Laurel
Kitty Mama
- Joined
- Aug 27, 1999
- Posts
- 20,695
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“You’re using this conspiracy theory as an excuse to avoid sex with me.” There’s plenty to choose from, but this is one of the better lines from “Annie Hall,” delivered to Woody Allen’s Alvy Singer character at the breaking point of a failed relationship.
The scene is a flashback to a time when many Americans were obsessed with the official explanation of the Kennedy assassination, as delivered by the Warren Commission, which published its report in book form in September, 1964, much the way that, decades later, the Starr Report was bound and delivered to bookstores. Television news programs were dedicated to parsing its findings, namely that Oswald had acted alone. But, of course, not everyone was convinced. By 1977, when “Annie Hall” was released, the suspicions mentioned in this scene had been fully absorbed into the culture—concerns about bullet trajectory and exit wounds and second shooters and Cubans and Johnson and the mob. It is a perfect kernel of character development: of course the anxious Alvy Singer was a conspiracy kook. His fear of moths helped ruined one relationship, why shouldn’t worries about a Kennedy coverup have ruined another?
If the official version of Kennedy’s assassination is true, there’s nothing funny about it. But a conspiracy might be. In 1991, the Oliver Stone movie “JFK” helped renew the spring of fascination about the murder and the lingering questions that have trailed it. A year later, an episode of “Seinfeld” transformed Stone’s so-called magic bullet into a “magic loogie,” one that had supposedly been spit at Kramer and Newman by the Mets first baseman Keith Hernandez.
[...]
There is something darkly comedic, and readily mockable, about the conspiracy theorist considered as a type: the lonerism, eager dot-connecting, and thinly-veiled death curiosity masked by a supposed quest for the truth. (Mark Lane, the author of “Rush to Judgment,” who toured talk shows in the sixties wearing bulky black glasses, may be the ur-Conspiracy Man of the Kennedy case.) Richard Linklater’s movie “Slacker,” from 1991, gives us another hero of the genre, the Austin, Texas, resident John Slate, author of the not-likely forthcoming book about the assassination, “Conspiracy-A-Go-Go” (or “Profiles in Cowardice”):
“You’re using this conspiracy theory as an excuse to avoid sex with me.” There’s plenty to choose from, but this is one of the better lines from “Annie Hall,” delivered to Woody Allen’s Alvy Singer character at the breaking point of a failed relationship.
The scene is a flashback to a time when many Americans were obsessed with the official explanation of the Kennedy assassination, as delivered by the Warren Commission, which published its report in book form in September, 1964, much the way that, decades later, the Starr Report was bound and delivered to bookstores. Television news programs were dedicated to parsing its findings, namely that Oswald had acted alone. But, of course, not everyone was convinced. By 1977, when “Annie Hall” was released, the suspicions mentioned in this scene had been fully absorbed into the culture—concerns about bullet trajectory and exit wounds and second shooters and Cubans and Johnson and the mob. It is a perfect kernel of character development: of course the anxious Alvy Singer was a conspiracy kook. His fear of moths helped ruined one relationship, why shouldn’t worries about a Kennedy coverup have ruined another?
If the official version of Kennedy’s assassination is true, there’s nothing funny about it. But a conspiracy might be. In 1991, the Oliver Stone movie “JFK” helped renew the spring of fascination about the murder and the lingering questions that have trailed it. A year later, an episode of “Seinfeld” transformed Stone’s so-called magic bullet into a “magic loogie,” one that had supposedly been spit at Kramer and Newman by the Mets first baseman Keith Hernandez.
[...]
There is something darkly comedic, and readily mockable, about the conspiracy theorist considered as a type: the lonerism, eager dot-connecting, and thinly-veiled death curiosity masked by a supposed quest for the truth. (Mark Lane, the author of “Rush to Judgment,” who toured talk shows in the sixties wearing bulky black glasses, may be the ur-Conspiracy Man of the Kennedy case.) Richard Linklater’s movie “Slacker,” from 1991, gives us another hero of the genre, the Austin, Texas, resident John Slate, author of the not-likely forthcoming book about the assassination, “Conspiracy-A-Go-Go” (or “Profiles in Cowardice”):
- read the full article The Humor in the J.F.K. Conspiracy (from The New Yorker)

