Writing tips (ahem)

Op_Cit

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(Not to be confused with "Writing Advice" thread, which I only just noticed as I went to post this.)

Somebody posed a question here the other day that got me thinking about how to aproach various tasks in writing. What came to mind immediately was a variety of ideas on how to undertake the effort -- all of which, upon any examination were extremely bad ideas.

But this then suggested a something different: How about collecting as many thoroughly bad tips, tricks, and methods of writing as possible? Perhaps in some strange way it can have a positive effect.


Surely this thread must have existed before, therefor #1 is a wonderful starting point:

Writing tip #1: Repetition and overuse. Don't be afraid of words, if one works well in one place, why not use it everywhere? And "Cliche" is a cool sounding word so why not make wide use of them? Do you realize how much money some best selling authors make using the same plot over and over again?

(More follow easily)

#2 Use all of your available time to write: Times when you're drunk, or very tired, with a high fever, or driving are not always productive, why not get more from that time by using it to write? And better still if you're doing all of these at once.

#3 Use physical condition as a means to enhance your writing. Actors do it, right? So, to generate that sense of urgency to your writing, drink a pot of coffee and hold it all in, then write while your leg shakes and refrain from relieving yourself until you finish your story. Try replacing your foot rest with a steel leg trap to emote the proper anguish.

#4 Apply personal experience. Everybody talks about it, but who really has enough? It's hard to get just right the proper, exciting dread of being chased by police, so why not rob a bank before you attempt that next Bonnie and Clyde type story. And, for the vampire story writers out there,... well, how 'bout we move on...

#5 Repetition and overuse. Don't be afraid-- what? Oh.

#6 There can never be enough academic exercises: Try writing your next story without the use of the letter 'E'. (It may be easier if you do it in second person future tense.)

#7 Alternative eroticism. For those of you tired of the repetition and overuse of sexual language and terminology: Get out Gray's Anatomy of the Human Body and use all the correct medical names for everything.

#8 Atmosphere. Try writing in the dark.

#9 Listen to what you're writing sounds like. It's hard to get a third person perspective on your own writing, and some can't hear themselves when they read out loud, so why not get that wonderful text to voice software that Stephen Hawking uses and use it to listen to your stories (pay special attention to your sex scenes.) If that software is not available, try reading it aloud to your dog. (If you're up for the challenge, cats are more critical.)

#10. vary your use of punctuation, and feel free to make up words and tenses. Infact, combine this with #6 and write your next story with words that do not appear in the OED; concentrate on the erotic aspect.

#11 To achieve proper brevity, try writing your next story by assuming first that the reader has already read it. Graduate to writing your story as though your reader actually wrote it in the first place.

#12 Why not put the climax of the story first? If it's good enough in the first couple paragraphs, doesn't it follow that the reader will want to continue through the next several pages?

#13 Dialog, who needs it? It's anoying anyway for american two finger typists to hit that shift key to get the right quote. (And where the hell is the left quote on these dang keyboards?)

#14 Make up a new tense. If that's too taxing, write in English using Bantu grammar. (And please, try not to sound like Yoda or Jar-Jar.)

#15 Read Shakespeare in its original french.

#16 To get your gears moving, pull out a ditty by a favorite author and start typing it -- from the ending backward.

#17 Make extensive use of lists and pound signs.

#17 If you're attempting fantasy, science fiction, or newspaper journalism, make up names. Be sure to make them unpronounceable or at least not intuitively pronounceable (like the one that is actually suppose to sound like koo-d-loo). Use multiple apostrophe's throughout the names and/or for no aparent reason, and never allow any name to be less than 8 letters. It's best if the spoken name has more syllables than the printed name has letters. Heck, who's to say any letter can't be silent?

#18 If you really want to undertake dialog, study George Lucas.

Somebody stop me... Feel free to add your own so's I can add to my quiver...
 
Op_Cit said:
#17 Make extensive use of lists and pound signs.

#17 If you're attempting fantasy, science fiction, or newspaper journalism, make up names. Be sure to make them unpronounceable or at least not intuitively pronounceable (like the one that is actually suppose to sound like koo-d-loo). Use multiple apostrophe's throughout the names and/or for no aparent reason, and never allow any name to be less than 8 letters. It's best if the spoken name has more syllables than the printed name has letters. Heck, who's to say any letter can't be silent?

Somebody stop me... Feel free to add your own so's I can add to my quiver...

The order of numbers is worth a second glance, specially helpful with Chapters.

#17 Make extensive use of lists and pound signs.

"The cargo has shifted, we have a list fifteen degrees to starboard," The Captain cried, "Mr Pound!"

Elija Pound obeyed his Captains call and immediately commenced signing to the deaf and dumb crew assembled on the main deck watching as to a man as they replied in sign language to Pound before rushing below decks to correct the list.

"Well done Mr Pound. No more list. Tell the crew they can sign off."
 
Op_Cit said:
#3 Use physical condition as a means to enhance your writing. Actors do it, right? So, to generate that sense of urgency to your writing, drink a pot of coffee and hold it all in, then write while your leg shakes and refrain from relieving yourself until you finish your story. Try replacing your foot rest with a steel leg trap to emote the proper anguish.


This is my favorite. I'm going to be typing from now on with a mouse trap set on my enter key and space bar. ThatwayIcanneverhitseperatemywordsorcreateanewparagrapheveragain.:)
 
rikaaim said:
I'm going to be typing from now on with a mouse trap set on my enter key and space bar. ThatwayIcanneverhitseperatemywordsorcreateanewparagrapheveragain.:)
Doh! It's so simple and elegant, I can't believe I didn't think of it before: Remove the spacebar from your keyboard.

The enter key is still necessary to get anywhere, but adding an inducement not to press it is excellent.

...How 'bout making writing into a drinking game? Everytime you use the letter 'T' you drink a shot?
 
Op_Cit said:
Doh! It's so simple and elegant, I can't believe I didn't think of it before: Remove the spacebar from your keyboard.

The enter key is still necessary to get anywhere, but adding an inducement not to press it is excellent.

...How 'bout making writing into a drinking game? Everytime you use the letter 'T' you drink a shot?


Yes!!!


TTTTTTtttTtTtttTTTTtt


Blahha!!! How's dis?
 
And the encompassing Golden Rule:

Should anyone happen to suggest that any of the above was a less than ideal choice, respond haughtily and with great disdain that it is "part of my style" and "key to the effect I am trying to create in this section." Remember, the real goal in all critical analysis and peer review is to defend, defend, defend the work. Learn to browbeat those uppity readers into line, and don't let them try to talk you into betraying your artistic values with fancy-sounding words like "learning" or "improving."

Also, whenever possible, have your central character fall in love with his horse. Always brings down the house.

Shanglan
 
BlackShanglan said:
Also, whenever possible, have your central character fall in love with his horse. Always brings down the house.

Shanglan

Mr. Horse,

It has recently come to my attention that you are incorrect. Please cease and disist in all matters relating to logic and common knowledge. If you continue to speak words of sense and rationality we will be forced to take action of a disciplinary action. That is all. You may now continue your day.

Thank you.






Edited just for Shanglan. ;)
 
Last edited:
BlackShanglan said:
Please. Don't. Stop.

Or is there an error in that punctuation?


Yeah...I was distracted by the thoughts of all the lovely things I was going to do to you. :)

Sorry.
 
rikaaim said:
Yeah...I was distracted by the thoughts of all the lovely things I was going to do to you. :)

Sorry.

I meant my punctuation. Possibly a comma and a period rather than three periods? ;)

Shanglan
 
BlackShanglan said:
I meant my punctuation. Possibly a comma and a period rather than three periods? ;)

Shanglan


Hhmmmm...well it seems we are both distracted. Now the question remains, your patch or mine? :D
 
19 Brevity
Short stories are short. Sentences must be short. Characters must be short. Names must be short. Ed, Jo, are good. Sentences have one verb. Sentences have four words.

20 Length
If 19 doesn't work try putting as many words into a sentence as possible and include subordinate clauses that lull the reader into thinking that they are relevant but aren't and don't progress the plot, if you've bothered to have one, or the third subordinate sub-plot with the arcane references to mysteries your readers have never heard of, and if they have, could not care less about, and would far rather be reading anything else rather than your turgid prose and the London Telephone Directory would be a much better choice, if the reader has a choice which he or she or the horse probably hasn't because he, she and the horse fell asleep a few pages back and didn't notice that they weren't reading your deathless prose which is only deathless because no one yet has stayed awake long enough to reach the end and kill it stone dead with a period but this piece doesn't end in a period because the author has fallen asleep trying to work out why the third subordinate sub-plot was introduced and is it meaningful and adding depth to the denoument when if ever it comes...zzzzzzzzzzzz

Og
 
Remember ...! Kirk ... used ... ellipses. Worked ... for ... Shatner. Why ... not you?! Exclamation points add ... emphasis ... Bones! Never too much ... of that ... !
 
Ogg that was genius. I couldn't stop laughing on both accounts. You are truly a wise master of the word whom all should pay close attention to and learn the fine art of perfect word lengtg and verb usages. :)
 
21) When givnig a peice to an edoitr neevr cehck for tpoys fisrt. They htae taht. :)
 
22.) Whenever possible, don't hesitate to think about, the possibility of maybe considering the ramafications of using lots of phrases that mean the same thing.
 
Dar~ said:
22.) Whenever possible, don't hesitate to think about, the possibility of maybe considering the ramafications of using lots of phrases that mean the same thing.


Yes indeed. Pad those sentences as much as possible. They are like a bed, the more padding, the better they are. ;)
 
hehehehehehe

has to be said

You my friend, are a Freakin Nutttt~!! ~~
lmao.......
I love Nutz. grins*


I am goin directly to the head of the line.
I might be somewhat of a poet,
now I have the right *directions* on *How To Write*

Look out is all I can say~!!

arriving soon in your local bookstore~

RhymeFairy Leans How To Write~ :D
 
23) Whenever possible, write about things you know absolutely nothing about without doing any research at all. For instance, if you're a hetro guy who likes romantic sex, write a lesbian hardcore BDSM story without asking anyone what it's like. Don't look anything up. Use your own terminology. Don't worry, no one will notice.
 
24) Use babel fish to give your characters from another country that 'authentic' feel.
 
25) Don't even use characters. They only confuse the reader. Simply use various body parts as needed. I.E...

The finger probed and proded a dripping pussy. Toes curled. Moans escaped from somewhere. Eyes watched with delight.


Clearly this is a much more precise image that leaves absolutely no confusion due to the use of personality and the words needed to describe them.
 
rikaaim said:
The finger probed and proded a dripping pussy. Toes curled. Moans escaped from somewhere. Eyes watched with delight.

Brilliant. Can you work a moist crotch into it? Possibly kiking down a dor and caming on someone's fase?
 
BlackShanglan said:
Brilliant. Can you work a moist crotch into it? Possibly kiking down a dor and caming on someone's fase?


I think you just did. ;)
 
Thirty plus years ago, a teacher handed out a similar sheet of English rules. I can only remember one. So, I'll submit it as:

#26 Never use a prepostion to end a sentence with.

Jenny
 
JRaven said:
#26 Never use a prepostion to end a sentence with.

Unless one would otherwise be forced to write the sort of sentence up with which even the most reasonable reader will not put.

Or there's always an old favorite joke of mine ...

A young lady from Georgia follows her job northward and begins to explore the new town. When one of her co-workers invites her to a dinner party at her home, she is eager to make a good first impression. Feeling that she'll do best to be friendly and outgoing, she turns to the woman next to her and asks, "So, where y'all from?"

"I," replies her neighbour crushingly, "am from a place where children are still taught not to end a sentence with a preposition."

The young Georgian ponders on this a moment. "I'm sorry," she replies. "Where y'all from, bitch?"
 
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