flyguy69
Arch Angel
- Joined
- Oct 29, 2003
- Posts
- 2,661
You're an exhibitionist at heart, aren't you? You know you are. You wouldn't be here, otherwise! And who isn't a voyeur when the show is good?
Well, here is a challenge to vent those gnawing desires, and to grow as a poet as well.
On several threads many of you have been discussing the merits of poetry based upon the effect a particular poem exerts on the reader. Isn't that what it is all about? Don't you write poems hoping that your words will strike a chord in the reader, opening his or her eyes to an experience or feeling of your own? And don't you look for poetry by others that seizes your psyche, shakes the dust from your soul and exposes a gem of emotion?
On February 22 Pat Carrington posted the following poem on the Passion thread:
Well, it turns out I wasn't the only one to find this poem erotic. Tristesse and I started to share our response to Pat's words in verse of our own. Over two days it grew into this poem (my contributions are in blue, Tristesse' are in red):
After we finished our cigarettes we realized how much fun it had been to leave the bedroom door open-- to let the world watch our collaboration in progress. And that we wanted to watch others, too!
So we propose this challenge:
1. Find a poem that turns you on (and get permission to use it!).
2. Find a partner that shares your reaction.
3. Write a poem in alternate stanzas that expresses your shared response.
4. Leave the door open. The poem must be constructed on this thread, with no editing or prior discussion (if you prefer to use a form, go ahead and work that out).
5 Put a period on it by March 11 (two weeks).
You needn't include the original poem in each step (though it might be nice to see it at least once so we know what is inspiring you), but include all previous stanzas with each contribution, and your final product should include the text of your muse. The use of colors or text effects is up to you.
Sponteneity is the key. We know you're beautiful people by the babies you produce, now we want to watch you make them!
Well, here is a challenge to vent those gnawing desires, and to grow as a poet as well.
On several threads many of you have been discussing the merits of poetry based upon the effect a particular poem exerts on the reader. Isn't that what it is all about? Don't you write poems hoping that your words will strike a chord in the reader, opening his or her eyes to an experience or feeling of your own? And don't you look for poetry by others that seizes your psyche, shakes the dust from your soul and exposes a gem of emotion?
On February 22 Pat Carrington posted the following poem on the Passion thread:
Just a minute, I need a drink of water...sometimes
i want you
but i don’t want you
wanting me
and
sometimes
when i don't want you
i want you to keep
wanting me
and
sometimes
i don’t know
what i want
or don’t want
or
what I want you to want
or not want.
can’t i be a shadow child, drifting
in the fog’s white gauze
on cloud-scarred nights,
feeding you rain?
walk to me in the dark,
turn off that floodlight.
do you really want to know me?
or just press up tight to
whatever i am?
maybe
you want me helpless, stretched out
in surrender. your mouth down,
feeding
or maybe
you just like being a sea storm
on legs
or maybe
you want to find out
if history takes it personal
or if torture can be suffered
quietly
or maybe
you just want to fuck every poet
on the eastern seaboard
hit every bar
taking doubles of anything brown,
up,
high-balled and butch.
you’d probably find one,
sooner or later,
who’d be able to say no
if only you didn’t
have that fine-ass twinkle
in your eye
and briar tattoos that scream
mischief and mayhem
and talk deeper
than bacall
and make every woman
in every room
want to burn you at the stake
and wear those blistering shoes
from hell
and smell so god damn french
and twist your tail just like
marilyn monroe
over and over and over
until every man
in sniffing distance
wants to turn your legs
into his fuckin’ necklace
Well, it turns out I wasn't the only one to find this poem erotic. Tristesse and I started to share our response to Pat's words in verse of our own. Over two days it grew into this poem (my contributions are in blue, Tristesse' are in red):
I think I'll just splash myself in the face!A necklace of thighs
and sighs
twisted
about my jaw
like knuckles in my hair...
Thighs that glide on
bristled jaw and
catch lashes in
passing.
Smiles follow hollow knees
bending bony and gone
too soon.
Topographic
one-road map
guides my tongue
to a curling wood.
Skin-blind driver leans
hard into the curve
while copilot
shrieks directions.
The navigator takes charge and
valleys parch as hills scorch
in the arid heat of
that rough and tumble drive.
Gripping slick sheets of
sweating skin we take the
downhill run free
of restraint.
No brakes, no breaks just
panting, laughing joy.
The precipice looms, railed
by frail expectations.
Careening ride tears
steel from post, splinters
resistance in a glittering shower
of eyelid sparks. Freefall,
tumbling,
wheeling through lush
space, she collides
with the feather-soft
cushion of a rented room.
Feathers fly free of fabric
like fireworks or
falling snow.
Oblivious, the lovers lie
curled in blissful bonds
as layers of down settle
covering their love.
"There goes the damage deposit"
He sighs.
After we finished our cigarettes we realized how much fun it had been to leave the bedroom door open-- to let the world watch our collaboration in progress. And that we wanted to watch others, too!
So we propose this challenge:
1. Find a poem that turns you on (and get permission to use it!).
2. Find a partner that shares your reaction.
3. Write a poem in alternate stanzas that expresses your shared response.
4. Leave the door open. The poem must be constructed on this thread, with no editing or prior discussion (if you prefer to use a form, go ahead and work that out).
5 Put a period on it by March 11 (two weeks).
You needn't include the original poem in each step (though it might be nice to see it at least once so we know what is inspiring you), but include all previous stanzas with each contribution, and your final product should include the text of your muse. The use of colors or text effects is up to you.
Sponteneity is the key. We know you're beautiful people by the babies you produce, now we want to watch you make them!