haiku

Addotto

Virgin
Joined
Sep 5, 2002
Posts
4
haikus made for you
awaiting your sweet return
haikus for me too !



soft and so yielding
yet strong as new woven silk
her sweet tightening






at the very tips
tasting those rose confections,
standing proud and stiff





caressing her legs
naughty exploring hands fingers
eyes open to beg





kissing her long neck
she shudders puppy like
my hands at her breasts





opening up wide
so lovely she spreads herself
inviting my ride




wonderful wet wild
smiling, becoming wetter
honey flowing child



sea salty but sweet
sweat drops on her rolling breasts
and merge as they meet




pushing into her
penetrating her open gate
tongue tastes of wet fur



naked on her side
she feels my traveling hand
pull the sheets aside




joy trickles from eyes
trickle tickle blushing cheeks
curling around sighs



pushing up her hips
she takes everything I give
between her hot lips




my hand on her cleft
she wakes completely aroused
acceptant and wet




darkness, erection,
no need for our seeing eyes
for our connection



her hand on me
coaxing me erect and firm
to smile wickedly




riding and clenching
holding me secure inside
girl honey drenching
 
Haiku form

ADDOTTO, You have the classic 5, 7, 5 syllable style, but that is now considered to apply only when written in Japanese. In languages like English you can usually reduce the syllables.

Also, classical Haiku always refers to a "season" and has a break either after the first or second line that slighty changes the direction of the poem. - At least that is how I understand it at present. - But I could bge very wrong! :(


Regards,                 Rybka
 
Haiku doesn't need to rhyme. Does it hurt it to rhyme?
"has a break either after the first or second line that slighty changes the direction of the poem" I think that's right, Rybka. For such a short form of poetry, haiku can be rather complicated.
Where's SJ?
 
about Haiku

I am aware of the formal the traditional conventions of Haiku--i.e.--syllables per line,line breaks,indicators of seasons,origins of Haiku as psooible introductory pieces for the longer renga and tanka forms as well as it's ties to Zen mysticism and possible ties to the Bushido code. Really I am. My reference for this knowledge is ,of cours,R.H Blyth's two volume work " A history of Haiku (Hokuseido Press)--eight printing ,1980, also "An Introduction to Haiku" by Harold G. Henderson(DoubledayPress),1958, "Afterimages: Zen Poems" by Shinkichi Takahashi, "Zen Flesh,Zen Boines,a collection of Zen and pre-Zen
writings" complied by Paul Reps,Doulble day-anchor,1958
One more cite,please:"Haiku Poetry --a children's collection" written and illustrated by the children of The Wilhelm Schole-An American School for children of all nations.

and of course ,Joseph Campbells masterwork ---"The Masks of God -Creative Mythology"
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changing

Red-gold butterflies,
shaking out stored sweaters
flutter fluttering .


Standing with cold toes
Withered red flower petal
Ghost arms arond me.


the light green peepers
along the path wet edges
more sweet promises

Crackle sizzle pot
Heat sprites dance onthe rocks
time for watering.
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I am a bit informal with the use of my descriptive terms ,I admit, and thankyou for your kind help and reminders. Addotto
 
Well, I don't know much about haiku. I do like this one quite a bit...
soft and so yielding
yet strong as new woven silk
her sweet tightening

Very erotic.
 
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