woodnymph_O
Literotica Guru
- Joined
- Nov 18, 2004
- Posts
- 976
I love the sound of incoherant, madman ramblings in the morning.
anyone bring breakfast?
anyone bring breakfast?
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cataleptik said:there is no post surrealism -- surrealism goes on and on becoming more and more fractallized...infinite, mise-en-scenes witin mise-en-scenes.
But structure can change -- and cease to be the dictator of form- and become a toy...

what's it like for you on crack?bg23 said:you're really weird.
are you on crack?
rikaaim said:I like this so much it's going into my sigline. That's a highly accurate and very wise statement.
cataleptik said:There’s no past; there’s no future. There has only ever always been the ever expanding now. Do you know what illusions are?
There’s no past! there’s no future.
lolneonlyte said:You show admirable restraint
I remember this piece, I enjoyed part of it then.
cataleptik said:is sort of a counter to intellectual nihilism...
it's more about seeing an all expanding now. maybe i need to look that part of this fledgling attempt over, and over.
CharleyH said:Actually, it fits in quite nicely in my opinion and not as a counter to it, which is why I have used Beckett to reference both the partial reference you made (I will get the full quote tomorrow, although I assumed you had it) and the rest of the statement and also some, of what little I quoted, is very contradictory. Afterall, now cannot truly expand, now can it? However, as an aside, I completely get what you are trying to sayand if you wish to talk more about certain parts of your piece, then I think many on Lit could accomodate that if you direct us to certain parts.
Or is this one up on the SDC, Cataleptic?
No... but the equally suppressing anger, by design, or simply lulling the masses into an opiate state, has always been counter-productive... a larger ofbject is infintely harder to move than several small objects, and equally harder to stop. It's the momentum that's lacking.it's not considered fashionable to be effectively angry at the system currently -- a sure sign that the conspiracy theory of technological mind control is far more fact that theory. but save that for another tale perhaps.
malachiteink said:From Wikipedia
Post-structuralist narrative theory basically attempts to focus on the essential 'incompleteness' of narratives. This approach endorses the possibility of having indetermined, forever continued reader-centred narratives. Having roots in Jacques Derrida's Structure, Sign, Play in the Discourse of Human Sciences, this reading of narrative gets strengthened through the writings of Roland Barthes, Mikhail Bakhtin and Wolfgang Iser's theoretical interpretation of narratives.

neonlyte said:I focused on the exact same lines, though without your scholarly take. The idea of 'visiting over and over' fits comfortably with my approach.
No... but the equally suppressing anger, by design, or simply lulling the masses into an opiate state, has always been counter-productive... a larger ofbject is infintely harder to move than several small objects, and equally harder to stop. It's the momentum that's lacking.
Can't agree here Rob. An artist (as opposed to an author seeking a publisher suitable audience) is almost obliged to push at the boundaries. Only by testing the limits can an artist begin to substantiate a body of work. All artists do this, we are prehaps less used to 'art' manifested through the written word, particularly in a form also testing philosophical constructs.rgraham666 said:... As to the original post, to me it merely demonstrates the weakness of too much education unconnected to the rest of the world. A person can become lost in the intricacies and techniques of an art form. At that point, the person so inflicted cannot speak to anyone save those similarly lost.
At that point, language becomes dialect. A method of hiding knowledge behind a impenetrable wall and a ritual which must be mastered in order to be allowed to the inner secrets of the profession.
But any artist's goal should be to communicate their ideas, their imagination, their feelings to as many people as possible. If they fail to do this, locked inside technique and only making reference to obscure genres of specialised knowledge, they've failed as artists.
rgraham666 said:Dreadfully sorry, Charley. But I'm going to have to challenge you on this one.
Nihilism and existentialism are, in my opinion, diametrically opposed philosophies.
If I say that it would be disobedience to God to "mind my own business" you will not believe I am serious. If on the other hand I tell you to let no day pass without discussing goodness and all the other subjects about which you hear me talking, and that examining myself and others is really the very best thing that a person can do, and that life without this sort of examination is not worth living, you will be even less inclined to believe me. Nevertheless, that is how it is.
The Apologia
rgraham666 said:If you insist neon.
But the fact is that what cataleptic did was so far outside the boundaries as to be incomprehensible to me.
It speaks to you because you're 'in the know'. You understand the background, the references, the grid he's setting himself against.
I have none of that, none at all. So it says nothing, absolutely nothing to me.
rgraham666 said:I've only attached existentialism as a label to my personal philosophy recently, Charely. It's closest to what I'm trying to do. My understanding is incomplete and always will be.
If you want proper philosophical routes, it's Socrates.
Socrates is also a good example of communication. Twenty five hundred years later and we still remember his words. His meaning was never lost.
