writing question

DAD68

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What is the appropriate way to write the script for a movie?

I came up with this idea for a real movie overnight and I'm starting to write out the actors I saw in the film but I'm not sure how to write the script for it.

I have gotten responses to writings in the past where I used terms like "entered the doorway" prior to the actual dialogue but I was told the "enter the door" stuff cuts the pace of the scene itself.
Do I just write the scene without the "doorway" intros or can I have them in for now?

The story (or film) I saw in my dream was about a lady that goes through several deaths in her life--including her own--but manages to come back and have a decent life.
For some reason I saw Reese Witherspoon as the lead actress along with Laurence Fishburn as her nemesis.
The scenes were very vivid with plenty of drama. I saw the scenes and heard the dialogue but have trouble putting it on paper.

I don't know what made me dream of this, but it seemed like a decent film.
 
What is the appropriate way to write the script for a movie?

I came up with this idea for a real movie overnight and I'm starting to write out the actors I saw in the film but I'm not sure how to write the script for it.

I have gotten responses to writings in the past where I used terms like "entered the doorway" prior to the actual dialogue but I was told the "enter the door" stuff cuts the pace of the scene itself.
Do I just write the scene without the "doorway" intros or can I have them in for now?

The story (or film) I saw in my dream was about a lady that goes through several deaths in her life--including her own--but manages to come back and have a decent life.
For some reason I saw Reese Witherspoon as the lead actress along with Laurence Fishburn as her nemesis.
The scenes were very vivid with plenty of drama. I saw the scenes and heard the dialogue but have trouble putting it on paper.

I don't know what made me dream of this, but it seemed like a decent film.

1) Do it the way plays are written. Scene direction and dialogue.
2) Don't do it.
 
1) Do it the way plays are written. Scene direction and dialogue.
2) Don't do it.

JJ should have put 2 before 1.

Studios buy about 4 grand playscripts a year and produce about 40 films. You have about as much chance as a spermatoza getting to the Holy Grail.

Look at a film, any film (or TV show). A TV show has something like 90 'scenes' in 50 minutes. The whole premise is based on continual dialogue. The scenic shots are just fillers.

Jenny is wrong, screenplays (teleplays) are a heck of sight different from stage plays.
 
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