Five_Inch_Heels
Unexpected
- Joined
- Nov 28, 2015
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I picture Bram more drop bear-ish.
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Disregarding for the moment that the third paragraph *doesn't* say how to use the trope skilfully, I'm not sure what the point is of this argument. If you disagree that it's a cliché, fine, you've said so. How about you provide some examples of an original twist?That page also has a very informative third paragraph which details how to employ the trope skillfully. I find the "in some circles" especially relevant.
Uh uh, yep...
Mhmmmm... yep...
...
Why did you have to ruin it?
If I ever get my next story written, it's going to involve drop bears.I picture Bram more drop bear-ish.
It had been the best purchase ever. No more leaving the house depressed after surveying the ever more wrinkled bags under my eyes, or the raven’s feet at their corners; they were too pronounced for mere crows nowadays. No more vain attempts to create a non-wrinkled facsimile of cleavage from uncooperative flesh that would really rather sag resignedly, thank you very much.Could it be a sentient mirror who makes the viewer look better than they are and then compliments their appearance?
I’ve never written a guy doing anything beyond a cursory glance, but I have written women critically appraising themselves at some length, because we do.If that phenomenon had anything to do with gender, then, male writers wouldn’t write any character doing this, and female writers wouldn’t write male characters doing it.
Or for a non-fantasy twist, a blind person looking into a speaking mirror. That would be original..Could it be a sentient mirror who makes the viewer look better than they are and then compliments their appearance?
My women always make their own choices. I don't do card games, or games of chance at all, but if I did, she may be the dealer and stack the deck a bit.The poker game doesn't involve 'losing' a wife in a bet, but her seducing the crew.
Comment: As for the poker game .. pleasantly surprised. I didn't expect her to start under the table.
Mirror: "You remind me of Jack Palance."Or for a non-fantasy twist, a blind person looking into a speaking mirror. That would be original..
"Mirror, describe my appearance today."
Which is subverted later on:The painting before us, lit by a pair of large candles standing to either side of the frame, was done in the Georgian style from nearly a century earlier. The couple portrayed were clothed in rich silks, she with her hair in that old, elaborate fashion, though he had eschewed the customary powdered wig. The background was evidently fantastical: it showed palm trees and the ruins of a castle, and I doubted the portrait had been painted outside of England.
What took my breath away was the subject matter. The pair were both handsome and elegant, in the bloom of youth. When I had first seen the Countess, I had sought for some trace of the family likeness, but found none. Seeing the painting now, I understood why. She was the twin of the lady in the picture, with the same hair -- though now in a different style -- and the same brows, the same nose, the same mouth. The likeness was striking.
Even so, it was the man's face that made me gasp out loud. Handsome, with wavy blond hair and a familiar jaw. It was a face that I had seen in the mirror just that afternoon as I shaved.
"It is..." I groped for words. "It is remarkable! This is old William, I presume? And your own ancestor?"
I was tying the belt when he turned. "What you describe is one possibility. However," and here he seemed uncertain, "some people have other suspicions. You see, every Countess Ilira is identical to the previous one. They never age. They never appear as young girls. You saw the likeness of one yesterday."
Now he had my attention. Undeniably the Ilira in the painting had been the twin of the Ilira standing beside me. Then I shrugged. "So what? The man in the picture is the very image of myself. I do not see where you are going with this."
He was shaking his head as he paced up and down. "That portrait was touched up yesterday, after you arrived. The candles and oil lamps masked the scent of paint in the evening, but in the afternoon I smelled it clearly."
I waved a hand dismissively. "Pah, a little harmless flattery to make me feel more welcome. I still don't see what you're implying."
OK - I’m ashamed to say that was a barefaced lie - from my recent 1920s Literary Novel homage (and first Literotica story), Ice Cream, this is from the very male narrator:I’ve never written a guy doing anything beyond a cursory glance, but I have written women critically appraising themselves at some length, because we do.
I have nothing to add to this genre beyond my brief writing exercise the other day.Moving on from mirrors...
A twist on sharing a bed. Yes, there's only one bed, but it's a massive king-size. No problem. Nothing sexy about it. Haven't we all shared beds with friends before on holiday? It's not a big deal. Except it's a lousy bed, and the middle sags, and oh no! here you are, your midnight boner pressed up against your mother's arse...
Or there's a leak in the ceiling, and the two single beds have to be pushed together to stay dry.
Have you read this one? They dislike each other but end up doing it anyway. If you read it let me know what you think, kay?My favorite trope is enemies to lovers.. the cliché of course being that the story ends in a romantic HEA (guilty).
What I love seeing is is a good enemies to lovers but they still can't fucking stand each other story Not sure I've read one of those on lit...
Why have them describe themself at all? It's just weird. If you must, have somebody else describe them e.g. a hairdresser ("oooo, yes, a pixie cut would let those cheekbones out to play. And blonde would so suit those baby blue eyes.") But generally I don't have my pov characters describe themselves. (I did get told off by a reader once, who got three stories deep before they realised Ramona is black. It just wasn't relevant to the first two stories, so I didn't mention it.)But I'm referring to the cliché of describing your POV through the medium of having a convenient mirror, preferably within the first few paragraphs.
It's problematic because it's overused. The New York Times book editors have a series of articles online about various simple writing cliche's and how to fix them. This is a starting point. Having a first-person protagonist describe themselves in a mirror is #5 on their list of the top five literary cliches.I’m unsure why looking in a mirror is seen as problematic. I look in diffenet ones multiple times a day. And I don’t think I’m particularly vain, more insecure. People don’t say buying a coffee is a trope.
Nobody's saying you don't.I’ve never written a guy doing anything beyond a cursory glance, but I have written women critically appraising themselves at some length, because we do.
Vampires not known for their love of mirrors, TBH...I have nothing to add to this genre beyond my brief writing exercise the other day.
Could the bed have a mirror on the cieling? This from my recent lesbian story, Bilingual.
Van's bedroom was both pristine and minimalist, then I spied what looked like a large walk-in closet on the left, and assumed this housed the customary detritus. Her bed was the most extravagant thing about the room. For a start it was massive, for a second thing, it had a mirror on the ceiling above it - I'd thought those had died with Hugh Hefner. And the bed clothes were all rich purples and blacks, satin and silk, and throw pillows were everywhere.
"I'm a bit of a hedonist, darling," Van whispered with a hint of embarrassment. "Is it too much?"
For a vampire's lair, or Imperial Rome maybe not, but for little me? I gulped and managed, "It's lovely."
The cushions and… oh never mind.Vampires not known for their love of mirrors, TBH...