wildsweetone
i am what i am
- Joined
- Feb 1, 2002
- Posts
- 6,809
in my recent rambles with pen and paper i've been learning how to write Haiku. there's more rules with this little gem of a form than any of that other stuff you form poets are busy protecting.
well, it sure seems that way at the moment. lol
anyhow... with all the 'rules', the dos and the don'ts, there still seems to be a chasm between what is, and the personal preference of readers.
from what i've read, there seem to be many variations of writing ku from the basic 5-7-5, to the what you see is what you get kind of idea (forgive me Basho and others - yes my reading is still in embryo form as yet), through the comparison, contrast and association ideas, beyond the pun, the riddle, the metaphor, the double entendre, Etc. etc. (to miss-borrow an SJ trademark
) right through to the leap Ah-ha! ku. there are more variations than the few i've mentioned here - i don't want to bore anyone. 
so, what i'd like to know is...
what do you prefer to see/feel/understand when you read a Haiku?
what is your favourite Haiku? (please post one that has not been posted before so there will be a few different ku to look at.

(edited to add jthserra's essays on Haiku as this will help make it easier to find them)
jthserra's (submission page) Haiku essays and found them an excellent starter kit.
What is Haiku?
What is Senryu?
What is Zappai?
Not Seventeen - More on Haiku
More on Haiku - Nature and Kigo
More on Haiku - Kireji
More on Haiku - Anthropomorphism and Suchness
Erotic Haiku
(I have not included book suggestions or reviews)
~~~
i had cause to sort out my own thoughts to help another recently. here they are...
these are my thoughts that i've picked up over the last few months of reading and learning. i may be wrong with some of them, but they are the guidelines i use.
Basically
-Haiku contains comparison, or contrast, or association.
-Observe a facet of nature, combine it with another image so a third image is formed in the reader's mind.
So,
yes:
1. haiku is based on one moment in nature
2. haiku written in japanese has 5-7-5 syllables, in english the general rule is to aim for less than 17 syllables.
3. haiku has a positive outlook (in the traditional form - more modern ku are allowing unusual haiku i.e. darker works.)
and,
no:
1. do not include human thoughts or emotions, or any words that need a human thought process to understand the concept. i.e. no human abstract ideas like 'paradise'.
2. do not include similar words i.e. frozen, frosted. - it's a waste of one word that could be put to better use. and also it is a double up on a kigo.
3. don't end with a verb.
4. don't include conjecture i.e. enjoying.
5. check adjectives are sense known, not intellectually known.
as for punctuation, and titles...
i do not capitalise anything, i do not include periods. i try to include kireji (a break). i do include a title for submission sake but it is taken directly from the haiku. i think traditionally haiku had no titles, but the anthology i have been reading has titles for Basho and his followers' ku. so i suggest if you have one, you take it from your haiku to be on the safe side.
grammar you'll pick up along the way with more reading.
if you're serious about learning the form, i suggest you read jthserra's essays on Haiku for your initial stop, and then hunt out reputable haiku sites online and books in your local library.
...i don't think it's a completely bad thing to begin writing haiku by using the 5-7-5 form. it is somewhere to start. you learn to minimise your words needed to convey specific images. but by refining the form further, you learn how to go that extra step and create special poetry.
keep writing and enjoy yourself

well, it sure seems that way at the moment. lolanyhow... with all the 'rules', the dos and the don'ts, there still seems to be a chasm between what is, and the personal preference of readers.
from what i've read, there seem to be many variations of writing ku from the basic 5-7-5, to the what you see is what you get kind of idea (forgive me Basho and others - yes my reading is still in embryo form as yet), through the comparison, contrast and association ideas, beyond the pun, the riddle, the metaphor, the double entendre, Etc. etc. (to miss-borrow an SJ trademark

so, what i'd like to know is...
what do you prefer to see/feel/understand when you read a Haiku?
what is your favourite Haiku? (please post one that has not been posted before so there will be a few different ku to look at.

(edited to add jthserra's essays on Haiku as this will help make it easier to find them)
jthserra's (submission page) Haiku essays and found them an excellent starter kit.
What is Haiku?
What is Senryu?
What is Zappai?
Not Seventeen - More on Haiku
More on Haiku - Nature and Kigo
More on Haiku - Kireji
More on Haiku - Anthropomorphism and Suchness
Erotic Haiku
(I have not included book suggestions or reviews)
~~~
i had cause to sort out my own thoughts to help another recently. here they are...
these are my thoughts that i've picked up over the last few months of reading and learning. i may be wrong with some of them, but they are the guidelines i use.
Basically
-Haiku contains comparison, or contrast, or association.
-Observe a facet of nature, combine it with another image so a third image is formed in the reader's mind.
So,
yes:
1. haiku is based on one moment in nature
2. haiku written in japanese has 5-7-5 syllables, in english the general rule is to aim for less than 17 syllables.
3. haiku has a positive outlook (in the traditional form - more modern ku are allowing unusual haiku i.e. darker works.)
and,
no:
1. do not include human thoughts or emotions, or any words that need a human thought process to understand the concept. i.e. no human abstract ideas like 'paradise'.
2. do not include similar words i.e. frozen, frosted. - it's a waste of one word that could be put to better use. and also it is a double up on a kigo.
3. don't end with a verb.
4. don't include conjecture i.e. enjoying.
5. check adjectives are sense known, not intellectually known.
as for punctuation, and titles...
i do not capitalise anything, i do not include periods. i try to include kireji (a break). i do include a title for submission sake but it is taken directly from the haiku. i think traditionally haiku had no titles, but the anthology i have been reading has titles for Basho and his followers' ku. so i suggest if you have one, you take it from your haiku to be on the safe side.
grammar you'll pick up along the way with more reading.
if you're serious about learning the form, i suggest you read jthserra's essays on Haiku for your initial stop, and then hunt out reputable haiku sites online and books in your local library.
...i don't think it's a completely bad thing to begin writing haiku by using the 5-7-5 form. it is somewhere to start. you learn to minimise your words needed to convey specific images. but by refining the form further, you learn how to go that extra step and create special poetry.
keep writing and enjoy yourself

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