annaswirls
Pointy?
- Joined
- Dec 9, 2003
- Posts
- 7,204
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Briefly describe some of the best advice you have gotten, from people here at Lit or elsewhere.
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annaswirls said:.
Briefly describe some of the best advice you have gotten, from people here at Lit or elsewhere.
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I paraphrase Senna Jawa -A lot of authors of poems write like writing poetry places you outside the laws of communication. Authors act like they have a special license. But nobody does. One should always imagine holding a stranger by a lapels and spilling his text on that poor innocent bystander. Only the lapels will be left in the author's hands when he tries to impress strangers with his persona.annaswirls said:.
Briefly describe some of the best advice you have gotten, from people here at Lit or elsewhere.
.
Liar said:This is an advice for writing, from the most intelligent person I've ever met in person. pardon the length, but he's a bit wordy.
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What you have to remember is that text is not a finished product. It's a small step in a big process. And in creating a text, you have to pay heed to two lines of history; the history and future of the process and the history and future of the text.
The history of the process is all that you have done so far to end up where you are: The observation/idea/ephiphany that prompted you to write, your research to gather further depth to your writing, your chooice of media, style, length, and the actual forging of phrases. But the process continues after you have your text done and delivered. It has to be found, read and intepreted, all parts of the process that are out of your hands. But it is your job to anticipate them.
The history of the text, is all that has been written and spoken before your text to inspire, influence and shape it. The future of the text is all the text and actions that it will or might inspire. All that is and all that will be, if you may. No action of communication stands alone, and even though a text is more static than, for instance, a conversation, it is notihng short of worthless without a context, a discourse in which it aquires meaning. A ballad about love has a very broad discourse and can be related to easily by most people, while a private diary has a very narrow scope and window of understandment. But there has to be a past and a future, or else it's pointless to write.
If you don't do this, your text is not communication, but masturbation or self-flagellation, depending on your self image. Whish is fine in itself. But it's not really text.
- José Ramírez
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Condensed version for the lazy: There is always a context. Be aware of it or don't even try.
TheRainMan said:alternate condensed version: writing is like sex, far better with a partner than your hand.
TheRainMan said:alternate condensed version: writing is like sex, far better with a partner than your hand.
The Mystery Valiant said:"As you do unto the least of mine, so then shall I do unto you."
annaswirls said:Wow, that is completely different in idea than I remember it. I thought it was more along the lines of "whatever you do to the least of mine, you did to me"
Maybe you are quoting someone's extrapolation that I do not know about.
hold on, I gotta google this
Yeah, this is the one I remember. We unitarians are big on this concept of social justice. Not claiming that I am angelic (good lord not even close I have so many weaknesses, double standards, and do not do nearly what I would like to do for others) but this is one of my favorite passages too. Not too big on the idea of eternal life and damnation, but that is another story, do what is right because it is right, not because of a promise of a better place or fear of hell. Make this place a better place by doing what is right, I like to think.
Matthew 25:31-46 (New International Version)
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Biblical quotations.You're the best, Anna S.!
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