UtilityCurve
Literotica Guru
- Joined
- Jan 16, 2018
- Posts
- 4,074
Hear, hear! Pantyhose are a curse upon malekind: The part everyone gets to see is fine, but the special reveal--not so much!
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Hear, hear! Pantyhose are a curse upon malekind: The part everyone gets to see is fine, but the special reveal--not so much!
I loved the use of dialogue. It was very natural.
Cute, hot, a bit funny. All good.
I agree with the comment on the story that there was not much in the way of Romance. The way I had thought to put it until I saw that comment was that your score would likely be higher in Erotic Couplings. I suspect readers in the Romance category and very specific in their requirements. They want more time when the characters bond, and Dave's character is more fully developed. Romance stories tend to have more build up, less explicit sex.
It could have benefitted from a proofreader.
Yes I agree with you about putting it in the erotic encounters category. To be honest I completely that category and romance seemed to be the only other appropriate category.
I did proofread it myself but after it was published, I still caught errors. Guess a second set of eyes are better.
Thanks for your honest feedback
Powerful woman turned vulnerable could be a psychological surprise for her.
Being unknown somewhere in the swamps of nowhere takes away the power of position. Needing to have she and her car rescued by an unknown removes the power of possession. What remains is the last layer of power which is her exquisitely tailored exterior accentuated by the delicacies of her interior.
My only issue is that I have never known a tow truck operator to be handsome, sexual or even clean. The solution is simple by exchanging the operator with the other player necessary to this scenario which is the law. State Highway Patrol men are one of my panty droppers. The uniform, the physique and the power of the law.
The "Hoopie" (as we call them around here) sees an opportunity and with some quick lawful jargon and double talk manages to intercept the lady into the backseat of his car for an overnight in jail for a reason only known to him. Basically, removing her last layer of power to reveal what she needs.
I'll confess to something: the tow truck driver I'm going to use in my story is based on a real person. He did it as a part-time gig; his main job was as a mechanic for a town public works department. He wasn't George Clooney or Brad Pitt handsome but he was articulate, macho, and quite smart. He also could be somewhat overbearing or annoying when not in a good mood. He definitely was physically clean. He could muster charm when he had to.
How do I know this? He's now passed, but he was my ex-wife's second husband. And here's the kicker: she is a lawyer! She came from working-class roots, however, and I think this guy appealed to her partially for that reason. In some ways he resembled her own dad.
He was sort of a black sheep to his family. His dad was a producer for a television network in New York. (It was either NBC or CBS.) Unlike two of his siblings, he skipped college because he preferred to work with his hands.
Now that I think about it, the woman will have some similarities to my ex-wife. (Not in her appearance, however.) She was the first one in her family to go to college and then law school.
Then . . .
Don't let me get in the way with my prejudice.
First person knowledge is going to allow your story to flow out of you with ease while enabling your audience to attain a vivid perspective of one of your main players.