amicus
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http://www.opinionjournal.com/taste/?id=110005236
HOUSES OF WORSHIP
Lost About 'Saved'
A movie makes fun of Evangelical Christians. This took courage?
BY JONATHAN V. LAST
Friday, June 18, 2004 12:01 a.m. EDT
With "Saved!" having gone wide last week, the rest of America now has a chance to see Brian Dannelly's satire of life at an evangelical high school. Or, as the film's producer, Michael Stipe, put it: "Saved!" is "like those monster vampire high school kind of movies, only here the monsters are Jesus-freak teenagers."
In the weeks leading up to the movie's release, United Artists, the studio behind it, nervously suggested that it thought--hoped--that "Saved!" would play to the same religious audience that made "The Passion of the Christ" such a hit. Peter Adee of MGM (UA's parent company) told the New York Times that the movie "has a certain Christian appeal, but it's also a little irreverent."
That anyone could believe such a movie to have "Christian appeal" is one measure of how out of touch Hollywood is. The irreverence of "Saved!" consists of portraying most Christians as dim, many as malevolent and all as hypocritical. Wisdom and good faith do make an appearance in "Saved!," but they are displayed by explicitly antireligious characters.
Give Mr. Adee credit, however. By suggesting that the movie was intended for Christian audiences, he was inoculating Messrs. Dannelly, Stipe, et al. from charges that "Saved!" had been fashioned precisely as an attack on Christians.
Such a charge would not have been groundless. But Mr. Adee's maneuvering turned out to be unnecessary. Critics, on the whole, found nothing especially offensive in the movie's satire on Christian belief.
Don R. Lewis, of Film Threat, wrote that "Saved!" is "a sweet and funny movie that starts off with bite but settles into an honest feeling of happiness and acceptance for all types of people and their choices." Of course, he doesn't really mean all types of people. He went on to note that the movie is "a gentle exploration of why the judgments of the Catholic church are so screwed up." ("Saved!" is about evangelical Christians--not Catholics--but you know how it is. They all look alike.)
John Leonard of CBS thought the movie "good-hearted," while Manohla Dargis, in the Los Angeles Times, labeled it "a soft-bellied, sweet-tempered satire." Both Newsweek and the New York Times judged as merely "gentle" the ribbing that "Saved!" gives to Christians.
Too gentle, for some. The Chicago Tribune lamented that "after bravely lampooning an institution so many consider beyond reproach, Saved! chickens out." Michael Atkinson, from the Village Voice, wrote that American evangelicals--whom he called "warmongers praying for corpse-heaped victory"--need "a good, steel-tipped satiric whipping," and that the movie didn't deliver it. For good measure, he added: "the born-again, one-hand-in-the-air prayer stance. . .resembles a Nazi salute." Ms. Dargis faulted "Saved!" for not having the courage to "admit that some of [God's] most ardent believers will always be invested in hate."
Other reviewers were not so dismissive of Mr. Dannelly's grit. "Teasing Christians," said Newsweek, "is risky business." David Denby, in The New Yorker, solemnly nodded, adding that although "Saved!" was not an attack on Christianity, "to make it at all took courage."
Actually, it took no courage, since the movie plays straight into Hollywood's smug stereotypes about religion, especially the non-Buddhist variety. And besides, the Christian community did not rise up to smite the makers of "Saved!" The movie was given respectful--one might say gentle--treatment in places such as Christianity Today. The lone voice raised against it was Jerry Falwell's. Talking about this condemnation, Mr. Dannelly admitted that "it doesn't exactly hurt."
The movie did get some rough treatment, but not for its anti-Christian theme. You see, the main character, a high-school senior, gets pregnant while having sex with her gay boyfriend. She then carries their baby to term. Owen Gleiberman of Entertainment Weekly lamented that the girl's "crisis is 'resolved' with a starry-eyed naivete that borders on the irresponsible.
I wish that Saved! weren't a facile pro-life movie." Mr. Atkinson was likewise bothered by the way "the narrative fastidiously avoids . . . the possibility of abortion." Ditto for Mr. Denby. And double ditto for Salon's Stephanie Zacharek, who spent a quarter of her review on this lament.
Mr. Stipe has recently said that "anyone of faith who is secure in that faith probably has a sense of humor about it and would like the movie." Perhaps so. And "Saved!" is not without likable qualities, as Joe Morgenstern noted in this newspaper. But there are all sorts of faith. Those who believe in abortion found it easy enough to be bothered by "Saved!" Those who believe in the evil of American Christians found much to recommend it.
Mr. Last in online editor of The Weekly Standard.
http://www.dvdmoviecentral.com/ReviewsText/saved.htm
“…Saved follows a senior class at a Christian high school from before the beginning of the school year until prom. The main character is Mary (Malone), a girl raised in the church but who is about to experience a debilitating crisis of faith. When her boyfriend admits he might be gay, she figures Jesus would want her to help cure him, so she sleeps with him, figuring her Savior will restore her virginity as a reward for such a selfless act. But instead, she ends up pregnant…”
“…The school year plays out with Mary trying to hide her blossoming condition while coming to realize that Christians like Hilary Faye are the true bad guys of the world. The kids in the movie who reject faith are the heroic figures. They're the ones who really love their neighbors. If you're a Christian, you're just a self-absorbed hypocrite. Wow...isn't this hysterical stuff? No wonder critics were wetting themselves with laughter and climbing over each other to write the blurbs of praise that would end up on the movie poster….”
~~~~~~~~~~~~~~~~
I watched this film on television a few nights ago and came away wondering just how the Hollywood Left was going to get away with such a scathing portrayal of a Christian school and students and in fact the whole rigmarole of satire and irony about such a sacred cow as Christianity.
Apparently they did.
The Liberal left, not yet having learned the lesson of the anti gay marriage bills voted on in the 2004 elections, may well be in for another huge surprise as voters reject democrats and liberals in general in the 2006 and 2008 elections.
Even Hilary and Kerry ending speeches with, “…and God Bless America…” aka Josiah Bartlett from the West Wing, ain’t gonna make this skunk smell pretty.
(forum was getting dull)
amicus…
HOUSES OF WORSHIP
Lost About 'Saved'
A movie makes fun of Evangelical Christians. This took courage?
BY JONATHAN V. LAST
Friday, June 18, 2004 12:01 a.m. EDT
With "Saved!" having gone wide last week, the rest of America now has a chance to see Brian Dannelly's satire of life at an evangelical high school. Or, as the film's producer, Michael Stipe, put it: "Saved!" is "like those monster vampire high school kind of movies, only here the monsters are Jesus-freak teenagers."
In the weeks leading up to the movie's release, United Artists, the studio behind it, nervously suggested that it thought--hoped--that "Saved!" would play to the same religious audience that made "The Passion of the Christ" such a hit. Peter Adee of MGM (UA's parent company) told the New York Times that the movie "has a certain Christian appeal, but it's also a little irreverent."
That anyone could believe such a movie to have "Christian appeal" is one measure of how out of touch Hollywood is. The irreverence of "Saved!" consists of portraying most Christians as dim, many as malevolent and all as hypocritical. Wisdom and good faith do make an appearance in "Saved!," but they are displayed by explicitly antireligious characters.
Give Mr. Adee credit, however. By suggesting that the movie was intended for Christian audiences, he was inoculating Messrs. Dannelly, Stipe, et al. from charges that "Saved!" had been fashioned precisely as an attack on Christians.
Such a charge would not have been groundless. But Mr. Adee's maneuvering turned out to be unnecessary. Critics, on the whole, found nothing especially offensive in the movie's satire on Christian belief.
Don R. Lewis, of Film Threat, wrote that "Saved!" is "a sweet and funny movie that starts off with bite but settles into an honest feeling of happiness and acceptance for all types of people and their choices." Of course, he doesn't really mean all types of people. He went on to note that the movie is "a gentle exploration of why the judgments of the Catholic church are so screwed up." ("Saved!" is about evangelical Christians--not Catholics--but you know how it is. They all look alike.)
John Leonard of CBS thought the movie "good-hearted," while Manohla Dargis, in the Los Angeles Times, labeled it "a soft-bellied, sweet-tempered satire." Both Newsweek and the New York Times judged as merely "gentle" the ribbing that "Saved!" gives to Christians.
Too gentle, for some. The Chicago Tribune lamented that "after bravely lampooning an institution so many consider beyond reproach, Saved! chickens out." Michael Atkinson, from the Village Voice, wrote that American evangelicals--whom he called "warmongers praying for corpse-heaped victory"--need "a good, steel-tipped satiric whipping," and that the movie didn't deliver it. For good measure, he added: "the born-again, one-hand-in-the-air prayer stance. . .resembles a Nazi salute." Ms. Dargis faulted "Saved!" for not having the courage to "admit that some of [God's] most ardent believers will always be invested in hate."
Other reviewers were not so dismissive of Mr. Dannelly's grit. "Teasing Christians," said Newsweek, "is risky business." David Denby, in The New Yorker, solemnly nodded, adding that although "Saved!" was not an attack on Christianity, "to make it at all took courage."
Actually, it took no courage, since the movie plays straight into Hollywood's smug stereotypes about religion, especially the non-Buddhist variety. And besides, the Christian community did not rise up to smite the makers of "Saved!" The movie was given respectful--one might say gentle--treatment in places such as Christianity Today. The lone voice raised against it was Jerry Falwell's. Talking about this condemnation, Mr. Dannelly admitted that "it doesn't exactly hurt."
The movie did get some rough treatment, but not for its anti-Christian theme. You see, the main character, a high-school senior, gets pregnant while having sex with her gay boyfriend. She then carries their baby to term. Owen Gleiberman of Entertainment Weekly lamented that the girl's "crisis is 'resolved' with a starry-eyed naivete that borders on the irresponsible.
I wish that Saved! weren't a facile pro-life movie." Mr. Atkinson was likewise bothered by the way "the narrative fastidiously avoids . . . the possibility of abortion." Ditto for Mr. Denby. And double ditto for Salon's Stephanie Zacharek, who spent a quarter of her review on this lament.
Mr. Stipe has recently said that "anyone of faith who is secure in that faith probably has a sense of humor about it and would like the movie." Perhaps so. And "Saved!" is not without likable qualities, as Joe Morgenstern noted in this newspaper. But there are all sorts of faith. Those who believe in abortion found it easy enough to be bothered by "Saved!" Those who believe in the evil of American Christians found much to recommend it.
Mr. Last in online editor of The Weekly Standard.
http://www.dvdmoviecentral.com/ReviewsText/saved.htm
“…Saved follows a senior class at a Christian high school from before the beginning of the school year until prom. The main character is Mary (Malone), a girl raised in the church but who is about to experience a debilitating crisis of faith. When her boyfriend admits he might be gay, she figures Jesus would want her to help cure him, so she sleeps with him, figuring her Savior will restore her virginity as a reward for such a selfless act. But instead, she ends up pregnant…”
“…The school year plays out with Mary trying to hide her blossoming condition while coming to realize that Christians like Hilary Faye are the true bad guys of the world. The kids in the movie who reject faith are the heroic figures. They're the ones who really love their neighbors. If you're a Christian, you're just a self-absorbed hypocrite. Wow...isn't this hysterical stuff? No wonder critics were wetting themselves with laughter and climbing over each other to write the blurbs of praise that would end up on the movie poster….”
~~~~~~~~~~~~~~~~
I watched this film on television a few nights ago and came away wondering just how the Hollywood Left was going to get away with such a scathing portrayal of a Christian school and students and in fact the whole rigmarole of satire and irony about such a sacred cow as Christianity.
Apparently they did.
The Liberal left, not yet having learned the lesson of the anti gay marriage bills voted on in the 2004 elections, may well be in for another huge surprise as voters reject democrats and liberals in general in the 2006 and 2008 elections.
Even Hilary and Kerry ending speeches with, “…and God Bless America…” aka Josiah Bartlett from the West Wing, ain’t gonna make this skunk smell pretty.
(forum was getting dull)
amicus…