"It makes sense that all your treasures are things that can't be taken," Jonah says, reflective, and it's perhaps more true than he realizes at first. But he doesn't dwell, or extend the metaphor; instead, he heads for the music player and spins it up - only vaguely familiar with the process of getting it to work through time spent at the casinos - then sets up the dancing floor by clearing out some of the space outside Kara's little ramshackle room proper. He has to move the pool table pretty much clear across the room, and throw down a couple rugs to make a flat enough surface for him to do a slide-step on, but the end result is about a ten foot fabric square with no protruding bolts to catch a toe on in classic Vault style. It's not half bad.
Jonah gives his suspenders a little snap, then gives his hand a disgusted look once his brain catches up to what he's doing.
"So what dress are you wearing this time?" he calls up to Kara - she'd vanished, and he didn't know what all else she had stored here as opposed to the suite at Gomorrah. "Think it'll survive the night?"
He wouldn't tear any of her clothing regardless; tailoring is a lost art in the Mojave. The mental image is probably something she'd enjoy though.
Hnnh, maybe they can procure some Vault jumpsuits for the purpose, though. Food for thought.
Dancing first.
Jonah gives his suspenders a little snap, then gives his hand a disgusted look once his brain catches up to what he's doing.
"So what dress are you wearing this time?" he calls up to Kara - she'd vanished, and he didn't know what all else she had stored here as opposed to the suite at Gomorrah. "Think it'll survive the night?"
He wouldn't tear any of her clothing regardless; tailoring is a lost art in the Mojave. The mental image is probably something she'd enjoy though.
Hnnh, maybe they can procure some Vault jumpsuits for the purpose, though. Food for thought.
Dancing first.