Share Your Draft Notes

(The anthropomorphic Clydesdale enters a bar.)
(Clydesdale orders a beer from a keg.)
(Clydesdale looks over at a poorly-sealed window, remarking about how cold the breeze is.)

Wait, that's what you wanted, right?
Shouldn't the horse be singing? Doesn't it have to generate ... notes?
 
I don't use in-line notes. I might have an external text file where I plop down ideas for potential scenes, or lines I want to use later (I had about two dozen haiku I wrote for one story, for instance, that I then picked from at the appropriate times), but I'm fortunate in that I've never felt like I needed something there in the story document itself.
 
I don't use in-line notes. I might have an external text file where I plop down ideas for potential scenes, or lines I want to use later (I had about two dozen haiku I wrote for one story, for instance, that I then picked from at the appropriate times), but I'm fortunate in that I've never felt like I needed something there in the story document itself.
It's mostly laziness on my part, not wanting to bother highlighting the text, or going to a different document, and then just ranting at myself about how nobody needs a twelve-page dissertation on hammerhead shark claspers in the middle of a gay sex romp.

It's only five pages now!
 
I don't use in-line notes. I might have an external text file where I plop down ideas for potential scenes, or lines I want to use later (I had about two dozen haiku I wrote for one story, for instance, that I then picked from at the appropriate times), but I'm fortunate in that I've never felt like I needed something there in the story document itself.
I'm curious why you consider it "fortunate" that your particular workflow keeps notes outside the actual document being edited?
 
I'm curious why you consider it "fortunate" that your particular workflow keeps notes outside the actual document being edited?
I meant I felt lucky in that I can keep the entire story in my head. I don't need physical outlines, character biographies, story beat worksheets. I don't sketch out plot points or plan how many pages/words to devote to rising action, climax, falling action, and so forth. My brain's just a big-ass filing cabinet that can compartmentalize all of that, even if I'm working on multiple different projects.

I can sit in front of a work I haven't touched for years, and immediately be back in the flow, remembering what I was going for, what the theme is, who all the characters are, and so forth. Obviously if I let something go that long, there's time spent bringing old text up to my current standards, but I always remember where I was going with it. Any notes I make are along the lines of, "Ah, that's a good line I could use somewhere!" or "Potential sex scene while they're in the sauna?".

In school, I could never understand why teachers insisted on students handing in outlines and drafts along with their completed paper because I just...wrote the paper. Who needed a draft or an outline? Wasn't that just extra busy-work? Doesn't everybody have the whole thing outlined in their head before they start writing?

I was surprised to learn not everybody's brain worked like mine, and it genuinely felt like I had some cheat code others didn't have access to. I'm just fortunate in that regard, that's all I meant. :)
 
I already had to rewrite part of the description. The inn's door doesn't open onto the road, it opens onto the courtyard between the two wings.

I have Karen Wynn Fonstad's Atlas of Middle-Earth in the bookcase. I should probably check whether there's a map of the Pony.
And of course there is! I bet KWF would be thrilled that the Atlas has been sitting in my bookcase all these years just so I can use it for a sex story.
 
I meant I felt lucky in that I can keep the entire story in my head. I don't need physical outlines, character biographies, story beat worksheets. I don't sketch out plot points or plan how many pages/words to devote to rising action, climax, falling action, and so forth. My brain's just a big-ass filing cabinet that can compartmentalize all of that, even if I'm working on multiple different projects.

I can sit in front of a work I haven't touched for years, and immediately be back in the flow, remembering what I was going for, what the theme is, who all the characters are, and so forth. Obviously if I let something go that long, there's time spent bringing old text up to my current standards, but I always remember where I was going with it. Any notes I make are along the lines of, "Ah, that's a good line I could use somewhere!" or "Potential sex scene while they're in the sauna?".

In school, I could never understand why teachers insisted on students handing in outlines and drafts along with their completed paper because I just...wrote the paper. Who needed a draft or an outline? Wasn't that just extra busy-work? Doesn't everybody have the whole thing outlined in their head before they start writing?

I was surprised to learn not everybody's brain worked like mine, and it genuinely felt like I had some cheat code others didn't have access to. I'm just fortunate in that regard, that's all I meant. :)
The teachers requesting the outlines and drafts was a plagiarism detection tool.
 
Back
Top