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Ishmael said:Ever really listened to it? Ever fucked to it?
Ishmael
HeavyStick said:Is it one of those Time/Life offers?
Ishmael said:Short timers. Look what 3 minute radio play music has take us to.
Sure MissT. Think you can keep up?
Ishmael
MissTaken said:Well, I know I can, but rest assured, I am certified in CPR so you are in safe hands!
Take the Geritol!
T.H. Oughts said:Danced yes but doing the wild thing, no...
Talking about wild thing.... the new av Ish
Ishmael said:Trackin' that thong down T.H. Gives "Bend over and spread 'em" a whole new meaning.
Ishmael
MissTaken said:
They never told us about fucking to it.
Wanna ?
MissTaken said:Yes, I have listened to Bolero when I took endless hours of music theory and comprehension classes.
They never told us about fucking to it.
Wanna ?
Samuari said:These young'ns never saw "10" with Dudly Moore laying it to Bo Dreeck to the tune of Bolero.
But have you ever fucked to Puff the Magic Dragon?
Ishmael said:Are they still delivering Oxygen in your neighborhood?
Ishamel
Hahahahahaha. That's the first thing that comes to mind for me too, everytime I hear that song or someone mention it. I must have been what, about 15, at the time. I so had the hots for Susan Dey, even with her funny mouth. By the time Blake Edwards used it in 10, it was already a joke.Temptress_1960 said:Bolero? How trite.
The problem with fucking to that piece of music is that the dynamics are too varied. Some parts are way too loud, others are way too soft. It's distracting.
Not only that, but I remember seeing that "fuck to Bolero" scenario on an episode of the Partridge Family, where Keith gets lucky.
I guess "longest crescendo" isn't a bad thing by way of sexual analogy.Since 1928, when Maurice Ravel wrote Bolero, the piece has been one to stimulate discussion and argument. It has been called "hypnotic," "boring," "nerve-wracking" and "captivating". Undoubtedly, it has been all of these things to different listeners. It is, in any event, the world's longest musical crescendo.
Bolero, however, is in no way a serious attempt at Spanish dance music. Ravel's Bolero is not truly a bolero at all. The basic rhythm pattern remains, but the tempo of this work is much slower than the bolero dance. The bolero is not even a true folk dance, but rather a theatrical concoction based on the polonaise, chaconne and the zarabande.