Photographer's Model (closed for pipper and JT)

To say that Laurie was upset with Phil’s request, would have been an understatement. She stared at him, as she rose up out of the peat. Not saying a word, she walked out, snatched her skirt, t-shirt, and flip-flops.

She didn’t know if he said anything to her, as she used the hose to rinse the black stuff off of her. In all honesty, she wasn’t paying attention. She was furious! Her script for the ending had been ripped to shreds.

Now in the shower, all Laurie could think of was Oscar.
 
Last edited:
It was as if an invisible hypnotist's finger had snapped. The spell the peat had cast on Laurie and the spell Laurie had cast on Phil shattered. As he watched her storm off, Phil took the tee from the flash, put the tee back on, then his shirt. As he was buttoning up his mind replayed the events of the last few seconds when he expressed concern for her safety. Last time he had spoken she had looked sharply at him, this time she marched off to the showers in a huff. Confused, he shook his head to try to clear it and packed his camera gear. Are all models this difficult to work with he wondered.
 
Now back in her casual wear, Laurie with her bag in hand, went to find Phil. One final look at the peat, and she was a bit taken aback. It appeared as if she had never been in there. The surface was thick, and seemed to be beckoning her to go back in. Maybe one day, she thought.

Laurie locked the enclosure’s entrance. “Sorry about that Phil, I just…I just was about to finish the scene.” She looked up at the fading light. “I need to return these keys to Stuart, then we’ll go home.”
 
Phil waited, and when she returned he said, "You could have said something instead of stomping off in a huff. Anger is a strange reaction when some one expresses concern about your safety. I know you asked me to be quiet unless you called help. Sorry."

They drove on, Phil wondering what to do. In any event he was committed to the zoo shots of snakes, and later the beachwear shoot.
 
Last edited:
“Look, I did say that I was sorry. I was just a bit disappointed in not finishing the shoot as planned.” What more could Laurie say?

“I’ll get the zoo to send me the consent papers you need to sign tomorrow. Oh, Susan picked an outfit from the store where the girls at the club get theirs. I have no idea what it is, but would be nice for a shoot, maybe tomorrow night.”

She needed to patch things up, and quickly. “How about starting off topless, and slowly dress? A strip sequence in reverse, so to speak.”
 
"How about both? Start the way you are now, then all the way down, and back up to the full costume? Transformation from girl next door to club dancer."

"But there are a couple of other shoots I had in mind too. Another bondage. And more of the ambiguous close ups. Your upper thigh, and upper chest come to mind. I did get some excellent ambiguous ones tonight. I will show you them tomorrow evening."

"What ever you want to do Laurie, I know I will enjoy."
 
“The only problem with that idea is that I have no idea what the outfit looks like, as I haven’t taken a look at it yet. So it might not be a dancer’s costume, but there again, any costume might be classified as fit for stripping out of.”

Then Phil mentioned another bondage shoot. “Oh, that sounds interesting. I presume it will build on the previous one,” Laurie said, while knowing that Susan and Nick were very advanced in their bondage sessions.
 
"Well you know me well enough by now Laurie, you know . . . what I like."

They drove on, and the twilight darkened. Phil's mind haunted by his memories of her half immersed in the peat, hands on her breasts, murmuring moans of pleasure. He wondered what she would have done if he hadn't interrupted her. And shook his head to concentrate on his driving.

"I got some more information about the fashion shoot Laurie. Apparently they will have a hair stylist, a make up person, and a wardrobe assistant for you. There is an overall director, and I will be working under a photography director, and they will have an intern to help my lighting setups. They are looking at three hours, if weather is good, outside. If not, they have an indoor studio they will use."
 
Laurie listened to Phil as he gave her some info on the fashion shoot. “Let’s hope the rain holds off. It would be nice to do it on the beach.”

She yawned as Phil pulled into his driveway. It had been a long day for both of them. As Phil handed her bags from the trunk, Laurie wanted to give him a quick kiss on the cheek, but she spotted Parker’s bedroom curtain move. So a simple “Goodnight, see you tomorrow night,” had to suffice.

Back home, Laurie spent thirty minutes with Oscar, as she let him have his ‘slithering’ exercise outside of the enclosure, before she headed up to bed.
 
Phil spent some time close cropping and adjusting lighting and contrast on a few of the shots of Laurie's breasts, splotched with peat. When he was done, he added the finished product to those of her back. In his mind he labelled them landscapes. It was particularly erotic for him to work with them, thinking how they must feel.

Next day at work was mostly uneventful. Jennifer tried a few flirts, but when he didn't respond, she giggled and went back to her office. It was plain she would not be easily dissuaded. He used the lunch break to slip out and get more color key fabric, and some tan colored soft rope at the marine store.

Once home after work, he waited until Mary left for another meeting of some group, he really didn't listen when she told him who, and texted Laurie, 'Ready when you are.'
 
The following morning, her parents surprised Laurie by saying that they were heading up to the cottage for the rest of the week, and wouldn’t be home till late Sunday. After they had left, Laurie called the zoo, to have the consent forms e-mailed to her.

After doing her laundry chores, she spotted the DVD Bella had given Susan for her to pass onto her. Not knowing what it was, Laurie decided to kill two birds with one stone, by watching it down in the basement, while Oscar had his extended exercise. Once she had made sure that the snake was fine in his slithering, Laurie fired up her lap-top, and opened the DVD.

In the case was a note from Bella. ‘Consider this an appreciation gift for taking care of Oscar.’ Though in two minds, Laurie opted to watch the video. She was stunned. It was one of Bella’s acts at the club, being swallowed completely, by…Oscar!

She suddenly looked up to see where Oscar was, only to turn around and find him looking over her shoulder at the video! Laurie pointed at the snake on the video. A grin came across the Oscar’s mouth. Oh, he recognized himself. But when she pointed to Bella, Oscar looked at Laurie instead, while another grin came upon his face. “Oh, no, my friend, I’m not going in you,” Laurie said.

Time passed. Oscar was back in his enclosure; Laurie had a snack, while she printed out the consent forms.

After a brief relaxation on her bed, Laurie finally decided to see what the costume was, only to be stunned to find it was a school girl’s outfit. Only Susan could have chosen that!

With the idea she would change into that during the shoot, she wasn’t going nude, even briefly, so the panties were going on now! Laurie rolled her eyes as she pulled them up her legs. Pink polka dots with a bow in front! Yuck!

At that moment she got the text from Phil, Laurie put the rest of the outfit in a case, dressed in her normal casual wear, and with the printed forms, she went to Phil’s through the rear entrance.

She knocked as she opened the door. “Phil, I’m here!”
 
Phil ushered her in, and took her case, leading her up to his studio. He put the case down, and flipped open his laptop. Several photos flashed across the screen. They were close crops of portions of her breasts, partly smeared with dark peat. But if one did not know what they were, it would take a few moments before realizing they might be close ups of portions of breasts. Even then one could not be sure. The effect was exotic and erotic, but almost subliminal.

"i would like to do more like this sometime Laurie."

The effect was also arousing to Phil; to distract himself he asked if she brought the forms for the zoo shoot. She had, and he sat and read them through. They were pretty much standard liability waivers, and a set of publication rights transfers, in exchange for the fee. Phil signed both sets, and kept copies for himself, returning one set to Laurie.

The studio had a simple set up. A plain wood chair sitting on color key, with color key backdrops, and three flashes, synced to the on camera flash. The camera was on a tripod. A full length tall oval pine framed mirror was off to the side. Phil had some ideas for the mirror, but was not yet sure what she had in mind for the evening.

"Ready if you are Laurie, shall we get started?"
 
Laurie was a bit surprised how the photos of her breasts covered the peat had turned out.

She then moved her case to one side of the room. "Ready if you are Laurie, shall we get started?"

“Okay, how about going with the changing sequence? As if I’ve just arrived at the club, and getting ready for my act?” The only thing that was missing was Oscar! But for now she was just a plain stripper, if there was such a thing!

Without much ado, Laurie pulled her sweater over her head, and then took off her bra. For some reason she now had no qualms about exposing her breasts to Phil. “Okay, don’t laugh, these came with the outfit,” she said as she retrieved a red polka dot bra from the case, and proceeded to put it on.

With that done, Laurie took off her sneakers, then her jeans, exposing those polka dot panties with the bow. Now attired in just those two items, she went to work, posing.
 
Phil cursed himself for missing photos when she took off her clothes. She had done it so quickly and so nonchalantly that he was on his back foot. However, once she had changed into the dancer's outfit, and after he stifled a chuckle when he saw the outfit, he finally started shooting.

"I want to do something a little different Laurie. The camera on the tripod is set to a wide angle, and it fires when I press the shutter on the camera in my hands. It is synched on the little flash. So the shots will be of both of us - you posing, me photographing, background of the studio. And a little pop of the flash on this camera. Photographs of the photographer, in effect."

As she continued her poses, Phil worked in close with the hand held camera, taking close-ups of her hair, her face, her shoulders, her back, her stomach, her thighs, her legs, her bottom. At first the comic nature of the outfit quelled his responses, but soon enough he was becoming aroused, just being so close to her, dressed so skimpily. No longer did he even try to hide it from her, it was obvious she knew what she was doing to him, and that she enjoyed it.

When they got to the next bondage session, he planned a bit of revenge.
 
Laurie enjoyed the interaction, and Phil’s closeness. But she wasn’t finished. “I still need to add to my stripper’s outfit, if you can call it that."

She went to the case again. This time the item was a pair of tights. They were white, thin, and barely transparent. Laurie sat down and put her legs into the crumpled up garment and stretched it up her shins, over her knees, and then standing up again, she raised the garment over the panties.

“Oh my, the softness is immense and it is making me feel incredible," she teased. But in all honesty she was of the opinion that tights were a fashion disaster.

Laurie wiggled her toes between the soft fabrics of the tights and then stroked her legs.

Then it was time for the blouse. It was white; round collared, long sleeved. She put her arms in the sleeves, noticing the snugness as she pulled the soft blouse around her torso. Laurie then buttoned up the blouse from the bottom up, one by one and over her breasts until she reached the second last button, deciding to leave the top two open.
 
Phil chuckled, "There has to be a plaid skirt too. And braids. You are amazing Laurie, you make even that outfit look great!"

"Wait. Hold still a moment." And he moved close in front of her to catch a downward view of her cleavage framed by the white blouse. "Hmm, be better witbout the bra. Those polkadots . . ." That close he could catch the scent of her hair. Then he ducked down to the side to shoot the profile where the blouse fabric stretched over her breast.

Each time he pressed the shutter, you could hear the shutter of the camera on the tripod as it recorded both of them, he with a camera, working close to her. Wanting to kiss the side of her neck, but afraid.
 
Laurie held her pose as Phil took photo after photo of the two of them. The thought of him as he was so close to her, made her want to hug him, but the professional side of her was too overpowering. It was as if her plan was calling the shots, not her.

Soon it was time to add to the outfit. It was time for the skirt that was short; waist high; with a dark navy blue and thin white striped plaid pattern. It had light pleats around the hemline with a zipper on the back.

Laurie stepped into the skirt and pulled it up, the polyester fabric gently stroking against her shins as she pulled it over her knees. The skirt slithered against Laurie’s skin as she pulled it up over her thighs and adjusted it around her waist. She then tucked the blouse in, carefully and neatly, before zipping up the skirt, tightening the band around her waist. For some reason, the sound of the zipper gave her chills.
 
Last edited:
"Laurie, you are my muse. You have given me another idea. Suppose I sit in the chair, back to the camera, and you tie my wrists behind the chair. I can use the remote trigger to take photos, and you can play the part of a dancer at a club, teasing me in private. The tied wrists emphasize 'look but don't touch'. You could even choose a station on the radio there, Mary wont be home for quite a while."

While Laurie considered, Phil arranged the lights and the camera on the tripod, with the chair facing the backdrop. He took some lighting levels with a handheld meter. Made a couple of adjustments.

"What do you think?"
 
Last edited:
“I think I have a better idea,” responded Laurie. “You wouldn’t have a full length mirror, by any chance? If the both of us will only see the images, why can’t you show your face? I was thinking of putting the mirror at an angle in the corner, that way you can be seated while you watch me. The camera will see you, but the back of me, while the mirror will show the front of me.”

Then she decided to play safe. The last thing she wanted was to get Phil into trouble. “I won’t be taking anything off. I still need to add a bit more to the outfit. “
 
Phil got the mirror from the corner, full length, pine framed. He placed it in front of the backdop, then set the chair facing the camera, back to the mirror. At the camera, he moved the tripod unril the angles looked like they might work.

"My remote trigger works on a beam of infrared light. I think I can bounce it off the mirror when my hands are behind my back."

He sat down and tried it. 'Click'. Phil smiled when it worked.

Then he went back to the camera, studied the view, and marked the floor with some tape.

"When you stand inside tbose marks you will be visible in the mirror, as well as directly, from the camera position."

The marks were quite close to the front of the chair. Phil sat down on the chair and crossed his wrists behind the back of the chair. He nodded at some length of soft rope on the bed.

"Ready when you are."
 
Laurie delicately tied the rope around Phil’s wrists, not wanting to hurt him. She wasn’t a pro at this, so it was obvious he wouldn’t have any problem with just slipping his hands out.

“I’ll need to put a couple of more things on,” she said as she went to the case. Laurie felt strange that she was putting articles of items on, rather than taking them off! She picked up a tie. Then buttoned the collar of the blouse up to the top and fixed the navy and blue striped tie around the collar. It was neatly tied, perfect and prim.

Laurie stepped in front of the mirror, admiring herself from head to toe, posing girlishly with her hand on a hip and curling her toe with her other hand behind her back as she stared at her reflection shyly. Why she doing this? Was it because she had never worn a school uniform before?

Laurie wasn't finished yet. She picked up the thin blue V-necked sweater with the club’s logo, of a snake, embedded on the right breast. She pulled it over her head and down over her breasts, fitting snugly around her abdomen. Somehow, she loved the sensation. Laurie then fixed the blouse collar around the neckline and folded the stiff cuffs out over the sweater sleeves.

All there was left was a pair of modest black pumps; hers, as the outfit hadn't come with shoes. One last check and Laurie went and stood inside the marks, and began to sway her body as she hummed ‘The Stripper’, not bothering to find anything on the radio.
 
Last edited:
When she was tying his wrists, she was very close. Phil could sense the warmth of her body, her scent. Once, he felt her breath on his neck. A quiver went down his spine. Muscles in his groin tensed. He heard the shutter click.

As she put the finishing touches on her outfit in front of the mirror, he pressed the remote, thinking what a bizarre scene it was, a young woman dressing as a schoolgirl beside a man in a chair with his arms tied. He imagined it as a scene in a graphic novel. Had anyone ever done that? A graphic novel using photographs instead of drawings?

In the beginning he had just wanted to make some good photographs. Now he was making photos no one else would ever see besides her. Like a graphic diary. But art.

His thoughts snapped back as she started humming 'The Stripper and dancing in front of him. Close in front of him. Even the sound of her skirt on her tights was arousing. He knew she could see what was happening, and the camera could too. Somehow that made it even more intense. His breathing stuttered.
 
Laurie continued to tease Phil with her body movements, especially with her hands. She used them to run up and down her torso, and she was enjoying it. Was it the material that the outfit was made out of? It sure didn’t come anywhere close to what she was accustomed to.

All was going well, when Laurie stopped with a look of dread on her face. “Phil! For crying out loud, slow your breathing down, and get it under control.” Without hesitation, she rushed to the chair and untied his wrists. Then she placed her hands on his shoulders to give him comfort.

Then horrors of horrors, she heard the front door open. His wife had returned home!
 
Her hands felt great. Phil was just thinking how great it would feel if she massaged his shoulders when he heard the front door open.

He checked his watch. Only 9:30. "Hmpf, Mary is home earlier than usual. Don't worry, she will check her PVR first. PBS is re-running Downton Abbey from the first and she is collecting all the episodes."

Phil looked at Laurie again, "But you better get changed." He could not imagine any way to explain the schoolgirl outfit.

He left the studio, closed the door, and called downstairs, "Mary? is everything ok?"

"No, the author never showed up, after he promised."

"Ah, ok. Well Laurie and I were just . . . finishing up preparations for that fashion shoot I told you about. I will be down in a minute."

He lightly tapped the door to the studio, and quietly said, "Are you ready yet?"
 
Laurie wanted to keep the uniform on. It felt so ‘sexy’, but that might put Phil in difficulties as he would probably have to explain to his wife why Laurie was wearing it. Of course, that could mean her mother finding out, and Laurie wasn’t going to get into a war of words over the outfit.

So, she quickly changed, and after putting the outfit into the case, Laurie opened the door just as Phil tapped on it. “Yep, and I think it’s best if I leave through the front door. The last thing we want now is your wife thinking I have an open invitation to pop in, when I feel like it.”
 
Back
Top