The Doom

We talking Psalms or Wilde?

christophe said:
De profundis
Psalm 129 (130) [depends on who's counting]

1 De profundis clamavi ad te Domine
2 Domine exaudi vocem meam fiant aures tuae intendentes in vocem deprecationis meae
3 Si iniquitates observabis Domine Domine quis sustinebit
4 Quia apud te propitiatio est propter legem tuam sustinui te Domine sustinuit anima mea in verbum eius
5 Speravit anima mea in Domino 6 A custodia matutina usque ad noctem speret Israhel in Domino
7 Quia apud Dominum misericordia et copiosa apud eum redemptio
8 Et ipse redimet Israhel ex omnibus iniquitatibus eius

1 Out of the depths I have cried to thee, O Lord:
2 Lord, hear my voice. Let thy ears be attentive to the voice of my supplication.
3 If thou, O Lord, wilt mark iniquities: Lord, who shall stand it.
4 For with thee there is merciful forgiveness: and by reason of thy law, I have waited for thee, O Lord. My soul hath relied on his word:
5 my soul hath hoped in the Lord.
6 From the morning watch even until night, let Israel hope in the Lord.
7 Because with the Lord there is mercy: and with him plentiful redemption.
8 And he shall redeem Israel from all his iniquities.

And then there's Mr. Wilde's piece (gotta get something Irish into this.)
 
The Wilde Man

Just the beginning, because it is too long for this forum.

Suffering is one very long moment. We cannot divide it by seasons. We can only record its moods, and chronicle their return. With us time itself does not progress. It revolves. It seems to circle round one centre of pain. The paralysing immobility of a life every circumstance of which is regulated after an unchangeable pattern, so that we eat and drink and lie down and pray, or kneel at least for prayer, according to the inflexible laws of an iron formula: this immobile quality, that makes each dreadful day in the very minutest detail like its brother, seems to communicate itself to those external forces the very essence of whose existence is ceaseless change. Of seed-time or harvest, of the reapers bending over the corn, or the grape gatherers threading through the vines, of the grass in the orchard made white with broken blossoms or strewn with fallen fruit: of these we know nothing and can know nothing.

For the rest of the story, look here.
 
Thanks for those Kotori - copied to my "melancholy" folder.
But today I do not feel too full of doom.
Wilde was a genius. Do you think he would have been as sharp and poignant today when his homosexuality would have been accepted?
 
That's an interesting question. Does great art come from great suffering? Is there some proportional relationship?

Glad things are cheerier in your Duchy. BTW, did you buy any Willy?
 
kotori said:
That's an interesting question. Does great art come from great suffering? Is there some proportional relationship?

Glad things are cheerier in your Duchy. BTW, did you buy any Willy?


That's worthy of a thread Kotori - I think I'll ask people - but I think it's more related to passion. I'd expect there's quite a few Lit folks who produce in a state of pain.

Yes I did buy it - did you think I ripped the packaging off in the shop?

http://www.literotica.com/forum/attachment.php?s=&postid=1363140
 
You keep a 'melancholy' folder? So do I!

freescorfr said:
Thanks for those Kotori - copied to my "melancholy" folder.
Ode on Melancholy by John Keats

NO, no, go not to Lethe, neither twist
Wolfs-bane, tight-rooted, for its poisonous wine;
Nor suffer thy pale forehead to be kiss’d
By nightshade, ruby grape of Proserpine;
Make not your rosary of yew-berries,
Nor let the beetle, nor the death-moth be
Your mournful Psyche, nor the downy owl
A partner in your sorrow’s mysteries;
For shade to shade will come too drowsily,
And drown the wakeful anguish of the soul.


But when the melancholy fit shall fall
Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
Or on the rainbow of the salt sand-wave,
Or on the wealth of globed peonies;
Or if thy mistress some rich anger shows,
Emprison her soft hand, and let her rave,
And feed deep, deep upon her peerless eyes.


She dwells with Beauty—Beauty that must die;
And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
Turning to poison while the bee-mouth sips:
Ay, in the very temple of Delight
Veil’d Melancholy has her sovran shrine,
Though seen of none save him whose strenuous tongue
Can burst Joy’s grape against his palate fine;
His soul shall taste the sadness of her might,
And be among her cloudy trophies hung.
 
Milton captures the mood of melancholoy which is far from despair.

Il Penseroso

HENCE vain deluding joyes,
The brood of folly without father bred,
How little you bested,
Or fill the fixèd mind with all your toyes;
Dwell in some idle brain,
And fancies fond with gaudy shapes possess,
As thick and numberless
As the gay motes that poeple the Sun Beams,
Or likest hovering dreams
The fickle Pensioners of Morpheus train.
But hail thou Goddess, sage and holy,
Hail divinest Melancholy,
Whose Saintly visage is too bright
To hit the Sense of human sight;
And therefore to our weaker view,
Ore laid with black staid Wisdoms hue.
Black, but such as in esteem,
Prince Memnons sister might beseem,
Or that starr'd Ethiope Queen that strove
To set her beauties praise above
The Sea Nymphs, and their powers offended,
Yet thou art higher far descended,
Thee bright-hair'd Vesta long of yore,
To solitary Saturn bore;
His daughter she (in Saturns raign,
Such mixture was not held a stain)
Oft in glimmering Bowres, and glades
He met her, and in secret shades
Of woody Ida's inmost grove,
While yet there was no fear of Jove.
Com pensive Nun, devout and pure,
Sober, stedfast, and demure,
All in a robe of darkest grain,
Flowing with majestick train,
And sable stole of Cipres Lawn,
Over thy decent shoulders drawn.
Com, but keep thy wonted state,
With eev'n step, and musing gate,
And looks commercing with the skies,
Thy rapt soul sitting in thine eyes:
There held in holy passion still,
Forget thy self to Marble, till
With a sad Leaden downward cast,
Thou fix them on the earth as fast.
And joyn with thee calm Peace, and Quiet,
Spare Fast, that oft with gods doth diet,
And hears the Muses in a ring,
Ay round about Joves Altar sing.
And adde to these retired leasure,
That in trim Gardens takes his pleasure;
But first, and chiefest, with thee bring,
Him that yon soars on golden wing,
Guiding the fiery-wheeled throne,
The Cherub Contemplation,
And the mute Silence hist along,
Less Philomel will deign a Song,
In her sweetest, saddest plight,
Smoothing the rugged brow of night,
While Cynthia checks her Dragon yoke,
Gently o're th' accustomed Oke;
Sweet Bird that shunn'st the noise of folly,
Most musical, most Melancholy!
Thee Chauntress oft the Woods among,
I woo to hear thy Even-Song;
And missing thee, I walk unseen
On the dry smooth-shaven Green,
To behold the wandring Moon,
Riding neer her highest noon,
Like one that had bin led astray
Through the Heav'ns wide pathles way;
And oft, as if her head she bow'd,
Stooping through a fleecy cloud.
Oft on a Plat of rising ground,
I hear the far-off Curfeu sound,
Over some wide-water'd shoar,
Swinging slow with sullen roar;
Or if the Ayr will not permit,
Som still removed place will fit,
Where glowing Embers through the room
Teach light to counterfeit a gloom,
Far from all resort of mirth,
Save the Cricket on the hearth,
Or the Belmans drowsie charm
To bless the dores from nightly harm:
Or let my Lamp at midnight hour,
Be seen in some high lonely Towr,
Where I may oft out-watch the Bear,
With thrice great Hermes, or unsphear
The spirit of Plato to unfold
What Worlds, or what vast Regions hold
The immortal mind that hath forsook
Her mansion in this fleshly nook:
And of those Daemons that are found
In fire, air, flood, or under ground,
Whose power hath a true consent
With Planet, or with Element.
Som time let Gorgeous Tragedy
In Scepter'd Pall com sweeping by,
Presenting Thebs, or Pelops line,
Or the tale of Troy divine.
Or what (though rare) of later age,
Ennobled hath the Buskind stage.
But, O sad Virgin, that thy power
Might raise Musaeus from his bower,
Or bid the soul of Orpheus sing
Such notes as warbled to the string,
Drew Iron tears down Pluto's cheek,
And made Hell grant what Love did seek.
Or call up him that left half told
The story of Cambuscan bold,
Of Camball, and of Algarsife,
And who had Canace to wife,
That own'd the vertuous Ring and Glass,
And of the wondrous Hors of Brass,
On which the Tartar King did ride.
And if ought els, great Bards beside,
In sage and solemn tunes have sung,
Of Turneys and of Trophies hung;
Of Forests, and inchantments drear,
Where more is meant then meets the ear.
Thus night oft see me in thy pale career,
Till civil-suitèd Morn appeer,
Not trickt and frounc't as she was wont,
With the Attick Boy to hunt,
But Cherchef't in a comely Cloud,
While rocking Winds are Piping loud,
Or usher'd with a shower still,
When the gust hath blown his fill,
Ending on the russling Leaves,
With minute drops from off the Eaves.
And when the Sun begins to fling
His flaring beams, me Goddess bring
To archèd walks of twilight groves,
And shadows brown that Sylvan loves
Of Pine, or monumental Oake,
Where the rude Ax with heaved stroke
Was never heard the Nymphs to daunt,
Or fright them from their hallow'd haunt.
There in close covert by some Brook,
Where no prophaner eye may look,
Hide me from Day's garish eie,
While the Bee with Honied thie,
That at her flowry work doth sing,
And the Waters murmuring
With such consort as they keep,
Entice the dewy-feather'd Sleep;
And let some strange mysterious dream,
Wave at his Wings in Airy stream,
Of lively portrature display'd,
Softly on my eye-lids laid.
And as I wake, sweek musick breath
Above, about, or underneath,
Sent by som spirit to mortals good,
Or th'unseen Genius of the Wood.
But let my due feet never fail,
To walk the studious Cloysters pale.
And love the high embowed Roof,
With antick Pillars massy proof,
And storied Windows richly dight,
Casting a dimm religious light.
There let the pealing Organ blow,
To the full voic'd Quire below,
In Service high, and Anthems cleer,
As may with sweetness, through mine ear,
Dissovle me into extasies,
And bring all Heav'n before mine eyes.
And may at last my weary age
Find out the peacefull hermitage,
The Hairy Gown and Mossy Cell,
Where I may sit and rightly spell
Of every Star that heav'n doth shew,
And every Herb that sips the dew;
Till old experience do attain
To something like Prophetic strain.
These pleasures of Melancholy give,
And I with thee will choose to live.

John Milton
 
Back
Top