AG31
Literotica Guru
- Joined
- Feb 19, 2021
- Posts
- 3,351
It's clear that a vast majority of AH writers do, to some extent, write for the reader. Lots of interesting threads are focussed on how to best get and keep their attention.
But some of us don't think about the reader. We write to please ourselves. And we publish to possibly bump into people who share our sensibilities, for the inexplicable reason that humans like to find like-minded people.
Of course, this, like everything, is on a continuum. I'm grateful when someone points out that a passage of mine is confusing, or could be made less klunky by doing such and such. But I hope you get my point.
@onehitwanda's essay, Paint With a Soft Brush, got me thinking about this. As I read it, I kept thinking about the fact that I don't follow her advice. It's clearly good advice, but my own approach is different. Here are some examples. Are any of you writers like me? Does this describe being a "pantser?" I never completely understood that term. Do pantsers spend time choosing their words? I do. In that I agree totally with Wanda's essay.
1. Choose words that establish the scene I'm only interested in establishing the scene to the extent that i'm describing what the MC is paying attention to. If the MC is the sort that is fascinated by interior decor, we'll find out about the wallpaper and the furniture. Or we might find out nothing.
2. Choose words based on your desired end goal No disagreement here. My desired goal is to portray the MC's physical experience as vividly as possible. And, in most of my stories, the single concomitant emotional/psychological experience of surrender. Choosing the words is the main thing I'm doing in writing down the story.
3. Choose words that demonstrate how your character feels in this moment "Feels" is a difficult concept. I'm fixed on physical experience and concomitant surrender. I don't distract by internal monologue. Lots of critics wish I would tell them what the MC is thinking. The MC can't be distracted by thinking. Again, a continuum. I do tell the reader about his contempt for his tormenter, for example.
4. Choose the words that turn the rough sketch into a finished painting Couldn't agree more. That's what I'm all about, and why a number of my stories have five to nine editions. Every year or so I re-read and fine tune.
What about the rest of you? Do any of you write like I do?
But some of us don't think about the reader. We write to please ourselves. And we publish to possibly bump into people who share our sensibilities, for the inexplicable reason that humans like to find like-minded people.
Of course, this, like everything, is on a continuum. I'm grateful when someone points out that a passage of mine is confusing, or could be made less klunky by doing such and such. But I hope you get my point.
@onehitwanda's essay, Paint With a Soft Brush, got me thinking about this. As I read it, I kept thinking about the fact that I don't follow her advice. It's clearly good advice, but my own approach is different. Here are some examples. Are any of you writers like me? Does this describe being a "pantser?" I never completely understood that term. Do pantsers spend time choosing their words? I do. In that I agree totally with Wanda's essay.
1. Choose words that establish the scene I'm only interested in establishing the scene to the extent that i'm describing what the MC is paying attention to. If the MC is the sort that is fascinated by interior decor, we'll find out about the wallpaper and the furniture. Or we might find out nothing.
2. Choose words based on your desired end goal No disagreement here. My desired goal is to portray the MC's physical experience as vividly as possible. And, in most of my stories, the single concomitant emotional/psychological experience of surrender. Choosing the words is the main thing I'm doing in writing down the story.
3. Choose words that demonstrate how your character feels in this moment "Feels" is a difficult concept. I'm fixed on physical experience and concomitant surrender. I don't distract by internal monologue. Lots of critics wish I would tell them what the MC is thinking. The MC can't be distracted by thinking. Again, a continuum. I do tell the reader about his contempt for his tormenter, for example.
4. Choose the words that turn the rough sketch into a finished painting Couldn't agree more. That's what I'm all about, and why a number of my stories have five to nine editions. Every year or so I re-read and fine tune.
What about the rest of you? Do any of you write like I do?
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