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New Narnia books drop Christian ethos
'Prostitution' of C.S. Lewis: Publisher dreams of Potter-size sales
Heather Sokoloff
National Post, with files from the New York
The author of the Narnia chronicles, C.S. Lewis, wrote from a Christian perspective.
The lion is a Christ figure.
Literary scholars and fans of The Chronicles of Narnia fear that a deal between a publisher and the estate of author C.S. Lewis to create a new series of the children's classic will expunge the earlier books' allusions to Christianity.
"They are taking away the integrity of the book. It just sounds like the publishing company wants to make gross amounts of money," said Mark G. McGowan, co-ordinator of the Christianity and Culture program at the University of Toronto. "There is a temptation now to edit and seriously strip away anything that is deemed politically incorrect in books."
The publisher, HarperCollins, revealed plans to create the new novels and plush toys after J.R. Rowling's Harry Potter series created an appetite in young readers for similar books. In the past two years, U.S. sales of the Narnia books have risen 20%.
"Obviously this is the biggie as far as the estate and our publishing interests are concerned," wrote a San Francisco executive in a leaked HarperCollins memo. "We'll need to be able to give emphatic assurances that no attempt will be made to correlate the stories to Christian imagery/theology."
For more than half a century, the Narnia chronicles have captivated children with tales of Aslan, a lion who ruled the wintry Narnian kingdom of dwarfs, fawns and occasionally errant English schoolchildren who fell into the land through a hidden door in a wardrobe.
Mixing fantasy with Christian allegories and imagery, C. S. Lewis, one of the 20th century's most influential authors and interpreters of Christianity, created a saga that spanned seven novels, beginning with The Lion, the Witch and the Wardrobe, which have sold more than 65 million copies in more than 30 languages.
"Lewis was a Christian whether people like it or not, and he wrote from a Christian perspective," said Reverend Roger Stronstad, publisher of the Canadian C. S. Lewis Journal.
He called the planned novels based on Narnia characters a "prostitution" of Mr. Lewis's work.
"I'm not saying that some of these new stories may not be good stories, but if they are not written by someone with the same spiritual values and committed mindset, they won't be the same kind of book," said Rev. Stronstad, who teaches a course on Christian literature at Western Pentecostal Bible College in Abbotsford, B.C.
Lloyd Kelly, vice-president of sales at HarperCollins Canada, said the estate and the U.S. publisher are going to repackage the novels so they reach a broader audience, but he does not expect the Christian themes to be touched.
"There might be some that get upset, but the classics will always be available," Mr. Kelly said. "People will read the new things Harper is working on, but eventually they will turn to the original. That's the whole idea. I know that HarperCollins with its tradition of children's books will do this very carefully and very thoughtfully."
The Lewis estate insists there is no calculated plan to reshape the author's image. Simon Adley, managing director of the C. S. Lewis Co., noted the publishers had successfully increased sales of Lewis's Mere Christianity, an adult title that explains and defends Christianity.
"It's fatuous to suggest that we're trying to take the Christian out of C. S. Lewis," Mr. Adley said. "We wouldn't have made the effort that we have with Mere Christianity if we felt that way. It's just crazy. I suppose you could get a little depressed by this. I'm trying to get more people to read."
Nonetheless, devotees of the chronicles say the new marketing strategy is untrue to the author.
"They're turning Narnia into a British version of Mickey Mouse," said John G. West, co-editor of The C.S. Lewis Readers Encyclopedia. "What they've figured out is that Harry Potter is a cash cow. And here's a way they can decompartmentalize the children's novels from the rest of Lewis. That's what is so troubling."
In a 1954 letter, Mr. Lewis wrote that the Narnia chronicles were based on his ideas of what might happen if the Son of God became a lion in an imaginary land.
"It's a very subtle situation," said Rev. Stronstad. "In many parts of the story, there are no overtly Christian themes. But nevertheless, honour, loyalty, courage -- those types of themes -- they are automatically part of Lewis' mind set. Also, a robust sense of right and wrong, and good and evil, in which good in the end always triumphs over evil."
For instance, the death of Christ is enacted in The Last Battle when Aslan offers to be killed by the evil White Witch so Edmund, one of the British children, may live. Aslan later comes back to life, symbolizing Christ's resurrection.
The HarperCollins memo emerged during the development of a television documentary about Mr. Lewis. The producer, Carol Dean Hatcher, had negotiated contracts to create an illustrated companion book and teaching video for Zondervan Publishing House, the Christian publishing arm of HarperCollins. Zondervan was also poised to donate about US$150,000 for the production.
The complicated negotiations over the documentary unraveled, Ms. Hatcher said, amid mounting pressures from the publisher and the estate to eliminate references in the script to Christian imagery in the Narnia series.
"I was appalled," said Ms. Hatcher, who is still trying to produce the documentary, C.S. Lewis: An Examined Life. "I think there are ways to approach C.S. Lewis and Narnia that have nothing to do with religious background. However, it is astounding to minimize that part of this; it's like doing a video biography of Hank Aaron and refusing to acknowledge he was a baseball player."
'Prostitution' of C.S. Lewis: Publisher dreams of Potter-size sales
Heather Sokoloff
National Post, with files from the New York
The author of the Narnia chronicles, C.S. Lewis, wrote from a Christian perspective.
The lion is a Christ figure.
Literary scholars and fans of The Chronicles of Narnia fear that a deal between a publisher and the estate of author C.S. Lewis to create a new series of the children's classic will expunge the earlier books' allusions to Christianity.
"They are taking away the integrity of the book. It just sounds like the publishing company wants to make gross amounts of money," said Mark G. McGowan, co-ordinator of the Christianity and Culture program at the University of Toronto. "There is a temptation now to edit and seriously strip away anything that is deemed politically incorrect in books."
The publisher, HarperCollins, revealed plans to create the new novels and plush toys after J.R. Rowling's Harry Potter series created an appetite in young readers for similar books. In the past two years, U.S. sales of the Narnia books have risen 20%.
"Obviously this is the biggie as far as the estate and our publishing interests are concerned," wrote a San Francisco executive in a leaked HarperCollins memo. "We'll need to be able to give emphatic assurances that no attempt will be made to correlate the stories to Christian imagery/theology."
For more than half a century, the Narnia chronicles have captivated children with tales of Aslan, a lion who ruled the wintry Narnian kingdom of dwarfs, fawns and occasionally errant English schoolchildren who fell into the land through a hidden door in a wardrobe.
Mixing fantasy with Christian allegories and imagery, C. S. Lewis, one of the 20th century's most influential authors and interpreters of Christianity, created a saga that spanned seven novels, beginning with The Lion, the Witch and the Wardrobe, which have sold more than 65 million copies in more than 30 languages.
"Lewis was a Christian whether people like it or not, and he wrote from a Christian perspective," said Reverend Roger Stronstad, publisher of the Canadian C. S. Lewis Journal.
He called the planned novels based on Narnia characters a "prostitution" of Mr. Lewis's work.
"I'm not saying that some of these new stories may not be good stories, but if they are not written by someone with the same spiritual values and committed mindset, they won't be the same kind of book," said Rev. Stronstad, who teaches a course on Christian literature at Western Pentecostal Bible College in Abbotsford, B.C.
Lloyd Kelly, vice-president of sales at HarperCollins Canada, said the estate and the U.S. publisher are going to repackage the novels so they reach a broader audience, but he does not expect the Christian themes to be touched.
"There might be some that get upset, but the classics will always be available," Mr. Kelly said. "People will read the new things Harper is working on, but eventually they will turn to the original. That's the whole idea. I know that HarperCollins with its tradition of children's books will do this very carefully and very thoughtfully."
The Lewis estate insists there is no calculated plan to reshape the author's image. Simon Adley, managing director of the C. S. Lewis Co., noted the publishers had successfully increased sales of Lewis's Mere Christianity, an adult title that explains and defends Christianity.
"It's fatuous to suggest that we're trying to take the Christian out of C. S. Lewis," Mr. Adley said. "We wouldn't have made the effort that we have with Mere Christianity if we felt that way. It's just crazy. I suppose you could get a little depressed by this. I'm trying to get more people to read."
Nonetheless, devotees of the chronicles say the new marketing strategy is untrue to the author.
"They're turning Narnia into a British version of Mickey Mouse," said John G. West, co-editor of The C.S. Lewis Readers Encyclopedia. "What they've figured out is that Harry Potter is a cash cow. And here's a way they can decompartmentalize the children's novels from the rest of Lewis. That's what is so troubling."
In a 1954 letter, Mr. Lewis wrote that the Narnia chronicles were based on his ideas of what might happen if the Son of God became a lion in an imaginary land.
"It's a very subtle situation," said Rev. Stronstad. "In many parts of the story, there are no overtly Christian themes. But nevertheless, honour, loyalty, courage -- those types of themes -- they are automatically part of Lewis' mind set. Also, a robust sense of right and wrong, and good and evil, in which good in the end always triumphs over evil."
For instance, the death of Christ is enacted in The Last Battle when Aslan offers to be killed by the evil White Witch so Edmund, one of the British children, may live. Aslan later comes back to life, symbolizing Christ's resurrection.
The HarperCollins memo emerged during the development of a television documentary about Mr. Lewis. The producer, Carol Dean Hatcher, had negotiated contracts to create an illustrated companion book and teaching video for Zondervan Publishing House, the Christian publishing arm of HarperCollins. Zondervan was also poised to donate about US$150,000 for the production.
The complicated negotiations over the documentary unraveled, Ms. Hatcher said, amid mounting pressures from the publisher and the estate to eliminate references in the script to Christian imagery in the Narnia series.
"I was appalled," said Ms. Hatcher, who is still trying to produce the documentary, C.S. Lewis: An Examined Life. "I think there are ways to approach C.S. Lewis and Narnia that have nothing to do with religious background. However, it is astounding to minimize that part of this; it's like doing a video biography of Hank Aaron and refusing to acknowledge he was a baseball player."