Travels

Wills

Literotica Guru
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Oct 23, 2003
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Around Christmas time I put up a piece about the places I visit in Portugal. One or two people were kind enough to ask me to write more as and when. Here is another piece, it is a little bit of a history lesson but important in the context.

Bacalhao

The Treaty of Tordesillas of 1494, arranged by Pope Alexander VI, divided the unexplored world between Spain and Portugal and forbade Portugal from exploring beyond a meridian drawn 1,600 kilometres miles west of the Cape Verde Islands. Portugal was happy to concede having already discovered the continent of South America within its jurisdiction. In recent years, the Portuguese claim to the discovery of North America has gained credence following the unearthing of a stone carved with the Portuguese coat of arms, signed and dated by Miguel Corte Real in 1511 at the mouth of the River Taunton in Massachusetts. Of course, Portugal could not ‘lay claim’ to North America, it was beyond the treaty line.

This time heralded the start of the Golden Age in Portugal spearheaded by the discoveries of the New World and the wealth in timber, spices, and gold returning to Portugal.

Dom Manuel, the Portuguese king, in 1501 sent Miguel Corte Real in search of his brother, Gaspar. In all likelihood, he met with the king in the village of Alcochete, opposite Lisboa, before commencing his final voyage. The King spent a great deal of time in his summer palace at Alcochete where he was born in 1469. The palace, for many years in ruin, is now nearing reconstruction as an exclusive hotel. In the square opposite the ‘palace’ is a compass laid in stone marking out the paths to the discoveries, west pointing out across the estuary and through the mouth of the Tejo to the Atlantic Ocean, Brazil, and America. The adjacent church ‘Misericordia’, once part of the palace, houses a Museum of Sacred (religious) Art. This tiny village boasts some of Europe’s rarest religious art dating from the Golden Age.

Today I walked through the deserted ‘Bacalhao yards’ of Alcochete listening to the lonely cry of Sand Plovers feeding in the now abandoned salt beds reflecting upon the extraordinary history of Portugal.

Bacalhao is salt cod, dried in the sun and reconstituted in any one of 365 ways according to the recipe books. It was for 500 years the staple diet for Portugal also discovered the Newfoundland Grand Banks where Cod the size of a man’s leg were in such abundance they virtually fell into the nets.

So how do you grow strong as a country? First, you feed your people and Bacalhao proved to be that solution. Though the fishing fleets returned to many other Portuguese coastal ports, Alcochete is the one that has the strongest links to the power and politics of the discoveries. The wealth and power that was once Portugal’s to command is reflected in the majesty of the town houses and outlying ‘palaces’ that surround the village.

The fish caught in such quantities had to be preserved, salt was the answer. All around Alcochete are the salt beds, shallow ponds drying in the heat of the sun leaving a sparkling crystalline preservative raked into troughs so the wind can speed the drying and eventually piled in mounds some 20 metres long and 4 metres high covered with a thatch of straw to keep off the rains until required.

The ‘frigatas’, shallow draft river barges, loaded with salt sailed the 15km down the estuary where the fishing fleet docked and exchanged their salt for sides of Cod. Brought back to Alcochete, the Cod was laid out in the Bacalhao yards to dry in the sun and wind.

In the 1930’s concrete posts replaced the old wooden structures and all that is left now are the posts, standing like so many tomb stones, thousands upon thousands along the bank of the Tejo, a memorial to a once great past.

Today the village, a communist governed enclave by the way, like many of the small villages opposite Lisboa, maintains a small salt operation as a tribute to past glories. The salt beds are given over to wild life, heron, storks, egrets, avocet and many smaller marsh feeders thrive here together with a colony of flamingos about 1500 strong who grace the skies with a cloud of pink as they move across the beds to different feeding grounds.

This is a magical place; it has richness beyond measure and stirs memories of a once great power. You can imagine the emissaries of the Pope delivering the Treaty of Tordesillas to Dom Manuel as he stood gazing out to the sea knowing he had what he wanted, though to all other sides it looked like a defeat. He was 25, and had control of more of the world than others even knew existed. Two years later, under pressure from Ferdinand and Isabella of Spain he agreed to expel the Jews from Portugal in return for the hand of their daughter. As he opened the New World, so he closed the door on the Jewish population, forbidding them to leave the country and to convert to New Christians. Many fled, some went into hiding, others took their own lives or were killed in the massacre of 1506 when hundreds of Jews were ‘put to the torch’ in Praca de Rossio urged on by Dominican Priests. It took Dom Manuel two weeks to send soldiers to stem the bloodletting. The following sixty years were to be the Golden Age, though ironically it was the persecution of the Jews that ultimately led to the breakdown of the regime, they were the commercial agents, the managers, traders, without their commercial skills the country slowly fell apart finally succumbing to Spanish invasion in 1580.

This tiny village was once the centre of the world; decisions taken here shaped the future of continents yet there is barely a mention of its glorious past. It hangs there, on the breeze, shimmering in the heat haze, evidence all around; all you have to do is look with open eyes.

Will's

This is a link to the earlier piece.
Carrasqueira
 
Sounds a great place Wills, loads of history in Portugal, Britains oldest and most trustworthy ally in battle I'm led to believe. Very similar history and ways I think.
 
Pops

You are right - allies 615 years or so. I was here during the 600th anniversary, cocktails on a Frigate in the harbour. Next building project is 'zero energy houses'. Portugal has the highest average sunshine hours in Europe and no one knows s*** about photovoltaics - thats why I need a good elec eng. :rolleyes:

Dr M, thanks for the comments, I will be around.
Take care now..

Will's
 
whispering_surrender said:
Welcome back sunshine! We've missed you!

Whisp :kiss: and Raphy :rose:

Oh, god..! Now they're starting to talk about themselves as "we". They've become One Of Those Couples.

I think this is a very appropriate time for me to sign off and go and make dinner. I am dining with my two closest friends tonight; Me and Myself.

Svenskaflicka
Jealous
 
Hi Whisper & Raphy

Take no notice of you know who, her last word says it all!

How are you both doing?

Nearly finiished Silver, great read, will e-mail you with comments later. Taken too long, too much been going on recently.

Best to both of you.

Will's
 
Buen dia, Wills. You must write more of such pieces. Beautifully evocative history. I had no idea.

Salud, Perdita :heart:
 
Sexta Santa

The procession for ‘Senhor Morto’ began at 9.30 in the evening. Dark had long since gathered over Lamego; a stillness filled the valley as the crowds gathered in tribute.

Lamego, in northern Portugal just below the river Douro, is one of the sacred towns. It was here, at the Church of Almacave that the Count D. Alfonso Henriques drew together the first parliamentary courts when Portugal was born as a nation. Just outside of the town is the first Christian Church built in the Iberian peninsular, S. Pedro de Balsemão, believed by some records, to date from the Romans in 5C.

According to the Catholic Diocese, Lamego is the most Catholic city in Portugal, some 99.1% of the population of 170,000 is Catholic. Bishops of Lamego have a documented history in Catholicism dating from 572 AD.

We took our position early in the park opposite the entrance to the Church of Chagas and watched the preparation for the procession. For some time, the atmosphere was light, almost festive. The band that would accompany the proceedings gathered in small groups at various points around the park practicing snatches of tunes, some jazz, some solemn.

Members of various orders of Catholic ministry gathered in the gloom, priests garbed in black, Monks in brown tunics and Nuns in the traditional smoky grey. Gradually the throng entering the Church spilled onto the steps outside, candle-topped staves were lit to lighten to scene and the first ‘clapper’ boards were rattled. The history of the ‘clapper’ boards has become lost in memory, some say they are to alert the population to the proceedings, I prefer the explanation that they function is to scare away evil spirits; the noise is raucous, harsh, rattling, and pierced the gathering silence.

By an unspoken signal, the procession formed up in the street outside the Church. Monks and Nuns headed the parade followed by the Bishop and his entourage, further down the street formed the fire brigade shouldering polished axes and behind gathered the band.

Somewhere across the city a single bell pealed and the procession began. From the door of the church appeared the cortège borne by six young men in black hooded robes, their faces hidden by the laced veil that covered the body of Christ, their escort of Priests and Deacons carrying candled staves. As one, the crowd surrounding us dropped to their knees and made the sign of the cross. An absolute silence hung across the square, broken only by the rap of staves as the procession headed away from the Church door.

Three more corteges appeared, each similarly borne and with a hooded candle lit escort. These carried various statues of the Virgin Mary, life size figures on flower-decked platforms.

So the procession continued, winding through the streets down toward the Cathedral. The silence broken by the occasional rattle of the clapper boards, and brief snatches of funeral music from the band.

Picture this scene one hundred years ago, without the streetlights, the shriek of the clappers and the black hooded escort, faces barely illuminated by their candled staves; the crowd kneeling as the body of Christ passed. The stations of the cross marked by a single bell peal where upon the procession halted, gathered strength in the majesty of the silence and moved forward again.

The Priests were awesome figures. Sharp-nosed faces peering into the crown from under black hoods as if searching for disbelievers. You felt the inquisition was still present, taking pictures was distinctly frowned upon, at another time, I felt we would have been taken away for questioning.

I was in Lamego to research the next part of my writing. It takes place some thirty years ago in the town at Easter. I had not expected to be so moved or affected by the power of the scene unfolding in front of me and now have to find a way to translate the emotion of the procession into my story and how a young Catholic girl embraced by the power of the Church gives herself up to a Protestant.

On Easter Sunday, after a sleepless night in a ‘pension’ next to the Cathedral; we forgot about the resurrection, bells tolling all night, fireworks crashing into the night sky – a truly Portuguese form of ceremony – and wandering bands of believers visiting corners of the city singing praise to the reborn Christ, we ascended the 700 steps to the Church of Nossa Srª dos Remédios on a hill overlooking Lamego and joined the Easter day service. I asked my wife how she thought the service would have changed since 1970’s Portugal, she replied, ‘Oh not at all, it is the same service, the Church is all powerful. You either believe or you are a heretic’.
 
Welcome back, Wills. So glad you returned to this thread. I urge you to post more, or PM me :) .

missed you, Perdita :heart:
 
Incredibly wonderful. Please post more, this is so interesting. Thank you for sharing.
~A~
 
Thank you Perdita and ABSTRUSE for your comments. Here is another tale from the same trip - it shows another side of Portugal.

The Ria

Aveiro lies on the Atlantic coast midway between the university city of Coimbra and Oporto. Aveiro is a town on a lagoon served by canals, a Venice in minature.

It's fame comes from the inland waterways locked by sand dunes brilliant white in the spring sunshine, dotted with purple flowering cactus like succulants that cling to life amoungst the dunes. (see AV)

For centuries, flat bottomed high prowed barges, ria's, trawled the shallow waterways collecting marsh grasses that fertilized the arable lands around Aveiro. The barges are one of Portugals famous tourism symbols, the high sweeping prows beautifully decorated, hand painted with scenes depicting religious events, the collecting of the marsh grasses, or scenes from nature.

These days the boats no longer work the marshes, such activity no longer required when chemical fertilizers can do the job quicker and cheaper.

Today a few 'ria's' are moored at the canal head in the centre of Aveiro for the tourists to admire and photograph. We walked along the canal to take our pictures.

One ria had a religious scene painted on it's stern, at it's prow was a scene from today's Portugal - a woman legs spread facing a man blowing up a condom. Another scene depicted a woman on her knees spread on a grassy bank with a man approaching her. A third showed a woman masturbating in front of a television.

I find it hard to imagine the cultural significance of these images or indeed how a parent might explain the pictures to a child. How these images come to be on public display for tourists is beyond my reckoning.

We questioned the concierge at the hotel where we were staying opposite to where the boats where moored, he assured us the paintings were of cultural significance, showing a traditional way of life. We described the paintings to him, he left the hotel and came back a few minutes later barely able to contain himself. To say that he was shocked was an understatement, part of his job was to direct families to see such sights, he was horrified at the thought of what he had done.

The moral, of course, is that nothing is quite what it seems. We all take too much for granted, make assumptions based upon what we expect and all too often fail to open our eyes. From the degradation of the painting, I guess they had been made at least twelve months ago, yet no one in the hotel, just fifty metres away had seen them.

It is hard to reconcile the Portugal of Sexta Santa with the Portugal of Aveiro, yet they exist together, two faces of the same coin.

Will's
 
Lunch - Meeting Carolina

Apologies for digging this up - but Wills understands.

From time to time I'm motivated to write of things that move me, that make me see the world as less than a string of days in the week.



I lunched today in a 'tasca' nearby. A 'tasca' is a low grade restaurant/café, it prefers to spend it's income on food rather than decoration, even so, it sports a 42" 'cinema screen' TV running the latest election news, only because Portugal lost to Ireland in the football. I didn't watch. I read three sentences of Bill Bryson's - A Short History of Everything, the girl kept interrupting my view.

The 'tasca' is on the edge of the most run down part of town dating from 1600's, cobbled streets so narrow you can touch the houses to each side with outstretched arms. The area is undergoing a painfully slow regeneration, each new building old before the next building is refurbished.

Jose runs the 'tasca', his wife cooks, a Romany couple intent on dragging themselves from a hand-to-mouth existence, more obvious in the physical appearance of the wife than in Jose, though he retains the appearance of youth that belies his age in the tradition of Romany's.

There's a lunch party in the 'tasca', work colleagues celebrating a birthday, they take up the back of the dining room, 24 for lunch, eating Clams, Arroz de Marisco - a seafood rice but this one made with lobster and drinking Alvarinho, Portugal's most expensive white wine.

I'm shunted from my usual table, I eat here often - it's cheaper than cooking - to a table facing the long passage fronting the kitchen and connecting the dining area to the front café section. Jose greats me, takes my order - I'll have the barbequed ribs; then rushes to attend to the lunch party.

I'm trying to concentrate on the importance of quarks in our universe when wine, bread and olives are placed in front of me. A young girl, of an age I dare not mention here, places items on my table, asks me if I've ordered, 'Sim, Entrecosto", I answer. She smiles, looks at my book, wrinkles her forehead, and walks away.

She has to walk about ten metres, it's enough to see how slim she is, how curvaceous her bottom is, how it undulates as she walks, how she's not wearing panties unless it's a thong and how I'm not going to read another word of my book. I wait for her return, a light blue tee shirt, emblazed with a logo 'I'm ready!' in English - does she know what it means? Breasts poking at the fabric of the size I prefer; if you've read any of my stories, you'll understand. Hips swaying clad in clinging track suit bottoms, I try not to look, our eyes touch.

I don't see her for a few minutes, turn the page, encounter Higgs bosons and understand they're an invention to explain the inexplicable. She brings me my food 'Caro outro coisa?" - 'Do you want anything else?' I shake my head.

She walks away. She's folded the top of her tracksuit down to a fashionable hipster length. It has a strange effect accentuating the concave skin between the top of her hips and her waist simultaneously drawing attention to her bottom, it's drawn a line between above and below, I don't know where to look.

She's not especially beautiful, and I'm not especially attracted, but there is a frisson, it's unmistakable. I've been told my eyes express a search for information, they rarely threaten. I've been told, I can look at a woman, search her body and leave her feeling comfortable. I've been told that I miss all the signs.

She knows I'm looking, we flirt innocently, she to display, me to admire. She spends more time in the passage than she ought, Jose urging her to clear tables, serve food; my food grows cold. Eventually I finish, she clears my table, asks me if I'd like anything else; only coffee, I answer.

Jose, finally with time on his hands comes across and asks if everything is ok, do I want anything else. I've asked the girl for coffee. Ah... Carolina, my daughter. He sends me a complimentary Bagaceira, a third distillation of the grape, tasting vaguely of Cognac. Lunch cost seven Euros. Cheap.
 
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Thank you. I printed the last post and took it outside to read on this beautiful San Francisco day. Felt I was there. Your comments on self were as interesting as the girl's image.

Perdita :)
 
Wills said:
Around Christmas time I put up a piece about the places I visit in Portugal. One or two people were kind enough to ask me to write more as and when. Here is another piece, it is a little bit of a history lesson but important in the context.

I recall that. :) Didn't you start on the Euro2004 thread before that? Or is that someone completely different? :) In any case, a wonderful read.
 
Re: Re: Travels

CharleyH said:
I recall that. :) Didn't you start on the Euro2004 thread before that? Or is that someone completely different? :) In any case, a wonderful read.

Wills travel snipits first, then I put up 2004, this was just something today that I wanted to share.
Glad you enjoyed it.

Perdita,
Thank You for your appreciation, peeling back layers, I'm told, is good.
 
A day out... Pessoa and 'the arts'

I went gallery hopping today, partly at the SO’s insistence, and to allow me to think through advice received on my novel synopsis.

Set off later than I intended, having forgotten to select my World Cup team for the Literotica league, fiercely competitive, Lauren has a short lead and Charlie is closing from behind!

Walked down to the ferry and took the boat into town. First stop, English newspaper, second stop, lunch at café Nicola. The café Nicola has been around for centuries, its walls are adorned with huge nineteenth century paintings, and it is the traditional haunt of artists and writers.

The café’s most famous client was Fernado Pessoa, writer and poet who employed the technique of the heteronym – defined by Pessoa himself as writing in different voice – and probably worthy of note for this site where I suspect the practice continues.

On 18th March 1914, he claims to have written 30 poems in four different voices in a single session of writing, standing all the while, as was his practice. The ‘Book of Disquiet’ ascribed to Bernado Soares (pseudonym) reveals something of the life of a man compelled to write. When Pessoa died in 1935 at the young age of 47, more than 25,000 poems and stories were catalogued from the trunk where he ‘filed’ his output. Close to a thousand for each year of his adult life.

Today in café Nicola I saw old men too vain to wear glasses reading newspapers with the aid of magnifying lenses, artists in their customary black shirts (any regular gallery visitor will get the reference) conversing over a beer, and ‘blue rinsed’ grandmothers in their weekend finery fussing over lunch with the younger generations of their families.

Little has changed in the twenty-five years I’ve been visiting, a comforting notion. The effeminate waiters with their ‘oh so obvious’ black hair pieces have alas grown too old to wait on tables, and I wonder where they are, retired certainly, hopefully with someone waiting on them.

I ate my beef, with a fried egg on top, Nicola’s traditional fare, and set off for the art gallery at the countries largest bank, wondering if the number on my lottery ticket might also be the combination for the safe.

The exhibition was a disappointment, though curiously echoing Pessoa, similar canvases differentiated by colour, trying to speak (and failing to my eye) with a different voice; and a curious exhibition of artist catalogues, thousands of them, tiring on the eye, impossible to connect with, altogether drab.

The exhibition set me wondering about curators, and the hold they seem to have taken over ‘the arts’ in recent years. Curatorial studies now feature in our universities; it is an intellectualisation of process applied less to the artists’ work and more to the exhibition, an end to meet the curator’s ambition rather than the artist. I’m not sure I enjoy this trend, it reduces the artist to a commodity chosen to fill the curator’s desire in the hope that it is the curator who will be ‘noticed’ rather than the artist.

An argument broke out at London’s Tate Modern not long after it opened when the curators decided to reclassify the collection according to ‘type’ rather than genre or period. By type, I mean all nudes are grouped together regardless of whether they are Francis Bacon or Rembrandt. It is an idea that loses cohesion, lacks an obvious progression through time. A nude painting is not always a nude painting, occasionally it marks a style change or technique, or reflects a cultural shift, simply labelling it as ‘a nude’ might be construed as labelling erotica as porn, but that is a different argument. I wonder if Pessoa, or one of his multitude of personalities, wrote erotica?
 
I miss Wills...















;) :p :kiss:







Neon, your stories of your travels and adventures are almost as good, but there ain't nuffin' like the original.

:D :p :kiss:
 
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