbreaking book The Birth of the Clinic. He writes that it is a kind of stare that confers all the power upon the doctor to know his subject and to cure that subject. So in other words, whoever wields the gaze has the ability to control and dominate the one being looked at. And this is almost certainly true of Victorian prisons at least, but I’ve always felt that this is a poor mirror for day-to-day life among strangers. It’s worthwhile remembering how the stare can be frighteningly oppressive, but also important not to take this idea too far... Which is perhaps just what some feminist scholars in the 1970s and 80s, such as Laura Mulvey, did. Building off the ideas of Foucault and Lacan, they criticized the fact that men control the gaze, that they do all the looking and that women act as passive screens for their fantasies. They argued that images of women in the media and in pornography consistently demeaned the female form, and that men were socialized to stare at women as objects in order to control them and prevent them from talking or, well, looking back.
Were the feminists right? To an extent, yes, but less so as time has gone on. Certainly, the prevalence of men as objects-to-be-seen alongside women has increased dramatically, as exemplified in advertising and in popular culture. In fact, where I went to school, the men’s water polo team—and not the women’s—posted flyers of themselves all lined up wearing speedos as a gimmick, urging people to come to their games, presumably to see their sexualized bodies in action. So, at least from where I’m standing, I don’t see that men are never the objects of the gaze.
Newer feminist critics have taken account of these complexities. Indeed, the question has moved out of academia and into popular culture. “The Female Gaze” is a weblog that attempts to reverse the direction of the classically defined male gaze, for example. But what still often goes uncontested is the notion that the gaze objectifies its target and empowers its owner; in other words, watching is better than being watched.