What are you listening to ?

Watched "The Rolling Stones' Bobby Keys: Every night's a Saturday night" this weekend. That was an awesome documentary.

Now I'm listening to a lot of the old Rolling Stones songs. especially the ones with the sax solos.
 
Oh wow, they play Sunshine Of Your Love 47:51 into the 56:18 video.



Sleater-Kinney | Jumpers

https://www.youtube.com/watch?v=vZA_7FtttRY

The air-guitaring makes me think of the Who on the Smothers Brothers.
:D

I read they were "riot grrls."



on my mind like a song on the radio
http://forum.literotica.com/showthread.php?t=1490980


Song on the Radio | Al Stewart | Lyrics ☾☀
https://www.youtube.com/watch?v=TAEEdIH3muA

Type O Negative - Summer Breeze
https://www.youtube.com/watch?v=r_5We9Pos0Y

Broadcast - Corporeal
https://www.youtube.com/watch?v=kr2473XpG98

Broadcast - Echo's Answer
https://www.youtube.com/watch?v=WZV9OqdFFyk

Los Lobos - Kiko And The Lavender Moon
https://www.youtube.com/watch?v=ornSpLMUzbw

Ximena Sariñana - "Ruptura" (Video Oficial)
https://www.youtube.com/watch?v=VpUeZPPktok

and,

Sex Offender Shuffle
https://www.youtube.com/watch?v=VfCYZ3pks48
—by actual convicted sex offenders.
 
A toast, on both coasts (of America)

:heart:

Remembering Buzzcocks Front Man Pete Shelley


article author- Zachary Lipez


Pete Shelley invented a lovelorn and conversational poetry driven by slashing guitar music as unshakably catching as any of cupid’s arrows ever were. If Richard Hell was Baudelaire and Patti Smith was, well, Patti Smith, then Pete Shelley was Frank O’Hara, always in love with love, a sophisticate in his underwear, plus treble. And if maybe some of Shelley’s [cough] descendants took “all those stains on your jeans” from Buzzcocks’ first single, 1977’s “Orgasm Addict,” a bit too much as a career lyrical template, what’s more tragic/romantic than unintended consequence.


In much the same way that Motörhead was beloved by punks and metalheads alike, Pete Shelley existed as a bridge across genre and subculture. He was, being openly bisexual, a queer icon who’s ’80s electro-pop was eccentric and brilliant (1981’s “Homosapien” is particularly an LGBTQ standard, and, my personal favorite, 1986’s “On Your Own (New York Mix)” still gets plays at NYC after-hours clubs), while also writing aggro-punkers “hard” enough to be covered by everyone from posi-hardcore kick-flippers Gorilla Biscuits to scum-rockers the Lunachicks. From the start, Buzzcocks were both early innovators in DIY (self-releasing their first EP, Spiral Scratch) and, with playing Rock Against Racism shows, early adopters of the nascent and necessary anti-fascism movement in the punk underground.

After reuniting in 1989, Buzzcocks would tour with grunge acts and do Warped Tour and Punk Rock Bowling, but none of it ever felt like a cash grab.

https://www.vulture.com/2018/12/rem...8.1015953050.1544229993-1426468710.1544229993
 
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