Long waiting time

You have the makings of a good story - I can see where it's going, with Ady's past coming to haunt him - but you're rushing through it. You're telling it as a series of events, not presenting a story, and I think that's reflected in your scores.

Readers like to feel engaged. They want to be there in the character's mind, experience what they experience. They want to feel the joys, the inner turmoils. They want things to make sense. They want to be taken on the journey and enjoy the scenery, rather than watching the slideshow.

So slow down. Feel your character's heartbeat. Taste the world around them. Show them interacting with the people in their lives, with dialogue, emotion, deeper feelings. They want the Ady's decision to go out with Mina to make sense based on what they've read before. He has to be having doubts about his marriage, or be yearning for something more, or fall under her spell, or something. They want to know that he understands it's wrong, but he can't stop himself - or he doesn't want to.

If all this sounds like a lot of work, that's because it is. It's a slow journey of bringing events to life by breathing life into every second.

Imagine it's a lazy Sunday morning, and you and your partner have nothing to do but make love to each other. Slowly and deliberately, reconnecting on an emotional level. Explore every inch of each other's skin, build up the excitement little by little, taking a break now and then, then starting up again, until you can't hold back anymore.

Now treat your story the same way. Look at every paragraph and tease it out, bring it to life until it's as real in the reader's mind as it is in yours.

And of course remember that I'm just an amateur giving amateur advice. Write the story that you want to write, and don't let anyone tell you you're doing it wrong.
 
You have the makings of a good story - I can see where it's going, with Ady's past coming to haunt him - but you're rushing through it. You're telling it as a series of events, not presenting a story, and I think that's reflected in your scores.

Readers like to feel engaged. They want to be there in the character's mind, experience what they experience. They want to feel the joys, the inner turmoils. They want things to make sense. They want to be taken on the journey and enjoy the scenery, rather than watching the slideshow.

So slow down. Feel your character's heartbeat. Taste the world around them. Show them interacting with the people in their lives, with dialogue, emotion, deeper feelings. They want the Ady's decision to go out with Mina to make sense based on what they've read before. He has to be having doubts about his marriage, or be yearning for something more, or fall under her spell, or something. They want to know that he understands it's wrong, but he can't stop himself - or he doesn't want to.

If all this sounds like a lot of work, that's because it is. It's a slow journey of bringing events to life by breathing life into every second.

Imagine it's a lazy Sunday morning, and you and your partner have nothing to do but make love to each other. Slowly and deliberately, reconnecting on an emotional level. Explore every inch of each other's skin, build up the excitement little by little, taking a break now and then, then starting up again, until you can't hold back anymore.

Now treat your story the same way. Look at every paragraph and tease it out, bring it to life until it's as real in the reader's mind as it is in yours.

And of course remember that I'm just an amateur giving amateur advice. Write the story that you want to write, and don't let anyone tell you you're doing it wrong.
This is the best advice one can give. I was very confused between writing a detailed story or trimmed version. I will keep these factors in consideration.
 
This is the best advice one can give. I was very confused between writing a detailed story or trimmed version. I will keep these factors in consideration.
You must be brave to put a story in Loving Wives for the first time out. The thirteen reviewers were not very kind, but that is to be expected. You certainly won't be ignored in that category, and being ignored is painful too. Where is Chapter 2 going?

Just curious: do you know anything about New York City or the New York Police Department? A few details about that would be good, I think. Also, don't start out with a blurb promoting your own story. Just get into it and let the readers decide what they think.

P.S.: Since you're starting a series, you have some leeway about putting more description in it.
 
You need to slow down and tell your story. This is a collection of scene notes, it's not really a narrative. Your chapters are very short, so each bit is over before it's begun. It's so rushed. You don't really need the preamble to chapter one, you don't need the recap in chapter two.

I'm guessing one of the reasons for the processing delay was Laurel deciding whether or not to reject it for the very strange dialogue formatting - it follows none of the usual conventions. Maybe she decided to let the LW commentators do the job for her.

I'd strongly suggest you study up on the various style guides, which you can find in the FAQs. It will make your story telling much easier if you use conventional dialogue punctuation and formatting - your technique is very distracting.
 
So slow down. Feel your character's heartbeat. Taste the world around them. Show them interacting with the people in their lives, with dialogue, emotion, deeper feelings. They want the Ady's decision to go out with Mina to make sense based on what they've read before. He has to be having doubts about his marriage, or be yearning for something more, or fall under her spell, or something. They want to know that he understands it's wrong, but he can't stop himself - or he doesn't want to.

If all this sounds like a lot of work, that's because it is. It's a slow journey of bringing events to life by breathing life into every second.
I think it’s almost like acting.
 
I'm feeling somewhat disappointed with the feedback received. My two chapters have garnered nearly 9,000 reads in total, but both are striving to reach a 3-star average rating. I had hoped for at least a 3.5-star average with over 20,000 reads.

I also haven't gained many followers. It seems I need to reconsider my approach.

My other two series remain unpublished, and I've lost hope of ever publishing them.

Overall, I'm not satisfied with my debut.
 
I agree with the other advice you've gotten here, especially from @ElectricBlue (who has also given me very good advice).

Have you tried the trick of reading the story out loud to yourself? Have you tried the other trick (which I only just started using myself) of putting a completed chapter away for a week, then reading with fresh eyes?

-Annie
 
I agree with the other advice you've gotten here, especially from @ElectricBlue (who has also given me very good advice).

Have you tried the trick of reading the story out loud to yourself? Have you tried the other trick (which I only just started using myself) of putting a completed chapter away for a week, then reading with fresh eyes?

-Annie
I am confused honestly. I myself do not like long stories or pages of long read. There are all type of readers here. People are even doing 750 words project.
 
I am confused honestly. I myself do not like long stories or pages of long read. There are all type of readers here. People are even doing 750 words project.
The 750 word exercise is to tell a complete vignette in 750 words, complete within itself. Having very short chapters like yours isn't comparable - they're two different things entirely. Chapters are part of a longer story.

You might be better off finishing your story, so that it too is complete and self-contained, see what it looks like, and only then figure out the best publishing strategy.

Yes, there are readers who like short stories, don't like long ones. But the frame of reference needs to be thought about: "long" can mean anything from 30,000 or 50,000 words, up to hundreds of thousands of words.

Your first two chapters barely total 4,000 words. That's just a little bit over one Lit page (around 3,750 words). Those are very short chapters. Every time this comes up there's some consensus that 3 - 4 Lit pages (around 10k words) is a sweet spot for chapter length.

Remember too, that it's erotica - you've got to give people time (and content) to get aroused. 1500 words doesn't do that.
 
Three of my submitted stories are currently awaiting publication, despite multiple inquiries to Laurel. While parts one and two of my ongoing series were published promptly, the third installment and two additional new stories have been pending for several weeks. I require understanding regarding the review process and the necessary steps to ensure reader access.
 
Three of my submitted stories are currently awaiting publication, despite multiple inquiries to Laurel. While parts one and two of my ongoing series were published promptly, the third installment and two additional new stories have been pending for several weeks. I require understanding regarding the review process and the necessary steps to ensure reader access.
Understanding is simple. You need to be patient. There's one person vetting stories and releasing them for publication. She tries as best she can to have a steady release into each category, so the queue times are different for each one. You're writing in Loving Wives, which has a high volume of stories, so the timing can be all over the place.

You've also written very short chapters, which might have something to do with it, which is counter-intuitive - you could try finishing a story first, then publishing the whole thing as a single story. Your non-standard dialogue formatting might also be triggering an annoyance factor, I don't know. I'm surprised you've not been getting rejections for punctuation, to be honest.

Having said that, you're following the right steps: Draft, Submit, Wait. Nothing more you can do.
 
Understanding is simple. You need to be patient. There's one person vetting stories and releasing them for publication. She tries as best she can to have a steady release into each category, so the queue times are different for each one. You're writing in Loving Wives, which has a high volume of stories, so the timing can be all over the place.

You've also written very short chapters, which might have something to do with it, which is counter-intuitive - you could try finishing a story first, then publishing the whole thing as a single story. Your non-standard dialogue formatting might also be triggering an annoyance factor, I don't know. I'm surprised you've not been getting rejections for punctuation, to be honest.

Having said that, you're following the right steps: Draft, Submit, Wait. Nothing more you can do.
I think your response highlighted my questions further. If there were so many issues with first 2 chapters, how come they were approved and published in 24 hrs? While rest of my work is under review for weeks.
 
I think your response highlighted my questions further. If there were so many issues with first 2 chapters, how come they were approved and published in 24 hrs? While rest of my work is under review for weeks.
It's just dependent on how busy Laurel is, and on what category of stories she needs to work on at a particular time. It isn't predictable, and she doesn't have the time to send hundreds of authors individual updates.

-Annie
 
I think your response highlighted my questions further. If there were so many issues with first 2 chapters, how come they were approved and published in 24 hrs? While rest of my work is under review for weeks.
You got lucky with those quick releases. 24 hours is not unheard of, but it's not typical. I've had more than 120 chapters/submissions over ten years, and I'd say ninety percent went up in 2 - 5 days. The longest was two weeks (it got lost in the system and was published 24 hours after I sent a query to Laurel), the quickest was overnight.

The thing is, you can have a dozen questions, you'll get a hundred answers, because there is no simple, single, answer. You can learn to live with that, or you can stress about it. All we can do here is say, "Well, this is what's happened to me," but it's all anecdotal, and the next person will have a different experience.
 
You got lucky with those quick releases. 24 hours is not unheard of, but it's not typical. I've had more than 120 chapters/submissions over ten years, and I'd say ninety percent went up in 2 - 5 days. The longest was two weeks (it got lost in the system and was published 24 hours after I sent a query to Laurel), the quickest was overnight.

The thing is, you can have a dozen questions, you'll get a hundred answers, because there is no simple, single, answer. You can learn to live with that, or you can stress about it. All we can do here is say, "Well, this is what's happened to me," but it's all anecdotal, and the next person will have a different experience.
Hey, what I'm trying to say is something's probably wrong with the system. Two of my submission dates changed on their own – it's like someone reviewed them and put them back to pending. The dates are diffrent from my original submission. The first two chapters of my third story went live super fast, but my first two stories have been pending for ages. And the third chapter of my current series is stuck too. Theories around that I'm a newbie or my stories are bad falls flat against the pattern. I think stories read by Laurel or someone else, but not processed, get stuck in an infinite loop.
 
what I'm trying to say is something's probably wrong with the system. Two of my submission dates changed on their own – it's like someone reviewed them and put them back to pending. The dates are diffrent from my original submission
This is part of how the system works. It’s not broken, it’s just obscure and lengthy.

Why did the date change? We can only speculate. Either it’s something Laurel did, or it’s something one of her automated tools did. It’s still in the queue and she’ll still get to it.

Whenever.

If you genuinely think there’s a bug in the system, do this
 
All my submitted stories have been rejected. It appears the rejection criteria was applied uniformly, as all were returned simultaneously.

I am uncertain why the two-part series was rapidly published.

I have exhausted all options for improving the manuscripts and am at an impasse.

Sincerely,

Dracula
 
All my submitted stories have been rejected. It appears the rejection criteria was applied uniformly, as all were returned simultaneously.

I am uncertain why the two-part series was rapidly published.

I have exhausted all options for improving the manuscripts and am at an impasse.

Sincerely,

Dracula
What after the reasons for rejection?
 
at least your stories aren’t being ignored. mine is still pending after 6 weeks
 
This is sad
I suggest taking your stories to another site that has an actual staff and isn't so arrogant they're above communication. You also won't be shamed in other places the way you will be here for having the nerve to wonder what's going on.

This site has let being the biggest go to its head and the apathy is at an all-time high.

Literotica is no longer author friendly.
 
at least your stories aren’t being ignored. mine is still pending after 6 weeks
There are other erotic story sites that make an actual effort and don't ignore issues like this. Stories 'not being visible' in the que has been going on now for months. The site has made no effort to address it either publicly to say there's an issue, or try to fix it.

You can try removing it and re-submitting to see if this time around it can be 'seen' by the system, or as I suggested check out other sites.
 
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