"You could," Jonah replies. "Or you could pull a muscle when a rock shifts under your hands, then fall and get crushed under all the extra weight you're carrying. If you want buff arms, I'll make weights for you when we get home. Don't fight gravity on its home turf, Kara."
There's that faint tinge of teasing that comes into his voice when they banter, even though he's scanning the cover as they talk. Directly below the truck's hanging back end is a few buildings that he can't see into - but the cages by the storage off to the left indicate that the slaves are in that direction, though he can't see any out there.
That's good, though. The sun would kill them quick, in noon heat.
He focuses on the headquarters opposite, where he can see the distant shine of a Centurion's armor. That's going to be the breaking point - if he goes down first, the rest of the Legion will lose cohesion, and most likely just charge Moray's firing position down. That works fine. Jonah pats Kara's shoulder and points the building out. "I'll hit there first, try to take the leader out, draw them this way. You sneak around down the slope and head to the storage shed to the left - the cages are that way, probably the slaves too."
As he speaks he sets his traps; a pair of wire-trap grenade strings at the peak of the slope, just behind the curve of the earth where climbing opponents won't see it, and then he pulls a set of mines out and begins to litter them over the hillside rise opposite, which is a less arduous climb and out of his line of sight. He also stashes a bag with a pair of clips down and back at the base of the slope, along with more grenades, in case he needs a fallback position. Lastly, he sets aside a bag of oddly-shaped metal spines - each has four points, arranged so that no matter how they fall, one end points straight up, menacing sandal-shod feet. Those he doesn't scatter just yet, though.
"Think I'm set," Moray says, and unslings his carbine, checking the barrel and firing action for rust or blockages, and then ejecting his clip to inspect the individual rounds.
Preparation is key to the art of war, and Moray is a master of it.
There's that faint tinge of teasing that comes into his voice when they banter, even though he's scanning the cover as they talk. Directly below the truck's hanging back end is a few buildings that he can't see into - but the cages by the storage off to the left indicate that the slaves are in that direction, though he can't see any out there.
That's good, though. The sun would kill them quick, in noon heat.
He focuses on the headquarters opposite, where he can see the distant shine of a Centurion's armor. That's going to be the breaking point - if he goes down first, the rest of the Legion will lose cohesion, and most likely just charge Moray's firing position down. That works fine. Jonah pats Kara's shoulder and points the building out. "I'll hit there first, try to take the leader out, draw them this way. You sneak around down the slope and head to the storage shed to the left - the cages are that way, probably the slaves too."
As he speaks he sets his traps; a pair of wire-trap grenade strings at the peak of the slope, just behind the curve of the earth where climbing opponents won't see it, and then he pulls a set of mines out and begins to litter them over the hillside rise opposite, which is a less arduous climb and out of his line of sight. He also stashes a bag with a pair of clips down and back at the base of the slope, along with more grenades, in case he needs a fallback position. Lastly, he sets aside a bag of oddly-shaped metal spines - each has four points, arranged so that no matter how they fall, one end points straight up, menacing sandal-shod feet. Those he doesn't scatter just yet, though.
"Think I'm set," Moray says, and unslings his carbine, checking the barrel and firing action for rust or blockages, and then ejecting his clip to inspect the individual rounds.
Preparation is key to the art of war, and Moray is a master of it.
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