Wondering if I'm underutilizing this subplot.

HHHawkeye

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I was wondering if I could get some advice from some other writers on this, because I've got this sinking feeling that I'm wasting or under-utilizing a subplot in my story.

It's a BDSM story about Bliservia, an island nation where female slavery is legal, a nation which came to be this way because nearly all of their women are instinctive submissive masochists. Since the country has no use for underage women, they send them overseas to be raised in freedom, knowing that 90% of them will willingly return.

The main plot revolves around an American teenage girl who, through a program agreed to by America and the Bliservian embassy in Florida, gets to wear a special collar granting her immunity to female slavery laws so she can make a documentary aboard the slave ship that enslaves all women who board it and returns them to their homeland to be sold. She mainly follows two Bliservian women who have chosen to become human livestock, on their journey from being free women to naked chattel.

One of these women, Tatiana, is a widowed suburban housewife who's something that's called a late bloomer. A woman who initially appeared to be one of the 10% of Bliservian women who do not develop submissive tendencies, only for those tendencies to surface later in life, in her case at the age of 37. Being a late bloomer, she has not had her entire puberty to get a handle on these emotions, and thus when she develops these intense feelings nearly a whole year before the next slave ship departs, she has an intense need for something to "tide her over" until then (something most Bliservian women do because the pleasure of submission is so addictive that if you go into it before you're actually slaved, you'll be a completely dysfunctional member of free society).

So, lonely and extremely sexually frustrated, she starts searching for some way to satisfy her cravings for submission, and winds up finding a ridiculously expensive verbal abuse phone sex line, and after spending nearly half of her life savings on this service over the course of a single week where she barely went outside, she rapidly spirals out of control as she lets this man's commands consume her entire life, doing whatever he says.

Over the course of the next year, she gleefully lets this man guide her down a path of depravity and degeneracy as she slowly but steadily exhausts her entire net worth out of an overwhelming sexual desire to submit to this man, and follows his commands to work as a stripper, then a prostitute, then his commands to steadily charge less and less for sex until she's basically doing it for free.

By the time Alice actually meets Tatiana, she's sold everything she owns except for a phone, a charger, a pair of high heeled shoes, and a beautiful snow-white fur coat, and what remains of her money is put in an account on a website where anybody can withdraw from it, no questions asked, as long as they know the password. On the man's orders, right after boarding is called, she gives those remaining possessions to Alice and then gives up the rest of her money over one final phonecall as she masturbates naked on the floor. And so, already devoid of all of the possessions the men on the boat would have relieved her of, she walks onto the ship to be enslaved at long last.

Basically, this is my experimentation with a femsub version of a usually overwhelmingly malesub fetish, that being findom. But the way I plan it now, Tatiana's entire backstory I just explained is going to be revealed in a single scene, the one where Tatiana has her final phone call with her dom. I chose to do it this quickly for three reasons:

1: It's experimental, I'm not sure if even I'm going to like it, and if it turns out to be a dud, I want it to be over fast.

2: If I wanted to show more of this story, it would have to be told in flashbacks while Tatiana's already on the ship, because the story starts the day of the voyage. And if I tell the rest of the story through flashbacks, well, the reader's already seen the climax, so why bother?

3: I'm not sure if I have room in the story to do justice to anything more than a summary from an increasingly horny woman without making it needlessly long, because none of the other characters have backstories that sexy.

But I've got a sinking feeling I'm thinking about this wrong, that this is a massively wasteful condensation of a subplot I could make work if I structure things a little differently, so I thought I'd run it past other writers for their thoughts. Hopefully I've explained everything properly!
 
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I read this first chapter earlier today and enjoyed it. Considering it’s so short the rating is good. I would suggest you try for around 6000 words next time. That way it allows the reader to get their teeth into it rather than wondering what happened. It would have been better if the meeting between the two women had been carried through.

I’d like to read more about her adventures so please put a link in your signature and bear in mind there’s a difference between getting the reader interested enough to want to continue and giving the plot away and possibly losing a reader.
 
I read this first chapter earlier today and enjoyed it. Considering it’s so short the rating is good. I would suggest you try for around 6000 words next time. That way it allows the reader to get their teeth into it rather than wondering what happened. It would have been better if the meeting between the two women had been carried through.

I’d like to read more about her adventures so please put a link in your signature and bear in mind there’s a difference between getting the reader interested enough to want to continue and giving the plot away and possibly losing a reader.

Yeah, making the "prologue" so short was a mistake. I expected to upload more frequently but quickly found that I should have had way more put together before posting any of it. That part you read is going to be re-uploaded as part of the actual chapter one, which will be much, much meatier, and in fact will probably be its own complete story arc.
 
Deleted because its pointless and you really don't want to know what I think.
 
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Hi Hawkeye-
I'm not sure if this is really the kind of response you're interested in, so feel free to disregard if you want.

You've written several posts about this story over the past year (I remember, because I think it's an intriguing idea), and most of them have been dealing with details like this. I get the impression that you're well down in the weeds of the story, and I wonder if that's preventing you from actually writing the story.

You mentioned a few days ago wanting to rewrite the prologue to correct an error and flesh it out more. So, my suggestion, fwiw, is to start there. Just write your first whole chapter, get Alice on the boat, as it were, and then take it one Bliservian woman at a time. Or one day on the boat at at time, if that's the way you're planning to structure it.

If she's focusing on interviewing the women before they arrive, won't each of them have some kind of back story? Doesn't Alice have a backstory? How many women are going to be on the boat? How many is she going to interview? I think you'd want each of the women, even the youngest ones, to have some kind of story other than a genetic awakening and desire to return to their homeland.

I just think, given what I've read of your posts, that it might be more satisfying to get at least some of the story written, before worrying about different subplots. I think there could be different ways for you to work Tatiana's story in, even if Alice has seen that last phone call with her fin-dominant, whether Alice learns her story right then or not.

{as an aside, when I read you synopsis, my first thought was 'if she goes through half her savings in a week how does the other half last her a year?'}
 
Hi Hawkeye-
I'm not sure if this is really the kind of response you're interested in, so feel free to disregard if you want.

You've written several posts about this story over the past year (I remember, because I think it's an intriguing idea), and most of them have been dealing with details like this. I get the impression that you're well down in the weeds of the story, and I wonder if that's preventing you from actually writing the story.

You mentioned a few days ago wanting to rewrite the prologue to correct an error and flesh it out more. So, my suggestion, fwiw, is to start there. Just write your first whole chapter, get Alice on the boat, as it were, and then take it one Bliservian woman at a time. Or one day on the boat at at time, if that's the way you're planning to structure it.

If she's focusing on interviewing the women before they arrive, won't each of them have some kind of back story? Doesn't Alice have a backstory? How many women are going to be on the boat? How many is she going to interview? I think you'd want each of the women, even the youngest ones, to have some kind of story other than a genetic awakening and desire to return to their homeland.

I just think, given what I've read of your posts, that it might be more satisfying to get at least some of the story written, before worrying about different subplots. I think there could be different ways for you to work Tatiana's story in, even if Alice has seen that last phone call with her fin-dominant, whether Alice learns her story right then or not.

{as an aside, when I read you synopsis, my first thought was 'if she goes through half her savings in a week how does the other half last her a year?'}
Thanks. I do appreciate this advice, especially about my writing hangups.

Yes, to be clear, the other characters have backstories, I haven't been skimping on that. I suppose my issue is that hers is the most overtly sexual, and given that this is erotica, that means... I guess my issue is that I thought up a backstory that could be its own entire erotic work, and I'm having it wrap up in the setup to a separate erotic work. I could give similarly sexual backstories to the other characters to go through at a similar pace, but that doesn't fit with the characterizations I have for these characters at the moment.
 
Thanks. I do appreciate this advice, especially about my writing hangups.

Yes, to be clear, the other characters have backstories, I haven't been skimping on that. I suppose my issue is that hers is the most overtly sexual, and given that this is erotica, that means... I guess my issue is that I thought up a backstory that could be its own entire erotic work, and I'm having it wrap up in the setup to a separate erotic work. I could give similarly sexual backstories to the other characters to go through at a similar pace, but that doesn't fit with the characterizations I have for these characters at the moment.

well, plenty of people here have talked about writing sequels and side-quels and prequels. So, if you decide later that you want to expand this particular backstory into its own story, you certainly could.
 
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