StillStunned
Mr Sticky
- Joined
- Jun 4, 2023
- Posts
- 9,941
Actually, current GenAI seems to be scarily like the Talkie Toaster from Red Dwarf:That sounds like the computer on the Heart of Gold, trying to make Arthur Dent some tea.
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Actually, current GenAI seems to be scarily like the Talkie Toaster from Red Dwarf:That sounds like the computer on the Heart of Gold, trying to make Arthur Dent some tea.
Obv more SciFi than Fantasy, but when the ‘good’ citizens of AH set me the challenge of writing a tentacle porn story, I decided my tentacle monster would be an alien. I then spent quite some time trying to come up with a quasi-scientific rationale for his telepathic, telekinetic, shape-shifting powers. I think it kinda hung together in the end.
I had to create aliens for my sci-fi Halloween story 'Cindy's Close Encounter' a few years back. I thought I did quite a job envisaging them and bringing them to life, where they live, how their life cycle (egg - larvae - pupae - adult) works, and their personalities - they are mostly obsessed with catching humans to feed to their larvae, and have no concept of fun and enjoyment, fiction completely baffling them. However, weeks after the story had been published I realized what my creations inadvertently looked like - the Yip Yip aliens from Sesame Street.
I think AI is going to be the next big Sci-Fi Mt Fuji. Either AI will be ubiquitous in a Sci-Fi future or you will have to have explain it's absence.
I think perhaps we are using the Mt Fuji metaphor differently. To me the heart of it is that in Japanese Art either Mt Fuji is present in the work, or conspicuous by it's absence.It depends. Sci-fi trends always change depending on the era. Space travel, aliens, time travel, AI, robots, cybernetics, biological enhancements, zombies, nuclear energy or some form of unstable energy, man-made diseases, teleportation, post-apocalypse... But Mt. Fuji to me are the way authors explored these themes, and the ones that could be considered as such would be Arthur C. Clarke and Isaac Asimov. The thing about sci-fi is that, unlike fantasy, the majority of authors aren't stunlocked into doing the same thing as these two, yet they sometimes find themselves going over the Mt. Fuji of their specific subgenre within sci-fi. Orwell was the Mt. Fuji of dystopian fiction for a long time before Veronica Roth released Divergent, and then everybody wanted to do the exact same thing. William Gibson could be considered the Mt. Fuji of cyberpunk had it not been because people are hyperfocusing in the cool gadgets and evil corporations instead of the noir roots the genre comes from, and I mostly blame the Cyberpunk RPG for that. As for things with spaceships, expect people trying to do Star Trek or Star Wars.
re: AI though, the original Ghost in the Shell movie did pretty alright discussing AI as a living organism. The franchise as a whole does a good job discussing the relationship of humanity with technology though, and it doesn't limit itself to AI, but even metaphysical concepts like the human soul. Mass Effect did explain the "absence" of AI in its world: AIs are illegal. I put the word on quotes because AI is what the entire story is about, and it even breaches into cosmic horror territory... which is something that acknowledges the Lovecraftian influence, but manages to avert it anyway without sacrificing the cosmic horror elements.
I haven't finished reading Larry Niven's Ringworld, but to the point in which I reached I don't recall AI being even mentioned, let alone discussed. I could be wrong though. It's been a while. I also don't remember AI in Cryptonomicon, but then again, if Diamond Age taught me anything is that Neal Stephenson LOVES to write about AI. In one of the sci-fi stories that I abandoned I also never planned to have AI on it, and my first Cyberpunk work I never used AI... I read that draft a while back this year, and it still doesn't need AI.