slyc_willie
Captain Crash
- Joined
- Sep 4, 2006
- Posts
- 17,732
I watched the movie Cloverfield earlier tonight. Interesting flick. I liked the way it was filmed, and the fact that the film was essentially a love story. But that's beside the point.
Early in the movie, we are treated the decapitated head of the Statue of Liberty careening off a building and skidding to a stop along a busy Manhattan street. And that got me thinking about all the times the infamous gift from France has been mutilated, used and abused in Hollywood.
In the original Planet of the Apes, Charleton Heston comes across the remains of the statue, and realizes he's been on Earth the entire time (as if the fact that the apes spoke English wasn't telling enough). In The Day After Tomorrow, Lady Liberty is prominently featured during a few SFX-laden scenes. In the second Ghostbusters, she's animated and forced to march through New York to serve as a beacon of hope. The list goes on.
It seems obvious, I suppose, that film makers gravitate toward mutilating one of our national symbols as a way of "driving home" a point, or making a scene particularly personal to all us Americans in some way. Much the same way that, for instance, Big Ben was destroyed in V For Vendetta. But is that really what it is? Or is Hollywood making a different point?
Feh. It's Saturday night and I'm bored.
Early in the movie, we are treated the decapitated head of the Statue of Liberty careening off a building and skidding to a stop along a busy Manhattan street. And that got me thinking about all the times the infamous gift from France has been mutilated, used and abused in Hollywood.
In the original Planet of the Apes, Charleton Heston comes across the remains of the statue, and realizes he's been on Earth the entire time (as if the fact that the apes spoke English wasn't telling enough). In The Day After Tomorrow, Lady Liberty is prominently featured during a few SFX-laden scenes. In the second Ghostbusters, she's animated and forced to march through New York to serve as a beacon of hope. The list goes on.
It seems obvious, I suppose, that film makers gravitate toward mutilating one of our national symbols as a way of "driving home" a point, or making a scene particularly personal to all us Americans in some way. Much the same way that, for instance, Big Ben was destroyed in V For Vendetta. But is that really what it is? Or is Hollywood making a different point?
Feh. It's Saturday night and I'm bored.
