Saucy_Sage
Literotica Guru
- Joined
- Sep 15, 2008
- Posts
- 537
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This book - English_As_She_Is_Spoke is difficult to surpass...
Example: That pond it seems me many multiplied of fishes. Let us amuse rather to the fishing.
Og
I have a soft spot for Bulwer-Lytton:
"It was a dark and stormy night; the rain fell in torrents, except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness."
and the annual Bulwer-Lytton contest.
This 1983 winner is hard to equal:
The camel died quite suddenly on the second day, and Selena fretted sulkily and, buffing her already impeccable nails--not for the first time since the journey began--pondered snidely if this would dissolve into a vignette of minor inconveniences like all the other holidays spent with Basil.
--Gail Cain, San Francisco, California (1983 Winner)
Og
This 1983 winner is hard to equal:
The camel died quite suddenly on the second day, and Selena fretted sulkily and, buffing her already impeccable nails--not for the first time since the journey began--pondered snidely if this would dissolve into a vignette of minor inconveniences like all the other holidays spent with Basil.
He told us to get.
This book - English_As_She_Is_Spoke is difficult to surpass...
The second 'get' is colloquial. It means to leave promptly or to scram as in
But I guess if you've never seen the word used in that context before, it would appear wrong.
Shrugs.
(but I do love your avatar!)
I think a close analysis of Saucy's example will reveal it's not just the dialog that's bad, but the heroine's pink, Pat Nixon-style suit, the effete attitude of her feet in her Minnie Mouse shoes (hobbled by her smart skirt), and the placement of those wiggly action lines, suggesting an impotent shimmy rather than firm, decisive flight.
If she's not rescued by a jungle hero in a leopard-skin unitard in the next panel or two, then I don't know my comics.
I think a close analysis of Saucy's example will reveal it's not just the dialog that's bad, but the heroine's pink, Pat Nixon-style suit, the effete attitude of her feet in her Minnie Mouse shoes (hobbled by her smart skirt), and the placement of those wiggly action lines, suggesting an impotent shimmy rather than firm, decisive flight.
If she's not rescued by a jungle hero in a leopard-skin unitard in the next panel or two, then I don't know my comics.
To craunch a marmoset.